I don’t know the name of the flower
about to bloom beside the trail,
but it has the leaves of a lily
and a single bud that hangs heavy
off a long bent stem.
Just as I don’t know the name
for the feeling I have when
I want you to act a certain way
and I have not yet realized
that my wanting is the problem.
Neither of these things matter—
the names, I mean. We like to think
that by naming a thing we know it.
But I have stopped believing that.
Whatever we can name, we start to overlook.
The heliotrope, for instance.
I greet it as we walk by, but I do not
stop to investigate its tiny white flowers,
nor do I rub its leaves between my fingers
to better understand their shape.
Imagine I did not know your name.
So every time we met I would
gather everything I could about you—
the scent of you, the shape of your hands,
the weather of your moods.
And imagine I forgot me, too,
and in discovering you, I’d see
myself anew. And I would be unfamiliar
with words such as happiness or forgiveness
or wound or wife.
Ah, to meet each other like that, the way we meet
this strange flower. More inquisitive than convinced.
More curious, less sure. Less like gods,
omniscient, commanding, more as if we are the ones
with so much opening left to do.
This one’s surely a keeper. Surely. The shuttle back and forth in the poem between the unidentified flower and the idea of naming the things we love that diminishes them is good, it resonates so well in both worlds. Good title too.
Everything about it has the fragrance of the heavenly.
Surely you have guided me home with this one.
Especially here: “More inquisitive than convinced.” And the constant feeling of opening.