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Posts Tagged ‘life’

The day after I die,
I wake up a little late.
The sun is already
thick in the air—see it
glitter, all that dust I didn’t dust
before I died. I do not
dust it this day, either.
Nor do I worry
that I have not dusted.
I notice I have hands.
They are heavy
on my belly, my chest.
I rise. There is no
special exuberance
in the rising, though
it is a miracle. All day
I marvel. It is very quiet,
this grace. I saw myself
leaving these rooms,
this place. Yet death
came and went and
there is breakfast
to make and a job
to do and a hum
to be hummed by and later
this night when
my daughter comes
to me in her silky
pink Dora pajamas and
lifts up her arms,
she says into my neck,
I wish that my room
was farther away
because I like it when
you carry me and I
can pretend I
am asleep in your arms.
She pretends she is
asleep all the short way
to her bed, but when
I lay her there, she begins
to laugh and kick. Is this
what I have been doing
all my life, pretending
I am asleep? I lay with her
a long time, held by
invisible forces I could
perhaps explain but
do not understand.
All day, no one noticed
I had died. It’s not
that I was trying to hide
it. It must have been
all that life still falling
out of my pockets,
not that I was saving
it on purpose, just
that it was there
for the living.

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They’re higher than I would have thought,
these walls, and colder, too, the sunlight
only reaching the top of the maze. But I
have my thread and a crust of rye bread.
I am shuddering sooner than I’d imagined I would,
only six turns in. The sword is too heavy to carry.
I turn to the walls themselves, and say to them
what I have rehearsed to say to the minotaur:
What do you have to teach me?
Already it is unclear why I am here. Was I chosen?
Did I choose this? The walls say nothing at all.
They say, What does it matter why? You are here.
I drop the thread, eat the bread, lean the sword
against the wall and sing whatever tune
comes. The song ricochets in the narrow halls
and rises out of the maze toward the sky. I can see
it is blue. I can smell the wild roses that just this week
came into bloom, and though they are not in here,
they’re here. I ask the roses, what do you have
to teach me? They say nothing. They say,
it is not how to die, it’s how to be alive.
The minotaur, I hear his snarl. Part of me favors
to crouch. Part of me tucks the pink scent into my hair.

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She will not say anything about the aspen,
how they have lost their leaves. She will not
say anything about her own loss. The leaves
underfoot are still gold. She will not mention
helplessness. She is too busy smelling
that October smell that she admires,
loamy and rich, the scent of the world as it dies.

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Possibility


—time is a tree(this life one leaf)
but love is the sky and i am for you
just so long and long enough
–e.e. cummings

At dinner, the boy says
in a matter of fact kind of way
Did you know that one day

the sun will burn out?
Yes, says the dad, and
the little girl, starts to cry.

That means there will
be no more mornings,
she says. Oh sweetheart,

that’s true, says the mom.
But it will not happen
for a long, long time,

long after you are gone.
This is no comfort
to the weeping one,

who, between bites
of cucumber and rice,
is tasting the loss of light,

the end of warmth,
this life only so long.
Outside, three leaves

fall, golden and full
of sun, but she does not
notice them.

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Pin Up Haiku

yellow butterfly
so beautiful, wings spread
so dead

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Flipping through the magazine
I find an ad for my life. They are selling it
at a discount—20 percent off if you call
this month. The children are smiling.
Their clothes are clean, their hair
brushed, and in the picture they
are picking up their yard toys, laughing.
My husband, very handsome, smiles at me adoringly,
and I smile back. My teeth are perfect,
though a tad yellow, my smile real.
My Volvo, sea foam with tan seats,
must have just been through the car wash,
and it shines in the golden light beside the garden,
which is weeded and hoed. The lettuce,
already up, is thinned, and at least
from this distance there are no aphids
in the leaves. In the upper left,
the solar eclipse has just begun, and
there is a sense that the birdsong
in the picture has just quieted
so that one might better hear
the hushed rush of the river, not pictured.
In the lower right corner
an asterisk snuggles up against
some very fine print that mentions
how the picture is merely a suggestion.
I know that the next four pages
will be black and white text, 8 point,
with testimonies from my friends,
my parents, my therapists. They will
divulge all the secrets I tried for years
to hide under my skin. Six columns
of side effects: A predilection toward
weeping in public. Inability to remember
important dates. Addictions to Diet Pepsi, and
listening to a cappella versions of Lady Gaga.
Aversion to going to sleep. Perfectionism. Erroneous
belief in an ability to mind read. Decades
of low self esteem. It will go on and on,
getting more serious as it goes.
They will leave out the worst of it,
afraid to deter even the most
enthusiastic buyers. I will not read it,
knowing it well. I will just leap into the photo,
write SOLD across the top in big red letters
and point out to my husband that we almost
missed seeing the eclipse, but it’s not yet too late.
Then he’ll pull out of his new electric gator
four pairs of handy welder’s glasses—
I’ll offer two pair to my kids, but they
will be too busy arguing about whose
glasses are better to actually put them on,
but my husband and I will stand there together
in that warm bath of light,
marveling at how we almost
forgot to look up.

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A gift for you my heart would bring—the sweet release of everything, the breath I take before I sing…
—Jan Garret, JD Martin and Lisa Aschmann

This is what
we were born for—
the almost unbearable
softness of grass,
the sweet perfume
of blue weeds in spring,
listening to voices
that cannot be heard,
and reaching for that
which can never be held.
The popping sound
of the daffodil bloom,
Having our hearts
ripped open, and again
ripped open, ripped open,
still beating,
the weeping, the salt,
the communion of blood,
the awkwardness of it all—
and the grace.
The wanting and
the wanting to not want,
the roar of the river’s brown shush,
wings we don’t have,
the new leafing out
of the old, old cottonwood tree
and the long walk
to the cemetery
not long enough.
Oh this beautiful ache.
Ashes, we are not ashes
yet.

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Moonless
and still this
shining

*

I’m really getting to know it—
that big rock
in my path

*

dust storm
how many lives
did I just breathe

*

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After we break
we learn there is always
more to break
and
O
the more
we break the more
our light radiates

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Would I Sing More?

At dinner, I heard
about those in a tribe who,
as they die, will tie
around the dying one’s finger
a string long enough
to reach the sea. The other end
is attached to a boat
to carry away the soul.

I have wanted such a string,
not for when I am dead,
but for when I am alive,
something to secure me
to that most intangible part
of myself, as if it could be lost.

Perhaps the string would be less tether
and more reminder
that that distant land
wherever it is we go when we’re gone
is a lot closer than I think,
close enough that it’s probably
even now touching where the soft frayed ends
would be dangling so near my finger tip.

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sitting beneath the
nothing moon the only thing
stirring is my mind

*

in the produce aisle
slant of sun hits the bananas
and it’s gold, gold, gold

*

easy to give
away old clothes, old cups
not so these old thoughts

*

out of the dirt rise
oh! hundreds of small brown birds
our hearts: dirt and bird

*

Li Po drowned trying
to embrace the moon—I laugh
but still I reach

*

what’s crooked, what’s straight—
silence translates them
the same

*

new tea cup
and the same black tea tastes
not at all the same

*

not only when I am
quiet does the quiet move
through me

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young girls in pink
tutus—it’s hard to believe
we’re all dying

*

anti-aging conference?
we argue and research
how to stay young,
meanwhile, on our shelves
drums and flutes gather dust

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The willow branch
hung in rime
just as the sun
begins to shine
is a hopeless place
to be a bloom of ice,
but for that moment
such grace, such light.

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