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Posts Tagged ‘grief’


 
we discover that falling in the canyon is our initiation
—Mark Nepo, “The Life After Tears”
 
 
I didn’t land. I fell and I fell and I fell.
At first as I plummeted, I feared the landing,
imagining an imminent crash. Then,
I fell through nights and middays. Fell through
kitchen floors and highways. Fell through
birthdays and Saturdays. Fell until the sense
of groundlessness was so familiar it no longer
felt like peril. I don’t know when I stopped falling.
There was no splat. No splash. No crushing of bones.
No sense of arrival. In fact, I am not certain
I am done with my falling. But I do know now
the falling is not something to be feared.
Not that we grow wings. This is not about flying.
It’s about falling. About meeting the gravity
and feeling its force and letting it carry me
in ways I have never before let myself be carried.
Now I know that the canyon of grief is
just another name for living the fullest life.
The reward for the falling is to no longer
expect a reward. The reward of falling is to
learn to not resist the falling. The reward of falling
is to feel how grace falls with us as if holding
our hand, like a teacher, like a friend.

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I don’t know why sometimes
the same story can feel like ash
in the mouth and another time
like flame. Each time the story
is the same, but sometimes,
it scorches to share it.
I am thinking of today, how I read
a poem about your death
as if there were no more fuel to burn,
reciting a fact, as if saying,
There is no snow in the yard.
Five minutes later, I read the same
poem and had to restart four times
just to get past the first two lines.
I prefer the flame. Prefer to be moved
by how much you’ve changed me.
Not to dwell in the loss, but not
to shy from being torched by love.

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After Reaching for You


                  for Finn
 
 
There was a list. We were laughing.
This is all I remember as first light
enters the windows, slips
somehow through closed lids.
I keep my eyes closed in hopes
that if I am still enough I can grasp
an image tendril of the dream
and tug it closer.
For hours, it doesn’t work.
When I stop reaching, what is here
are real memories of you—your
head bent over the table doing math,
how jealous you were of your sister’s
snowman stuffy, the way your feet hung
over the end of almost every bed.
Is it true all I had to do was stop reaching
for the dream so that whole skeins
of memories could unravel and wrap
me in their long, faithful strands?
Is it true being still is now the best
way I can hold you? I am still.
Somehow in the softening, I don’t feel
your hand here in my open hand, but I do.
 

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The Talisman


 
 
It wasn’t the time he taught me to ride
without training wheels. Wasn’t fishing
on the lake for crappies or hunting
in the Wisconsin woods for squirrels.
Wasn’t the cassette tapes he made me
when I moved away from home or the rare tears
he cried when I left. It wasn’t the way
he forgave me when I forgot to call
on his fiftieth birthday. Wasn’t the white
sweater he bought me the year before he died
because he said I looked so beautiful in it.
Or maybe it was all those things—everything
he did, everything he was, every quiet touch and
unsung sacrifice ,so I never once doubted his love.
His love as solid as he was. His love stained me.
Can never be removed, no matter how fiercely
the world tries to scrub me of hope.
Every day I take in the violent raids,
the infinite ways we defile and dismiss
and destroy each other. And still I can’t unknow
his love, can’t untrust we are capable
of such goodness, such unflinching generosity.
His love, the talisman I wear in every cell.
It protects me not from the horror, but
from the error of believing the horror is all.
There is also how he hummed to me
when I was scared. How he cheered for me,
even when I failed. How in my most vulnerable
hours, he held me and whispered my name.  

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When Memories Come Back


 
 
I love when people share memories of you
I have forgotten. Like when your big sister
remembered the time we visited your aunt’s
new home, and you, six years old and unstoppable,
were entranced by the decorative glitter glued
to her walls, and while the rest of us were nearby
making food, you stood there in the hallway
and picked at the sparkles until there was a pile
of shine on the floor. “And she was so mad,”
remembers your sister. The memory glimmers
in me like the first stars at dusk, barely there,
but becoming more clear by the moment,
then shining and bright. Yes, that’s what it’s like when
old memories return. I get a shining sliver
of you back. Like finding some constellation
that was always there, I had just forgotten where
to look, and now it’s so present, so true,
I can use its light to navigate my nights.

