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Archive for February, 2015

In spite of everything, an odd delight
upsurges in the body, like a tide
that claims a rocky shore, or like a wide
and widening pool of morning light—
except it’s messier. It spills, despite
our thin attempts to hold its force inside.
It sloshes, splatters, overflows. It slides
and slips, it floods, upends, engulfs, unrights.

Oh fierce irrational joy! It doesn’t care
about the setting. Doesn’t care who sees.
It soaks us with its ecstasy, its strange
unruly grace. And then it’s gone. No prayer
or pretty please will make it stay. And we
are changed: yes, still ourselves, but rearranged.

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Waking Up Grateful


You have to remember this isn’t your land.
It belongs to no one

—Philip Levine, “Our Valley”

I am not your land. Not your woman, either.
Not your girl, not your scapegoat, not your Juliet.
I can’t be mapped, can’t be trapped, can’t be pinned.
Can’t be bought, can’t be caught, can’t be won.
But here I am, open handed, and here
you are. I don’t know this valley,
though I’ve walked it many times.
Let’s learn it again together. This time on our knees.

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Poor violets don’t know any better.
They only know it’s been warm for weeks
and the grass is greening and the frost is gone
from the soil. It’s uneasy pleasure, watching
their small blue faces appear so early this year.
Part of me does not want to enjoy them—
the part that longs for cold, for snow,
for the winter that has not come.
One day, there will be nothing left to say.
For now, there are violets blooming
outside the kitchen door. They are beautiful,
nodding in the breeze, no matter
which direction the wind blows.

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On Valentine’s Day

In another version of today,
there are feet of snow on the road.
We build a fire and do not leave
the house. Every word we speak
is a cognate of love, and all
we find to eat are dried cherries
and Saltines. We eat them from each other’s hands.
We make strong tea from last year’s mint leaves
and watch the world soften whitely outside.
There is summer in the way we gaze at each other,
so many paths yet to wander.
Ah love, that part is true.

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It Used to Rule Me

that old story—
I laugh now through the darkest part
and the weight breaks
into a thousand thousand
monarchs

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Come, Wind

I am starving for winter.
There is too much bloom in me.
Tuck me into the season of emptiness
and shadow and deep, unfathomable snow.
Teach me to be unrecognizably myself,
the everything that isn’t, the generous
space between. Between what?
Let there be no one here who knows
how to answer. Let the wind reshape
anything it finds.

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BurlPoster

This Friday night, treat yourself to a literary unveiling: it’s the Literary Burlesque in Paonia. Whatever you think it might be, it’s probably something else … flirty on top, but then as the layers come off, well, it gets pretty human. A celebration of what it means to be alive, to be sensual, to be vulnerable. It will be the riskiest performance I have ever done–I have so much gratitude for the other performers and dreamers who are participating in the evening who make such risks feel possible. For tickets, visit http://www.brownpapertickets.com/event/1171250 .

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And if my lips
just happen to find
your cheek, well,
let’s perhaps say
they were aiming
for somewhere else
but decided that sweetness
comes in many shades,
and if my hands
happen to brush
your shoulder,
your neck, well,
chances are
they didn’t exactly
get lost, more like
they needed a starting
point, some place
called here
from which they
might travel to other
places called here,
and here, and here.

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First time I saw a badger
it was nowhere near as pretty as you
with your long honey hair and your slender hips,
but just like you it was all spit and snarl and vicious hiss.
I was so curious, I got closer.
Shows what I know about boundaries.
Yeah, I did, I got close enough to see the points
on its sharp yellow teeth,
got close enough to feel its body pull back before the charge,
I could smell its hostile stench.
So you mighta thunk I’d a learned to step back from a badger when I see one,
those unmistakable sharp dark eyes and those meat-ripping claws,
those tenacious jaws that lock and won’t let go,
‘specially when I don’t have a big stick or a can
of pepper spray, nor a gun, not even thick skin, just
this fool open hand that reaches out like some frisky little wide-eyed mouse
as if to say, hey, don’t you think we could be friends?

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I fling open my arms
to greet the whole world
and you duck and run
right beneath
my wide embrace—

it seems
holding you means
letting go
of everything
everything
else

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