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Archive for June, 2016

 

 

 

Here is the heart

asking the bells to be quiet

so that it might hear

its own beating.

 

Here is the blind man

who climbs the mountain

by listening to the song of bells

worn by the guide in front of him.

The path is getting steeper.

Oh heart, there’s no reason

to pretend you’re alone.

We’re all wearing bells

for each other. We all

need a song to follow.

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Preparation

 

 

 

Pulling tall grass

from amidst the peonies

it’s hard not to admire

the tenaciousness

of grass, admire it

as I rip it out, every

last blade.

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The days lasted for years back then.

Summer was a lifetime.

 

He took me out on the lake in our boat

and when we had reached the deeper waters

he’d cut the motor and we’d set the anchor.

 

The waves made blue conversation with the hull.

There were weeds, I am sure. There always were,

in green profusion floating along the surface.

 

We would have dug for earthworms that morning

beneath a weed pile in the shade

of the weeping willow.

Now he pulled them out of the can

and guided my hands to string their thick,

pink bodies along the hooks.

 

We cast and sat. Perhaps we talked.

The red and white bobbers translated

what might be happening below.

 

We pulled up bluegills, crappies, sunfish,

and perch and threw the larger ones into the bucket

of lake water we used to keep them alive until supper.

 

Then I caught a drum, and my father’s eyes

glittered like sun on the swells. He pulled

out his knife and carved into the fish

just above the gills.

 

From the flesh, from the blood, from the death

he withdrew two flat white stone-like things—

otoliths, he said. They were strangely polished,

smooth and shiny, like pearls, like ivory.

 

He dropped them into my hand. I received them

as treasure, pronouncing the strange word

over and over. Otoliths. Otoliths.

I did not yet know that beautiful things

don’t last.

 

I held them in my hand the whole ride home.

They are gone, decades ago. What remains

is what I choose to remember—

the scent of the lake rising up. The

slapping of the waves. The diamonds

in my father’s eyes when he realized

he could share with me a secret

about beauty and its hiding places.

 

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Step out of your everyday life and into yourself.

Join me and painter Brucie Holler for four days in Telluride, Colorado in a creative retreat for women at the Ah Haa School for the Arts, July 25-28.

Here. A chance to step out of the rush of your life and dedicate time to your creative, playful, wise and unfolding self. What memories, stories, images and patterns might appear?

For more information, click here

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I make a right turn

toward a life twenty five years ago—

where did this field

of wild iris come from?

On the radio, someone

is singing, “I am the one

who’s not anymore.”

I begin to notice

I don’t know where I am.

There are no signs

for where I want to go.

I am as much the road

as the one driving it,

the field of wild iris,

the voice on the radio,

the right turn itself.

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Hi Poetry Friends,

 

This Sunday at noon Eastern Time, if you get a chance, listen in on a conversation I had in Taos a couple weeks ago with poet and provocateur James Navé … it will be playing on Interview with Rosemerry at WPVMFM … we talk about poetry, poets, writing, love, light, dark, process … 

 

 

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With Any Luck

 

 

 

Meet me in summer

when the mountains

are softened by fields

of blue lupine

and the creeks run clear

with the memory of snow.

With any luck,

we’ll get lost until

we, too, begin to bloom,

until whatever is cold in us

melts and races away

with a bright and bubbling laugh.

There are days we forget

how to make a fist,

how to speak any language

but praise. Meet me

in summer when the old

high trails are open—

what else might we find

behind the crumbling

mines—some share

of ourselves we’ve yet

to have met—something

so spacious we never

dreamt it would fit

inside our skin.

With any luck,

it will follow us home.

 

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In All Cases

 

 

 

all the more reason

to hug one another—

this great news, that terrible news

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Thank you for the Gnossienne No.2,

and for the directions

you wrote above the staves.

“With amazement,” you wrote,

at the start of the piece.

That is what I told my hands

as they bumbled tonight

through the melody.

Thank you for the melody.

Just today I saw

with amazement the four plover eggs

still intact in the nest,

though I could tell

by the wet silt around them

that the high water

had covered them.

My friend said she thought

they might not hatch.

I watched as the mother plover

ran at the river’s edge,

pretending she had a broken wing,

attempting to distract us.

“I think they will hatch,”

I said, though the words were said more

out of longing than belief.

Sometimes longing

is all we have.

“Don’t leave,”

you wrote in the score.

That’s what I thought

later today when

I saw the lonesome

duckling in the pond—

no mother, no father,

no other baby ducks.

I longed to be a mother duck,

to know what a baby duck

might need.

As it is, I gave it space,

knowing sometimes

giving space

is the most generous thing

we can do.

I do not want space.

Tonight I saw a picture

of my friend with her newborn girl,

both of them naked,

skin to skin. That

is what I want.

“With great kindness,”

you say, and that

is the way I want to live

this song of life—

in amazement and with

great kindness—to know

myself as the kind of melody

that might be played

poorly and still sound

beautiful because

the hands that played me

did it “lightly, with intimacy,”

though the keys keep changing

though the timing is unmarked,

though the song doesn’t end

anywhere near where it begins.

 

 

 

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We’ll Never Know

 

 

 

a naked bougainvillea

surrounded by pink petals

on the ground—

this fear that we could have

tried harder

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