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Posts Tagged ‘allowing’

First, love builds
a house. It shields
you from rain.

It guards you
from wind. It
makes altars

for your most prized
possessions. Then,
and quite some time might pass,

love razes the house to the ground.
Tornado, perhaps, or
termites. It doesn’t much

matter how slow or fast.
It’s gone. The house
is gone. And then,

in the rubble, the silence,
the eternity
before you move

to refashion the scraps,
love whispers, and only
some will hear,

No darling, you
don’t need the house.
And then love is everywhere.

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Noticing the space around people and things provides a different way of looking at them, and developing this spacious view is a way of opening oneself. When one has a spacious mind, there is room for everything. When one has a narrow mind, there is room for only a few things.

—Ajahn Sumedho, “Noticing Space,” Tricycle Magazine

Never mind that she didn’t know

how to spell it. Never mind she didn’t

know where it was. Never mind

she had never once given it a thought.

Rosemerry’s psoas was aware of her.  Buried in her body,

engaged in its habitual patterns of holding on,

the psoas had not heard about how

fine she was doing, how relaxed she

she was, how she was learning more

each day about the art of letting go.

The psoas was not in any hurry. The psoas

let her believe whatever it was she wanted

to believe about her posture, her flexibility,

her strength. And when Rosemerry finally

did meet her psoas, it was a very quiet invitation.

She had thought she was on a date

with her ischial tuberosities, or perhaps

with her left adductor, her left hamstring,

or her left knee. But there, beneath her awareness,

patient and persevering, the muscle waited

in silent revolution. It’s all subtle until it is not.

The burn of it, the gasp of it, the unlayering

of pain. The red of it, she nearly panted,

the wilting of her bravery. And oh, the space

left in her then, how lying on the table

she felt how she was being breathed

and for one moment glimpsed, not with dread,

but with gratitude, a little hint of just how much

deeper she might go.

*with thanks to Tim Lafferty

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Again, the wave.
The softening. The scrubbing
away of whoever I think I am.
It does no good to wish
it would stop. Everything returns.
Erosion is not a curse.
It is the way the world works.
We build ourselves up
only to lose what we build.
There is no real loss in this.
The sandstone returns
to sand before returning
again to stone. All the grains
are accounted for.
There is no thrill in counting.
We break down until
the breaking down is done.
I try to not plan the rebuild.
For now, grace in the breaking,
grace in the way the waves
of loss move across me
until I am smooth, until
I can move with the waves
and let myself be led, until
there is nothing left to do,
even the wishing gone.

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the fine print

he will hurt you and you will hurt him. you will want to pull out all your hair. you won’t have to. it will begin to fall out on its own. you will find blame and then come to see that everything that frustrates and angers you will point back to you. there are days this will feel like freedom. you will see all the lines you drew around the way you think that things should be. you will lose the energy to redraw them. this is what is meant by love. it will consume you and you will lose every idea you ever had about what love is. you will lose any ideas you come up with as replacements. you will fall into tenderness you never dreamt of and keep falling. everything you thought was a handhold will slip by you or disappear. you will lose yourself and think this is a blessing. you will be blessed and you will be blessed. you will remember not reading the fine print, signing your name with a flourish of free flowing ink. you will forget how to regret. there are no returns. you will fall into love beyond imagining.

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Like Today

Sometimes the fences
of our thoughts fall down
and in that open meadow,

we know ourselves as each other.
In these moments,
we are overcome by tenderness,

and it is impossible to imagine
anything but love.
Any positions we had,

any delusions of me versus you
any stances of defensiveness or blame
evaporate. In those moments,

we give our everything to each other,
and there is no difference between
pain and joy and fear and courage—

it is all one immense feeling
that moves through us just as wind
moves through blades of grass

all waving as one immense field.
In these moments, which are perhaps
equally forever and now,

there is nothing to figure out,
nothing to plan, nothing to build
and nothing to learn. Though when

the fences are up, it’s almost impossible
to imagine it could ever be like this.
so impossible to imagine not staking in

just one more post, just one more rail.

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Some days the stories
are thin, precious gossamer,
so glittersome, so smooth
that we weave them
and weave them and
follow them through
and spin them and spin
until we are thoroughly
unable to move, so wrapped
in those beautiful strands.
And it is nearly impossible
to imagine the stories aren’t true.
After all, who is doing the telling?

But the strands start to pull and restrict
and tug, and the story lines crisscross
and bind. And it’s harder to breathe
with this tangle of plot and who did what
to whom and how and how else it should have been.

