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Posts Tagged ‘tragedy’


 
 
When was the first time you knew
you would never be loved for who you are?
The first time you knew you would disappoint
everyone when you dared to show up
as yourself? I think of Camille Claudel
in her white frock, the lacy one she was forced
to wear. Her mother’s anger when
young Camille would return from the woods,
mud-joyously smudged, after a day
spent forming skeletons in clay.
A decade later Camille would be the one
Rodin depended on to sculpt the hands
and feet of his masterpieces. He would put
his own name on her work. Decry her talent.
Disparage her truth. Have you, too,
had your gifts turned to weapons used against you?
Have you, too, had someone else’s hands
re-mold the clay of your life into a story
you cannot bear? Could you, too, like Camille,
carve your most painful moment into hard marble
and offer it to the world to see, a moment so raw
people would gasp when they saw it,
even a hundred years later, and filled with ache
they would say, oh, my god, it is so beautiful.

**

Oh friends. There are so many unsung heroes in the world. And I am so glad that during Women’s History Month (yes, it still exists and is still relevant), my dear friend Kayleen Asbo and I are hosting a two-week series on relatively unknown, remarkably talented women artists with incredible stories. The first week we learn about Camille Claudel, the subject of my poem above, who was first worshipped by and then vilified by Auguste Rodin. The second week we learn of the wacky, resilient Suzanne Valadon who was muse to Renoir, Toulouse-Lautrec, Erik Satie, and more, who forged her own artistic path, recreating the feminine from object to subject. It is STILL a radical act to celebrate the lives and contributions of women artists. Join us, please. Both weeks we’ll have six writing opportunities inspired by these women’s lives and their art. 

From Tragedy to Triumph: Writing with Great Women Artists
March 4 & 11, 11-1 mountain time
Zoom
$50/$80/$100
Join me and the incomparable cultural historian Kayleen Asbo for a two-week class in which we explore the lives of sculptress Camille Claudel (whom we briefly met in connection with Rodin) and the wildly unconventional and irrepressible Suzanne Valadon, who began her career as the favorite model of Renoir and Toulouse Lautrec and though self-taught, achieved remarkable success and renown in her own right as a painter. We will marry inspiring art with poetry and our shared creative writing practice. Join us!

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For two hours, I am the woman
who works at the orphanage, the woman
who falls in love with a man from India
who is not who he says he is.
He and I make love for hours beneath a mirror,
twining our limbs in a sea of silk,
and he shows me the pleasure
of losing the stories I’ve told myself
about what is possible with love.
When, after many pages,
we arrive at happily ever after,
I find myself on the couch in my kitchen,
notice my own thick legs curled beneath me,
my own raw heart in my tired chest
doing its faithful work. I’m surprised
to return to my own story:
the woman who is grieving—
the woman alone
in the empty room who listens
for the voice that isn’t there,
who listens for footsteps that do not come.
For the last two hours, I had forgotten her,
had forgotten this woman
whose story I know as my own,
this woman who lost her son.
I had forgotten the ache she carries,
the constant throb. And though it cuts,
though it wounds,
I am so grateful to return to her life,
to her story—the story
of how she gave her everything
to someone she loved,
how she knows he loved her, too.
It’s not a story she had wanted to live,
but now that it’s hers
she would never give up a page
of their story. Not a single word.

*

this poem has been published in ONE ART

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