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Posts Tagged ‘family’

Noel, Noel


 
for Diane
 
Though my fingers fumble through
the joyful and triumphant chords,
though the notes are too high
for me to sing without stridence,
and though Diane’s alto is no longer
steady as it was over twenty years
ago when we began this Christmas ritual,
still we snuggle side by side
on the black lacquer bench
and harmonize through the deep
and dreamless sleep and the child
who shivers in the cold, we sing
of hopes and fears of all the years
and though we are clumsy and stilting
and downright not good, we are singing
through the darkest part of the year,
through this tender time for us all.
The light of an ancient star shines inside us.
And as we stumble, we laugh and
sing that light back to the world.
 

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                  with a phrase from Augusta Kantra
 
 
To sit late at night by the small fire
my daughter has made using cedar wood
split by the man I married over thirty years ago.
To feel the good heat of it reach through
the thick muscles of my back, infusing
me with such honest contentment
I unfold in the warmth.
To feel grateful for this small constellation
of family, humbled again and again
by the tenderness we offer each other.
Is it everything, this whispery moment,
with its soft glow of enoughness,
this ease that arrives in me,
as quiet as evening, when I am able to honor
every wanted and every unbidden thing
that conspired to bring me here to this hearth
in winter’s dim light. And like a violet
that can’t help but open at the slightest warmth,
I fall in love again with this life.  

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                  title inspired by Jen Soong’s poem of the same name
 
 
Two thousand eleven. That’s what it all adds up to
when we add my great nephew’s birth year with his older
brother’s birth year, plus my daughter’s birth year,
plus my own. Two thousand eleven. This number
relates to my daughter’s ease in the world and
my great nephew’s joy in making art out of acorns
and my own thrill in writing and my other great nephew’s
pleasure in finding numbers to add together. We are,
of course, much more than the sum of our parts.
But we are, also, of course, shaped by such numbers—
how many times we have walked by the sea together,
how many times we have circled the kitchen island playing chase,
how many bounces we have done on the trampoline
and how many pie day races we’ve completed together.
There is this equation  in which tag and I Spy and tickling
and peregrine falcons and the tears in my eyes equal
fierce and wild love. There is this piece of paper covered
in carefully shaped numbers. There are the parabolic curves
of our smiles. There is this scent of woodsmoke
still clinging to my hair.

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After


 
 
After the leftovers have been spooned
into storage containers and the forks
are all snuggled back in their drawers,
when the few who are left are sprawled
on the couch or curled on the floor,
and we’re sleepy-eyed and sated
and telling stories and laughing
at ourselves, this is my favorite part
of the day, when all of the fixing is done
and we settle in with questions we know
we will never answer, and instead
of solutions we are left holding
nothing but ache and love for the world
and for each other, and somehow
instead of despair, this utter lack
of resolution serves up such
gladness—we’re here to meet
what is hard together.
 

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Nothing like walking in the forest,
this gathering in the grandstand
to watch race cars blur past each other,
scent of hot rubber acrid in the air,
not at all like wandering through
a sun-dazzled glade, moss soft
and green beneath my feet,
but sitting near the starting line
with hundreds of thousands of humans
with my daughter leaning into me,
my husband and my stepdaughter
and her husband beside me,
and the memory of my son knocking inside,
the heart proves again how it can fling wide
its gates for many kinds of joy,
many forms of beauty, even those
we’d never considered before.
The heart can sing for them all,
as tonight when it sings along
with the high-pitched roar
of the engines, the deep bass rumble
of the earth. Why should I be surprised?
There are infinite ways to feel connected, alive.

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Matriarch


 
 
From the hallway, I hear her
growl her disappointment
when my nephew’s football team
fumbles the ball. And by the time
I enter the door to find her
riveted to the livestream,
she’s squealing, whooping,
calling out his name,
her voice a bright wing
that careens through the room,
a raven let loose from a cage,
and I can’t help but fall
more in love with my mother
who crows with wild, unparalleled joy,
a noisy, exuberant ecstasy,
and I realize I am sky—
as if the wings of her love
shape the terrain where they fly.
She cheers louder for my nephew;
that love makes the space inside me
even more vast, even more beautiful.

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In the painting no one did,
we don’t see the Beaver Moon,
but it is there, full and shining
on the other side of the earth.
What we do see, as if from a bird’s
eye view: the hands of three
generations of women hovering 
above a square wood table.
They hold bright puzzle pieces,
and beneath their fingers, a vibrant garden
has begun to emerge.
What we don’t see is the light
and gauzy conversation—the kind
that swoops, swallow-like, through
the field of the moment, the kind
that swerves and lifts, suggesting a space
unconstrained by straight edges.
In the painting  no one did, the garden
is always blooming, the hands never age,
nothing sad ever happens,
the candles on the cake, also not pictured,
are never blown out, the banter
never ends, and like the unseen moon,
the love is there, reflecting, radiant,
shining beyond the frame.

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I want to bottle it,
tonight’s drive
with my girl,
both of us singing
full voice,
so when I forget
how good it can be
in this world,
I can dab it
behind my ears
and inhale again
the joy of singing
through the dark
that brazenly,
that together.

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There was that winter day when the ice floe
had cracked the river ice into giant slabs
thick as my open hand, tall as a child.
Our family gathered on the river bank
and played with the fractured chunks to make
sculptures—ice huts and ice caves and
a long ice wall that curved and snaked
through the snow along the river’s edge
like the spine of a giant stegosaurus,
jagged and upright. It’s never happened
again. The ice slabs always freeze together  
or crush into bits, but that night,
we went out with dozens of candles
and lit the ice structures from within.
And the glow then, the gold that blazed
through the ice, was the kind of luminous
magic that winter seldom knows. What
was shattered and sharp, heavy and cold,
became radiance, brilliance, a visible hope
I didn’t yet know I would need, some proof
of what might transpire in the winter
of the heart—how broken and frigid,
it still might become a means
to gather beauty, to amplify the light.

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delayed on the tarmac
my inner scheduler
decides to nap

*

walking on blue cobblestones
we arrive
six hundred years ago

*

that man playing harp—
his voice opens doors
in the air

*

unsure what comes next
I translate all my worries
into purple orchid

*

best rainforest guide—
two-note song
of an unknown bird

*

decades of calamities
and triumphs
to be just another body on the beach

*

my tears unnoticed
I offer myself
a tissue, a shoulder

*

from the calendar squares
I fell with a splash
into warm blue water

*

night full of rain—
come morning light
my dreams shine

*

squeezing lime
into the ripe papaya
scooping out delight

*

in bioluminescent water
I write your name
watch the blue cursive disappear

*

picking your pocket
hoping
for a poem

*

no hard feelings, pigeon,
rumor has it
this is good luck

*

paddling to the island
drunk on blue
my eyes keep swerving

*

the way the ocean
never refuses raindrops—
learning to let in the whole world

*

back at the empanada café
hoping to fall in love again
with spinach

*

remembering with a start
nothing
is happening

*

a full moon
in my body—
all around me the tides

*

after floating in saltwater
hand in hand with my girl,
on land, still floating

*

between the missiles
and the song of the ocean
this chance to love

*

distilling the dazzling day
into three-lines
and one glass of wine

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