Don’t be too quick to throw them away,
says my teacher. They are a gift, she says.

I follow one once upon a time
and notice how hard it is to let it go.
I know this story by heart, by blood,
by word, by dream, by now.
And slowly, more tenderly than
I might have thought,
I feel the gauze begin to loosen

until I can feel it’s more painful
to hold on to the thread
then to let it drop away.
And still I hold on and watch
as another gossamer strand
begins to swirl. I can laugh
at the impulse to grab at it
even as I reach for it with my hand.

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Where We Are


The path is the last impediment to the path.
—Lama Dzongsar Khyentse Rinpoche

The path had not ended.
We had not arrived
anywhere except in a stand

of spruce where a new path
sprung to the left, and another
narrower path led to the right.

The main path curved up and
around the corner. I did not want
to turn around. I wanted to

arrive somewhere—to have
a marker of some kind. A view,
perhaps, or a giant stone.

Or a field of pink Indian paintbrush.
As it was, we turned back down
at the spruce glade where the paths

criss crossed. We all know we can never go back.
But this path gave the impression
that all was the same, that nothing

had changed between the time we
hiked up and the time we chose
to hike back down. But everything

had changed in the way that everything
does. And we didn’t notice it.
As we seldom do.

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beside the petals
curled tight in the bud—
learning to find
them beautiful whether they ever open
or not

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One morning
we will wake up
and forget to build
that wall we’ve been building,
the one between us
the one we’ve been building
for years, perhaps
out of some sense
of right and boundary,
perhaps out of habit.

One morning
we will wake up
and let our empty hands
hang empty at our sides.
Perhaps they will rise,
as empty things
sometimes do
when blown
by the wind.
Perhaps they simply
will not remember
how to grasp, how to rage.

One morning
we will wake up
and we will have
misplaced all our theories
about why and how
and who did what
to whom, we will have mislaid
all our timelines
of when and plans of what
and we will not scramble
to write the plans and theories anew.

On that morning,
not much else
will have changed.
Whatever is blooming
will still be in bloom.
Whatever is wilting
will wilt. There will be fields
to plow and trains
to load and children
to feed and work to do.
On that morning,
in every action, we will
feel the urge to say thank you,
we will follow the urge to bow.

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There I go again,
thinking that if
life were different
it would be better.
In specific, I wish
that you were different.
Which is to say,
more like me.
Which would,
I do not need to think
long about this,
be a total disaster.
Okay, so that’s not
what I want, I don’t
know what I want,
I just know that I don’t
want what is. And that,
I don’t need to read
Tricycle magazine
to know this, is the recipe
for unhappiness.
Okay. So I tell myself,
pretend everything
is the way it should be:
You the way you are.
Me the way I am. And
all those other folks
screwing up too, just
like screwing-up you,
just like screwing-up me.
And then there’s the goldfish
that died in the middle of it all.
And the rash that came back.
And the news. There is always
the news. The night leans in
to laugh at me.
I lean back, knowing
I won’t be caught.
For a moment,
I almost believe
that everything’s for the best
till I see the one who thinks
she has to think that,
and then I’m falling again
into the night’s leaky net.

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When it’s dark,
we tell ourselves
any story we can
about the return
of the light. Say
there’s a mother
grieving her daughter
who’s lost
to an underground king.
Say there’s a sister
who hides in a cave
fearing her brother
the god of storms.
Say that through lures
or begging, the girls
are returned, they
bring light
in their wake.
Use history. Say
the light’s always
come back before.
Use science. Say
it has something
to do with the tilt
and the turn and the rate.
Get fierce. Say you’ve seen
enough of hate.
Get desperate. Say
it takes only a crack.
Start chanting. Start
dancing. Bake cakes
filled with cream.
Give your blood. Give
money. Give any offering.
Or taste the darkness.
Begin to know it as itself,
not as the lack of light.
Let it touch you everywhere.
Let it touch your everywhere else.
Feel how infinite it is.
Say nothing. Get quieter.
Be very curious.

