Feeds:
Posts
Comments

Archive for July, 2015

Perhaps This is Faith

My fingers slip

as the hand holds crumble,

but I am so high

and I know there

are others below me

so I climb on strength

that is not mine,

though I cannot see

the destination nor

can I imagine how

I will keep going,

but I keep going,

I keep going,

one hand reaching

higher, then the other.

Read Full Post »

How soon I forget

the reason I walked into this room.

It is not hard

to walk back to where I was

moments before

and usually I remember.

Sometimes I forget

the reason I am here,

and I do not know where

to go back to, wherever

we came from,

to retrieve the purpose,

though sometimes

when I sit very still

it arrives, not as an answer,

not as a word, more

as a sense that I am being breathed

and that I have not

travelled so far,

that whatever I have come here for

is right here.

Read Full Post »

morning alone

my heart a yodeler

hoping to hear

your heart

yodeling back

Read Full Post »

Nothing grows here in the courtyard, not anymore.

Once there were roses in every bed,

impossibly always in full, unguarded flower.

Once there was always perfume, always opening.

It is not hard to remember the peonies, the parsley,

the surprising upstarts of basil, the hanging baskets

with long sweeping tendrils of bloom.

Once there were minstrels who never stopped singing.

The air always wore a silken song.

And now it is gone.

I do not know why I have come here again,

I who once planted these gardens, I who once

played the lute. I thought I had left them for good.

I’m surprised there are not even weeds here. Nothing

in the cracks of the sandstone steps.

Nothing in the empty beds.

It was not exactly a wrong turn

that brought me here, more of a wandering.

It was not really curiosity, more coincidence.

But isn’t it strange? Not even bindweed? Not lamb’s quarters?

Not even a blade of cheat grass?

The fountain in the center has not crumbled,

though no water flows in it. All the bricks

in the archways are still intact.

There is a gate. It always used to be locked,

but now it swings open at the slightest push.

It is innocent. I was the one who had locked it.

I knew what it was for.

If I’d known I were coming, would I have brought

some kind of offering? A poem, perhaps, or

tea leaves? Some flowers to scatter? Some seeds?

My hands flutter empty. They are unembarrassed

by their lack. There are no sacrifices to be made.

Once there were birds making play out of sky.

There is no sadness in remembering this.

I walk the paths. The way is still worn.

My feet know where to go. There is nothing

to bring back, nothing hidden in the walls.

Perhaps this is what I came for.

Read Full Post »

After the training wheels come off

she wobbles and crashes and jumps up

to cry again. She pushes her helmet back

into place and rubs her hands of the gravel.

I force myself not to offer advice. Some

things must come from the center.

Vivian picks up the bike and straightens

the wheels, finds her place on the seat.

The pedals are not too far for her to reach.

She is ripe for this skill, and mostly willing.

She jerks on the handlebars, over rights

herself and falls again. There is such a thing

as too much right. She once told me

that if you do not learn to cartwheel

before you are eight, then you never will.

Something in the vestibular system, I wonder.

I don’t know if it’s true, but I do know

there are certain windows that close.

An eye that is unused in the first few months

of life will never learn to see, though

its parts are all in working order. Perhaps

there are windows for the heart, too,

so that if by a certain age it does not learn how

to get up and try again after it has fallen,

it will stay down and never learn how

to love beyond itself. Come on, I say under

my breath, you can do it, I say to my daughter.

And then out loud I say, Yes, yes, dear girl,

you are doing it. You are doing it, I say

as she falls, falls again, and gets back up.

Read Full Post »

In the Nest

Three open

beaks, oddly

pink, bony.

Their silent

hunger pre-

historic.

Some of us

learn it is

safer to

hunger in

silence. And

some of us

learn that with

so many

mouths and so

many hearts

to feed, it

feels safer

not to list-

en.

Read Full Post »

So Thirsty

If you follow a bee,

my friend says, it will lead you

to water. Suddenly

I have never been

so thirsty. I have spent

too much time living

close to the water

without drinking.

I have spent too many hours

not following bees.

I have my excuses—

all the ways I like

to appear busy-ish—

but they all have the same

stale scent excuses always have.

In the tombs of Egypt,

they found honey,

perfectly preserved.

Some things keep.

I look at my dry hands.

Some things have only

so much time.

Read Full Post »

at seven

she likes to sashay

for the mirror—

already her eyes see

her self as if they belong

to someone else

Read Full Post »

the full glass, broken—

rushing for the broom

I break the vase, too

Read Full Post »

Going Out, Going In: An evening of writing play for women
ROSEMERRY WAHTOLA TROMMER
July 16, 2015
Telluride, CO
Wilkinson Public Library, 6-8 p.m.

A teaser class for the upcoming four day poetry and painting retreat at Ah Haa, see below. Open to any woman, free.

Not with a Bang, but a Whimper: The Art of Ending Poems
ROSEMERRY WAHTOLA TROMMER
July 19,  2015
Ridgway, CO
Weehawken Arts, 10 a.m. – 4 p.m.

<span “font-size:10.5pt;mso-fareast-font-family:”times=”” roman”;=”” mso-fareast-theme-font:minor-fareast;mso-bidi-font-family:”times=”” color:black”=”” style=”color: rgb(98, 98, 98); font-family: Lato, sans-serif; line-height: 24px;”>In poetry, crafting a memorable, attention-grabbing first line is important. But a poem’s final lines are absolutely critical. Why do some poems seem unfinished? In this workshop, we’ll look at endings of some well-known (and not-so-well-known) poems and talk about what works and what doesn’t and why. And using writing prompts and exercises, we’ll write and rewrite and practice the art of ending it well. If they are interested, participants can bring a poem or two with unsatisfactory endings that they have previously written. https://apm.activecommunities.com/weehawkenarts/Activity_Search/1720

Putting the Polish on Your Poems
ROSEMERRY WAHTOLA TROMMER
July 28-August 25, 2015
Telluride, CO
Ah Haa School for the Arts, Tuesdays, 6-8 p.m.

Kill your darlings. Show don’t tell. These are a few classic bits of advice written in red pen on the poet’s page. But improving your writing goes way beyond such adages. In this five-week class, We will also discuss how and where to send out your poems for publication. For more info, visit http://www.ahhaa.org/calendarize/putting-the-polish-on-your-poems/

Going Out, Going In: A Four-Day Art & Writing Retreat for Women
ROSEMERRY WAHTOLA TROMMER
August 13-16, 2015
Telluride, CO
Ah Haa School, 9 a.m.-3 p.m.

Here. A chance to step out of the rush of your life and dedicate time to your creative, playful, wise and unfolding self. What memories, stories, images and patterns might appear? In this four-day intensive, poet Rosemerry Wahtola Trommer and painter Brucie Holler guide and encourage women as they explore in two genres, a practice that allows for surprising insights, clarity and vulnerability. A workshop for women who are ready to go deeper, take new risks, and move more wholly into their creative process. http://www.ahhaa.org/calendarize/going-out-going-in-a-four-day-art-writing-experience-for-women/

Read Full Post »

« Newer Posts - Older Posts »