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Archive for September, 2016

 

 

 

they didn’t look

like a cage, those years,

until I was offered a key

and realized I knew not

how to use it

 

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On the Edge of Cold

 

 

They will say it is impossible,

but I want to give you things

they say no one can keep—

the scent on the trail

this morning, a golden smell,

and the amber light inside it.

Or the pause before the dance

commences. Or the moment

when falling becomes flying.

 

I want to give you elusive things—

the moon in the river, the way

the sunset turns the whole world

to rose, the feeling that love

not only is possible, it’s as

inevitable as blinking, as

unavoidable as noon.

 

It is not too late. In fact,

already we are here.

 

 

 

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There are still one or two spaces left for a retreat this weekend in La Sal, Utah

The Grand Embrace

The Grand Embrace: Writing and relaxing into not knowingness
sliding fee of $170 – $220 for room and board and a suggested teacher donation of $150 – $400 

La Sal, Utah
 

We live in a culture that wants to know—we chart and graph and test and outline. We codify and classify and name. But what do we really know? What is all this messiness and mystery that breeds underneath our longing for orderliness and certainty? What would happen if we could really rest in uncertainty? How deep might that relaxation go? How much more open might our lives be if we made friends with letting go?

Join retreat leaders Rosemerry Wahtola Trommer and dharma teacher Susie Harrington. We’ll read poems that don’t bring answers, poems that lead us deeper into paradox. We’ll sit in the midst of the not-knowing, sit with our joys, our challenges, the what is here of each moment.  We’ll write our own explorations of what if and what else and see what even a small bit of wonder might do … if you’re willing to risk a little, meditation and writing can open doors where before you didn’t even realize a door existed. Spiritual doors. Healing doors. Doors where there used to be walls.

No previous writing experience required. No previous meditation experience required. This poetry and meditation weekend is for anyone who is curious about weaving spiritual awakening and the creative poetic impulse.

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Letting the Small Ache Sing

 

 

 

Not yet dirt,

the outline

of squirrel is still visible

on the hard earth

of the back road—

I step over what remains,

wonder

how many other lives

I’m walking on.

There are infinite ways

to praise,

among them

these words:

I am sorry.

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One Simultaneous

 

 

 

admiring the gold

emerging in the field—

missing the green it was

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Dear Rachel

 

 

 

It’s so curious what we choose to frame.

You could, I am sure, with your art degree, explain

to me how aesthetics change. And why.

But I have too much dirt and dust in my home

to want an image of dirt and dust on my wall.

And I don’t relate to women in gowns

parting floral drifts with a white parasol.

 

I remember the first time I went to your home

and saw in your hall a painting—just one color, red,

you had painted it yourself—and I recall

how easy I found it to stare and stare and get lost

inside. So much of the world is black and white.

 

On my walls, it’s mostly nudes.

It never seemed strange until my children

asked why there were so many naked women

in our home. I didn’t know what to say

to make it okay. I said, “Because they are beautiful.”

 

If I could, I would frame the laughter

you left on my answering machine

and hang that on my wall. Or frame

how warm the sun was when we went for a walk.

Or frame the taste of peaches, the scent

of wood smoke and poems in our hair, the easy

silence we sometimes share.

 

But I would frame, too, the mornings

we speak of our children and weep.

And I’d frame our hurt and our fear

and the nights we’ve fallen apart.

So perhaps that’s not so different

from framing dust and dirt. And those

two women strolling in the sun,

on second thought, they look familiar.

 

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In a Low-Angled Light

 

 

 

Already shriveled, these marigolds

that line the fence. Something soothing

about the way the flowers keep their color,

though the leaves are brown and dried.

From a distance, they are vibrant.

From a distance, you might forget

that the garden will soon be filled with snow.

So much is ignored in the name of beauty.

Here, here is the season with your name on it,

your name the scent of gold. You find yourself

longing to be more like a lily, dropping everything,

not even pretending to survive the cold.

 

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rosmerrytrommerpostcard-01

Join me and Jill Sabella at our opening for In Three Lines, a two-year collaboration. We’ll have food and wine and live music by cellist Kyra Kopestonsky, and 5-minute readings on the 1/2 hour … plus we HOPE to have our new book, Even Now, by then. Join us at the 81435 Gallery.

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One Survival

 

 

 

going straight

in the turn only lane—

time to invent wings

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Positively

 

 

 

Saying yes to too many things at once

is like eating dark chocolate truffles one

after another after another. The first

 

is infused with wild raspberry, which leads

to a caramel truffle with fleur de sel, which leads

to two smooth champagne truffles, which leads

 

to a tummy ache, bittersweet. My calendar

has a tummy ache. Its numbered squares

are filled in with rows of rich invitations…

 

a book club infused with Louise Erdrich

and Sauvignon Blanc, a meditation retreat

handcrafted with extra silence, a trail run

 

through aspen groves filled with silky light.

How could I pass on any of these delights?

Saying yes to too many things at once

 

is like crossing a remote border at midnight,

and though your pulse races with the thrill,

you have no idea if you will ever know

 

what home means again. Saying yes

to too many things at once is in fact

a disguise for saying no. No to openness,

 

no to spontaneity, no to whatever surprise

might have found its way into the vacant

possibility of that deliciously empty square.

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