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This being human is a guest house.
Every morning a new arrival.
—Rumi, trans. Coleman Barks

Shame brings you coffee
to wake you. She has laced
it with cinnamon and chicory.
She sits on the edge of your bed,
offers you the warm cup.
This is not what you expected.
For two years, you’ve kept
the door locked
so she couldn’t come in.
Perhaps you thought
she would smell
like rancid sardines.
Perhaps you imagined
she would grasp you
with hideous, deformed
claws and not let you go
or sit on you until you
deflated. Instead, she loves you.
She tells you so. She smiles
at you with such sincerity
that there is no way
to not meet her eyes.
She does not bring up
anything you have or have not done.
You do that yourself.
Good Morning, she says.
You choose to believe her.
To your surprise, almost
as if you are watching yourself
and in yourself at the same time,
you hug this unlikely friend.
And then—is it because you
leaned toward her instead
of hiding under the covers again—
she leaves. Just like that.
You almost want her back.
The cup, though bitter,
is easier to drink than
you thought
it would be.
You drink it until
there is nothing left.
God, you feel awake.
As if you could walk
to Wyoming from here.
As if you could rip off
the door lock with your bare hands.
As if you could meet anyone,
even yourself.

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(with thanks to Barry Spacks for the fine title)

practice 1:

Do nothing. At the moment
you feel your shoulder
pull back to strike the child
who has just hit his sister
and made her cry. In the next
moment, let the next plan rise.

practice 2:

Let the day know more
than you. Say it is raining.
Say there is a tree. Though it does
not keep you dry, there is a swing
hidden in the branches within reach.
Swing. Though you are drenched,
my god, it is fine to swing.

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A woman watches the snow
as it falls out the window.
She reads another book
to her daughter, this one
about the sea.
The phone does not ring.
The door does not open.
An hour falls away. Outside,
the sun is fierce and the sky pellucid.
The woman and her daughter
paint beans. They turn them
into a game and count
how many sides are green.
Outside, another squall.
The woman listens
as the girl makes up a song.
They eat soup. Read another book.
The sun moves an hour across the floor.
The day goes on and on this way.
The woman doesn’t once think,
I am happy. Happiness is her.
The snow falls. The sun comes.
Today, she greets them both the same.
The woman is lost, perhaps. Only not.
She is finding herself in the current,
unconcerned for the moment
if the tide is going out
or coming in.

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And Not Push Any of It Away

The way the morning sun
in the kitchen shows up all the fingerprints
on the cupboards
and casts shadows past
every crumb on the floor—

isn’t it like that,
a woman who once
begged for more light
only to see, as the light
grew, so many messes
that had gone unseen.
That is not how she’d
told herself it would be.

Perhaps this is
part of what she sees,
not only the mess,
but the one who thinks
she must do something.

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Our Names Here

The way the sky
changes in the morning,

so swiftly from rose billow
to long gray brush strokes,

that is the way we love.
One moment we think

we know something—a contour,
a hue, a silhouette. We say,

I love this. We say it fiercely
or tenderly, it doesn’t much matter,

it changes. There is no sadness
in this, though we weave sadness

out of our longing. Blush, it will come
again, only different, a gift

offered and offered, endlessly.
Oh fools who think we prefer

it one way or another, when
at every moment the sky

comes alive for us, even in
darkness, sweet sweet darkness,

even in whatever shade
and shape we see right now.

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like playing piano well
this love, practicing
every day

*

show me, said the leaf
another way to see
the fall

*

trying to find
an oracle when it’s really
just a broken glass

*

cranes in the field!
or just geese—bidding the heart
to swell equally for both

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Contrary

So easily the world
makes itself new.
Like today, how all
the footprints and tracks
of yesterday are buried.
The cars are buried. The drive.
The pinecones. The birdseed.
Of course they’re not gone.
We all know the snow melts
and the world will be
the same as it was, only
it won’t be. We know
that, too. I have dreamed,
perhaps, of the snow that
could cover me, make
me new, erase all the
scars and pains. But I don’t want
to start over again. I bow
to all those thoughts, all
those pains, all those scars,
that brought me here
to this snowy windowsill
on this last day of the year
when the world looks new
and I am so grateful to be
this woman growing old.

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on the wall
those shadows so much larger
than our problems

*

in the frost
on the window she writes
her name

*

recalling all those
prayers
I never learned

*

like a worm in kale,
something nibbling
all night on her dreams

*

air, snow, shadow, wind
she loses any names
she has been given

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How It Is

All day fear knocks
or bangs at the door,

sometimes whimpers,
each time an invitation

not just to open the door
but to tear it down,

the walls, too,
to unclench both hands,

though you think, I can’t do this,
but you do, and while

fear hangs on you like a leaden
scarf, like wet gray wool,

you notice how dazzling,
how warm the sun.

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