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The woman walks into the woods.
How beautiful, she thinks, though
on closer look, all around her
the woods sprawl in wild disarray.
Fallen logs decompose, wood rots,
decays. Bark peels. Brambles scramble.
Berries darken and shrivel. Moss drops off
in great chunks. Broken sticks hang
from broken branches. And all of it belongs.
She thinks how messy grief can be.
The barbed thorns of anger, vast thickets
of I don’t know. Most times there is
no trail at all. Why did she think
human nature would be any different from
nature itself? Oh this messy humaning.
She tells herself, All belongs. All belongs.
The more she believes it, the more she feels
the forest inside her, witnesses how the more
it stretches, the more it rots, the more it grows.
 

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Dear Dad,
Yesterday I met a man who went fishing.
It was sleety, bracing, gray.
He went fishing anyway. Actually,
as you would say, he went “catching.”
Just one fish, he said, but I felt his gladness,
the modest kind that does not
depend on good weather, the gladness
we feel when we follow the pull
of what we love. Like how I find pleasure
in writing, even when the conditions
are heartache and loss. Even then,
there’s pleasure in standing in the river
of the moment, my whole body attuned,
waiting for the tug. It made me feel close to you dad,   
the way his face lit up, just as yours used to
when the talk turned to what was biting.
And now writing to you about my day,
it’s like I’ve cast a line to you. The rain
in here tastes like salt, but oh the gladness
when I feel it on your end, the tug.

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The Mirror

Overnight, every red leaf on the maple tree
has fallen to the ground and formed
an imperfect pool of red around
the solemn trunk, the dark bare limbs.
This is how it was the day you died.
In an instant, the tree of me went
from radiance to nakedness.
Impossible to hide.
Years later, I see what I couldn’t
see then—how beautiful to be that bare
when all that is lost is still so close,
when the limbs of the body
still remember the exact texture
and weight of what they once held.
How sacred that nakedness,
that opens us to the world.
I have grown so many new leaves.
That sacredness has never left.

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What if it’s like baseball,
Paula says, and you enter
the room the way the players
enter the field, with a theme song?
I look around the spacious room,
chairs and cushions set in a large circle,
flowers, candles and tissues in the center.
What if, when everyone is already
sitting in the circle, you kick open
the door and make an entrance
to this? And she pulls up a tune
on her phone. It begins slow—
strings and cello.
“Funky Town?”
She laughs as I strut
to the center of the room,
knees bent and flapping,
arms pumping in the air
to legato orchestral disco.
I welcome the invisible crowds.
No ball, no bat, no ump, no score.
But there is this field where we gather
to meet what life throws at us.
There are these innings of loss,
these home runs of love, curve balls of ache.
There is this sacred diamond with facets
that light up when we talk about it,
talk about it, talk about it, talk about it,
these gifts when we realize
we are not at all behind in the count.
Oh my broken open heart, I think,
you don’t gotta move on.
You are right where you need to be.

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Though she’s been dead more than a year,
Donna sings to me through the recording,
her voice bold as she belts into Ladder Canyon
a song of celebration and goodbye.
The cancer by then was a longtime companion.
She laughs as the lyrics bounce off of sandstone,
and then she starts leaving space for listening:
And all I’ve done      (   I’ve done      I’ve done  )
for want of wit      (  of wit      of wit   ).
When the first verse is sung, she exclaims,
“That was fantastic!” Years later, the echo
resounds, though it comes in the sound
of my own voice pealing around my own room,
“That was fantastic!”  I shout back. And it was.
Fantastic to feel her again in the drums of my ears,
in the hum of my throat, in the thrum of my blood.
Fantastic to hear her singing those words we have sung
together how many thousands of times. But this time,
Donna’s not singing to blend. She’s shouting it out
like a shanty, haunted by shadows and lit up by life.
I’m so stunned by her voice, I don’t even try to sing along.
I absorb every wave of her, as if I could take her all in
and not have to give her back to death.
I play it again and again. Every time, I echo back,
“That was fantastic.” And by that, I mean the echo
in the canyon. I mean the song. I mean the gift
of hearing her voice again. Fantastic. I mean her life.
Fantastic. I mean her. I mean her. I mean her.

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