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Archive for March, 2025


 
Make something beautiful. Learn something.
                  —Wendy Videlock
 
 
She would not put on her resume, Dreamer of Spaces.
Encourager of Humans. Collaborator with Chaos.
Queen of the Incantation. The One Who Brings Drums.
Invoker of Imagination. Co-creator with Wildness.
One Who Lives on The Edge. Maker of Beauty.
But this how she changes the world every day—
with song. With paint. With poems. With trust.
In a time hellbent on hurt and destruction,
into every room, she brings love.
In a chapter defined by the most selfish of us,
she lives into how good humans can be
and invites anyone to join her.
Gives them a pen. A brush. A drum.
Gives them a nudge. A tarot card. An hour.
Feeds them poems. Feeds them dreams.
This, too, is our work in world, though
I doubt she would call it work:
To meet what aches. To do it together.
To open to hopelessness with wonder.
Like an artist. Like a mother.

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What if, in that moment when Wendy introduced us,
I had not been afraid to say more than hello?
What if I had not turned toward someone else
as if I had something I needed to say to them.
A week later, it’s so easy to see what I was doing
was turning away from the woman who,
through no fault of her own, daunted me.
What if I’d decided it was okay to feel afraid
and I invited myself to be uncomfortable
and stay with the interaction anyway?
What if I had asked her a question, any
open and honest question, such as,
“What felt good to you about tonight?”
Or, “How does it feel to be here?”
What if I had said nothing at all, and simply
offered her my awkward but honest attention?
How often do I let my fear make choices for me?
How much is lost in these moments of cowardice?
A chance for connection? A chance to meet
the small and uneasy parts of me that I would rather
hide from? A chance to see through my defenses?
A chance to be surprised by how generous
the world can be when I don’t turn away?

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Where It Starts


 
 
In the onion sliced open, are the same
concentric circles I saw in the water today
when my nephew threw stones
into the pothole in the desert,
same as the circles on the topo map
that radiate from the earth’s highest points,
same as the rings that spread
across the world when I send love far away—
 
amazing how sometimes
we can point to the center
of a complex feeling
and say here, here is where it starts.
And the finger that points aims straight
to our own aching heart.
 

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the day a river,
the moment a skiff
and the trill of the first
red-winged blackbird
both rapid and oar

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It was Daiva, curled in the armchair like a cat,
who began to sing the seventies’ jingle for Meow Mix,
meow, meow, meow, meow, meow, meow, meow, meow,
and instantly we all joined her as if we were singing
the national anthem, or Happy Birthday, or Old Lang Syne—
simple joy in the simple tune that brought us back to,
what, Saturday morning cartoons? To a time when
life seemed playful as a tabby cat singing for its meal?
Such cheap joy in this one-word lyric, almost embarrassing,
really, the intense pleasure in this commercial riff
that somehow sewed itself into our memory,
so much joy we rolled on the floor in laughter,
holding our sides as if to keep all that pleasure
from spilling out, but spill out it did, innocent and silly,
as if we knew we were being played by ad men, but didn’t care,
as if laughter itself is the most potent of currencies
when shared, as if by singing a song together—
whether jingle or anthem—the singing itself is what
helps us come closer to each other’s humanity.
And so, days later, when Daiva sends a two-word email
that begins with, MEOW, my heart opens. And though she’s
far away, I hear her giggle and I sing along.

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Snug little lump of timid flesh
whose fur matches the brown
grass of late winter, silent
little being with your long
pointy ears twisted back,
oh, soft little wide-eyed prey,
thank you for returning
to the yard this morning.
After two weeks of not seeing
your fidgety-whiskered nose,
I met your apparent loss like an elegy
I didn’t want to write. I am tired
of writing elegies, though this
is what life asks us to do—
to meet the world of loss
and learn the beauty
that grows from it.
So imagine my joy today when
I was driving in a faraway town
and my husband sent me a photo
of your mild, quiet bunny-ness
nibbling grass beside the porch,
one shiny brown eye open
to the camera. A wild gratefulness
for life flooded me then, keen
as a pasqueflower, bright
as a globe willow greening
on the winter side of spring;
and my heart leapt out
from beneath its shelf of fear,
vulnerable as you, little bunny.
 

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Living Dream


 
A cool and sunlit morning at the edge
of a canyon with the sun slanting warm
on my bare arms, and Craig said, “Lately
I’ve been dreaming everyone in my dream
is me, and what happens to them happens
to me and what happens to me happens
to them,” and in that moment with the light
still soft, I was a barrel-chested man with
a silvering beard and a halting half chuckle
and a dream of being a woman in white t-shirt
sitting at the edge of a canyon with the sun
shining warm on her long bare arms and
I tell you, it took no effort from me at all
for the moment to lose its walls and for
the self to lose its frame and I became
whatever a slant of light is—
I don’t even remember taking it,
that first step over the edge.

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Once I was embarrassed
you were a mockingbird.
I wished you were more
hermit thrush, more meadowlark,
more cliff swallow in the canyon,
heck, even wished you were
robin or wren.
At last I’m coming to see
the gift of learning another’s song,
letting it pierce you, own you,
then braiding it with your own tune,
to sing back to the world
as one.

