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Archive for December, 2013

It did not matter
if we cut the planaria
lengthwise or crosswise.
It did not matter
If we cut it once or twelve
or 279 times. Each piece of flatworm
could regenerate its missing parts
and become a complete organism.
Odd to me now that I
was in no way squeamish about
slicing the small black creature that moved
about the petri dish.
I was curious, I guess.

*

In the dream
a man waits outside the door.
Inside, there’s a party. It’s warm
and humming and bright.
As the people walk out,
he chops off their heads.
He spares no one.
I watch through a window.
He is wearing a hard white mask.
Every time I wake myself,
I fall back into the dream,
and I am watching,
watching as he carries on
his relentless, gruesome work.
Then it’s my turn to leave.
Instead of trying to wake,
I stand in the doorway
and before stepping into the dark,
I look at his covered face
and say to him in an even voice,
“What do you have to teach me?”
He drops the arm that wields the axe
and lets it hang at his side.
I can hear him weeping
inside his mask.
“I am so lonely,”
he says.

*

If you slice the planaria in half
down its center, and each side
is retained on the organism,
it is possible for the planaria
to regenerate two heads
and continue to live this way.

*

Red as hibiscus, bright as a million suns,
Chhinnamasta stands
on the entangled couple.
She has cut off her own head
and holds it in one hand. In the other,
she holds the dripping scimitar.
Blood springs from her neck
in three long jets and is guzzled
by her own severed head and her two
devotees. God, she is beautiful,
naked except for a garland
of skulls around her neck.
She’s ferocious, and so alive.

*

And so when I feel the blade
on my neck, it is no surprise
to find my own hand
attached to the handle, guided
by something mysterious
and unrelenting, something
longing to know itself.

*

Yes friend, this is
a metaphor.

*

It is unwise to reproduce
alone, say the scientists.
Sex enhances the survival of a species.
Increases genetic diversity.
Plus, as the man and woman
coupled beneath Chhinnamasta’s feet
would seem to suggest,
there is so much pleasure
to discover.

*

In this metaphor,
the head always grows back.
Sometimes with a mask.
Sometimes while the blade
is still soaked and red.
But sometimes,
the regeneration doesn’t
happen right away.
Sometimes I forget
to be afraid.

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One of the possible side effects,
she says, pointing to the bottle
that I have just sipped till its empty,
is immediate and serious.
Death, she says. I fall in love
with the way she says the word,
so final, so sure, and with the way
that she waited to tell me about
the danger until after I drank the liquid,
and with the way she insisted I not drink
the bottle alone. Never mind
what it was. I’m alive.
And something inside me
is so, so thirsty.

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Impossible, But a Gal Can Wish

Here, love, here
let me be your coat,
and here, let me
be your warm home. Let
me be your studded snows,
your mittens,
your hat, let
me be your shovel,
the sand for your path.
We may not always
agree, we may not
understand, we
may never, ever know why,
but there is so much
so much cold outside, so
here, let me be
your scraper, your
Sorrels, your long
underwear, yes,
your long underwear,
not the scratchy wool kind
but the kind that you
choose to slip into and here,
let me be your fur-lined
dreams, your heated seats,
your neck gator, poles,
north and south,
your perfectly waxed
Nordic skis, please,
please, let it be me.

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Goes for Play, Too

There is work
to do. There
always is. Me,
I make up a once upon
a time to go with it.
Add twists to the vacuuming,
hum to the dishes, turn
laundry into lyric.
For you, it is
more like math.
A simple path.
Do this plus do this
equals done. There
is not a right or
a wrong. There are
two, and there
is work to do.

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scarred, hidden, lost
and still somehow
god recognized me

*

the chair next to me
would be less lonely if
you were in it

*

the lonely in me
would be less lonely if
I would show up

*

crossing the room
I trip on my way
to ask myself to dance

*

I think and think
and think and think and think
about not thinking

*

cradled in sun,
I forget I’ve ever
been unhappy

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Three Through the Glass

field of snow
dry grass pokes through, not one single
fallen angel

*

into the woods
the rabbit tracks only go
one way

*

staring at snow,
sitting beside the vase
of white lilies

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I was nodding, smiling,
saying mmm hmmm

whenever she paused.
She went on. I nodded.

She went on. And on.
The sun came in the window

and reminded me of the way
you said that when you made

our bed this morning, later
than usual, you noticed

how our bed bathes in the sun
all day when we are not at home,

and how by night we sleep
in the accumulated light.

You know, she said.
Mmm hmm, I said. I know.

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Today forgiveness is like the tracks
in the snow at the park where the skis
might follow, and the following is easy.
There are many other ways that one
might go, but it seems simple to move
through the trees in these slots that
were made for people like me who
are afraid of getting hurt. I’ve been injured
recently. I imagine painful things. Though the path,
it hosts no mountain lions, no volcanoes,
no dragons, no skunks, no traps.
I have to laugh at how straightforward it is
to forgive. You do nothing and it arrives.
And around the corner, it’s still there.
Of course it happens in its own time.
How pure the impulse to want
to share its grace. So much freedom!
Isn’t it ironic, what now feels safe.
But we cannot lead a horse to water
nor a friend to mercy nor clemency.
God, the sun is incredible here, the way
it sifts through the empty trees, the way
it catches in expanses of snow rife with facets
made by transitioning warm to cold to warm to cold.
It’s warm. We all transition. There was a time when
I was so full of anger I didn’t even know that forgiveness
was part of the landscape. And today,
it is effortless—so effortless I nearly didn’t name it
as I shifted my weight from one ski to the other
in grooves I didn’t need to reinvent, my poles
moving almost of their own accord, a rhythm
not so unlike the beating of your heart, my heart.

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Ice walls marbled blue and mud
line the river’s wintry banks
where yesterday’s ice floe scraped
a new landscape. Again. Always
something letting go, says
the heart, remembering
how it too not so long ago
was violently, swiftly rearranged,
and how, when hope was flushed
and hope was gone that’s when
in silence and out of nothing
with the moon not listening and
the river off course, that’s when
the miracles were really easy
to notice, so much debris that was
just, where did it go? gone.

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Every Day

we need not worry
that we won’t survive … we won’t
until then, this song

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