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There are millions
of us here, billions,
all of us finding our way
on a different path,
as many paths as there
are griefs. But the field
is the same. Big enough
to hold us all. How is it
I sometimes feel alone,
when every other human
has gathered here
or will gather here
someday? How do I
sometimes fail to see
how grief connects us all,
even when we can’t
get ourselves out of bed,
even when we wonder
why grief looks so different
from the way we thought it would.
Even when we’re breaking down
in a room that looks empty,
even then we are companioned.
Even when we’re most alone,
we are never alone.
 

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You would be jealous, I think,
of how your sister is learning trig,
speaking Spanish, playing bridge.
You’d probably tease her, but really,
what you’d be thinking is, She is so cool.
And she is, sweetheart. She’s fun
and silly. Like you. Only like her.
We talk about you, of course.
Just this weekend, we remembered
how once you said if a 99-pound person
ate a one-pound burger, they
would be one percent burger.
I wonder what percent of your sister
is grief? And what percentage love?
Tonight a girl asked her if she had any siblings.
She said, yes, a brother. When the girl
asked her how old you were, she told her
the truth. That you were seventeen
when you died. What a terrible gift
to learn how to say the hardest things straight.
I can’t help but think if you are watching her,
you, too, must be in awe of who she’s becoming.
Oh, how we learn to grow from whatever soil
we’ve been given. I do not pretend to know
how this works. I only know she
is learning to transform ache into beauty,
nightmare into dream. I only know
I long for her to know love from you
the way a garden feels loved by sun, by rain.

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right where I am
and find the peace
that is already here,
notice the way
peace is what
holds all the tension
in the same way
silence holds noise,
in the same way
the dark holds the sun.
Right here. Right here.
An infinite peace,
an unwavering peace
great enough to hold
all agitation, tender
enough to hold
even the most
shattered heart.  

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I am here to remember my place
in the field, to remember again how
what looks dead can, in just a few days
of warmth, turn vibrant and green.
It can be so hard sometimes to have hope,
yet even knowing what winter did,
look at all this life.
I am here to remember again how the field
is made of uncountable blades of grass,
and how I, too, am one of many
that make up the whole, all of us growing
together. Knowing this, I feel at the same time
the truth of my insignificance and
the truth of our mutual greatness.
I come to the field to learn what the field knows—
a belonging beyond language, a vastness
that opens in me, a cell-deep trust in life itself.
This is how we learn. By listening. In the wind,
each blade of grass sings the smallest of songs,
joins in a chorus of rub and swish and kiss
as each blade whispers, this, this, this, this.
 

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I say I love the still days best,
but today it’s the wind that thrills me,
how it moves the air
and blows old leaves
and whips my hair
it shifts the dunes
and roars through trees,
and shreds the clouds,
makes canyons moan,
and melts the snow
and spreads wild seeds,
makes energy,
and transports desert sand here,
 
but what I love best today of wind
is how it equalizes the atmosphere,
brings cool to what’s warm,
bring warm to what’s cool,
I love that it’s created by difference
and it diminishes difference, too.
What wind does our country
need now?
What great invisible force
could appear to equalize us
and whirl us into one?
Oh the wind, how it charges
the air today.
Just rise up, it seems to say. 

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I realize I am no longer a slender sapling.
No longer a pink cherry blossom in spring.
But I am not done with my blossoming.
I am not yet done with serving
sweetness to the world.
I am so grateful for all those years
that taught me the importance
of tending to soil,
how to meet drought, how to prune,
how to thin, how to plan.
But I am no longer a sapling.
Nor am I a workhorse of a pear tree
grafted decades ago.
I aspire to be more like purple mustard,
a weed growing exuberant and thick
in the long orchard rows—
grown to suppress all other weeds,
intent on improving the dirt,
a pest control, good for tilling,
a natural biofumigant.
But most of all, there is no stopping
that deep, sweet, surprising
and beautiful scent.

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And then came the day I discovered
a sky full of birds inside and around me,
all of them singing love, love, love.
Around my shoulders appeared
a cloak of stars going supernova.
In my womb swirled a chorus of waves.
How could I not have known I was
growing a crown of antlers?
How could I have missed
my whole life has been preparing me
to transform who I am for love?
Now all I want is to open enough
to let love do with me what it will.
I want to be in service to the radiance
that even now begins to shine through.
I want to lose what I thought I knew
of my story. And though fear is also here,
I want to surrender to the strange
and insistent voice of love saying,
These are the gifts you’ve been given.
Now, sweetheart, now, be the change.

—Rosemerry Wahtola Trommer

*
Well, today was such fun, friends! I spent it with my friend Kellie Day (you can hear an interview I did with her on Emerging Form here), and we created these fabulous, powerful versions of ourselves (almost six feet tall!, using paint, collage, spray paint, marker). Between each stage of art, we wrote poems inspired by process, parts of which entered our paintings (see my word-lined cloak and Kellie’s “goddess bodice”). It was such a day of self-discovery, surprising potential and infinite possibility. Maybe you’d want to join us in person May 30 when we offer a class together? If yes, let me know and I can put you on a list for information. 

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