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Archive for January, 2017

The Trapeze Artist Speaks

 

 

 

It’s not easy to get an object

in motion, and harder, perhaps,

to stop it. And few can tell you

how to half-turn mid-air—

(look under your left armpit).

Just because I am talking

about the trapeze

doesn’t mean

I’m not speaking of thoughts.

Just because there’s a catcher

you’re working with

doesn’t mean that you’ll be caught.

And just because the circus is closing

doesn’t mean I’ll fly unseen.

There are hundreds of ways

to kiss the air. It’s work,

not magic, to follow your dreams.

 

 

 

 

 

 

 

 

 

 

 

 

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Will

 

To my cat

I leave my

lap, to my

son I leave

my hope,

to my girl

I leave my

grit, to my

love, I leave

my whisper,

to my loss

I leave my

hidden spring, to

tomorrow

I leave

everything.

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New Approach

 

 

 

On the thirteenth day of gray and winter rain

I remember the story of Amaterasu,

the Japanese goddess of the sun, who,

attacked by her brother, hid in a cave,

and the world was cast in darkness.

 

There have been more attacks

in the last few weeks than the world

can bear to hear. Sometimes we forget

how to cry. Sometimes in anger we forget

how to sing, how to pray. Sometimes,

like the younger brother, Susanoo,

we hurl things at those we love most—

 

perhaps not a monstrous flayed horse,

but blame, judgment, accusations, disgust.

It’s no wonder whatever is light

finds a way to retreat. It’s no wonder

we find ourselves in darkness.

 

In the story, the rest of the gods

try to lure out the sun with roosters

all ordered to crow outside the cave.

 

I, too, have tried to tell myself, others too,

that it is morning when it is not.

Always, I am left with darkness

on my tongue.

 

Then the gods placed a tree

draped in glittering jewels

just outside the closed cave door

and at its center they hung a mirror

so the sun could see her own loveliness.

 

I, too, have tried to put shine

on the tawdry world,

and never did any sparkling thing

make what is ugly more beautiful.

 

It was Amenouzume, another goddess,

who danced with abandon,

who took off her clothes

and twirled and teased

until all the gods in heavens roared with delight,

and, out of curiosity, the sun finally

opened the door to see.

 

Oh world, I am the one who knocks

on the door until my hands bleed,

the one who speaks to the door

and begs and threatens and cajoles

until she is hoarse. None of it

has brought back the light. I am ready

to try dancing and dropping all my layers.

I am ready to try flinging my head back

and letting loose a reckless, untamable laugh.

 

 

 

 

 

 

 

 

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making of myself a nest to hold your fear, I grow wings I didn’t know were here

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This Life

 

Long strands

of silky

questions

knotted

into

nets—

we

learn

when to

be caught,

& when

to fall through.

 

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Wednesday February 1-March 1, 2017

Telluride, CO
Ah Haa School, 6-8 p.m.


When a stranger on the corner asked, “How do you get to Carnegie Hall?” pianist Arthur Rubinstein famously replied: “Practice. Practice. Practice.” What’s true for the pianist is true for the poet. If you want to improve, it takes practice. In this five-week class, participants will be asked to write a poem a day for a month. A poem a day?! Mmm hmm. You can do it even if you’ve never written a poem outside of English class.

All participants will receive a 30-day inspiration booklet with 60 possible prompts written by the workshop leader. You can scribble a late-night haiku about your cat or type a 14-line sonnet in rhymed iambic pentameter. It doesn’t matter. Nor does it matter if the writing is “good.” It matters that you write. It matters that you play. It matters that you try new things.

More than poetry as product, we’re exploring a poetic life—poetry as path and lens and anchor and kite. These just might be 30 of the most fun, creative, door-opening, writer’s-block-busting, voice-changing, provocative days of your life. Let’s play. For more information, call 970-728-3886 or visit http://www.ahhaa.org/calendarize/leaping-how-to-wildly-advance-your-writing-rosemerry-wahtola-trommer/

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not the long-stemmed kind you buy in the store,

but the kind that thrives on neglect,

thrives despite drought, despite desolation,

grows rambunctious despite crummy soil,

 

the wild roses you find as you walk

through the edges of desert, find them not by sight

but because of the siren song of their scent—

pink and stirring and plucky.

 

I am famished for beauty today,

the kind that survives

when the world is hostile,

the kind that arrives above thorns,

 

living books of a thousand petals unfolding,

a wild beauty almost impossible to eradicate,

the kind that sends acres of runners and roots.

I believe in such beauty. It’s found me before.

 

 

 

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Pouring the red wine

into the skillet to deglaze

the fond of caramelized onion

 

and mushrooms and thyme,

in an instant

the whole house is infused

 

with blackberry, minerals,

spices and heather—

or so says the label.

 

I smell long afternoons

in the tall grass, or rainy

evenings beside a fire, or

 

candlelight reflected

in dark windows—

not really memories,

 

but possibilities.

Sometimes I believe

in a future so strong

 

that traces of it

reach into the past

and serve as breadcrumbs

 

to show us our path.

Can you smell it, too,

blackberry, perhaps,

 

and crushed green grass,

sweet golden beeswax,

the bite of wood smoke?

 

 

 

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A response of sorts to Shakespeare’s Sonnet 18

 

 

Not that I wasn’t fond of it—the blues

and golds and thick brush strokes—perhaps it was

because I was so fond of it I threw

the art away, that life-size portrait of

eternal summer, mine, the painting in

which one hand reaches for the sun, the other

grows dark roots into the earth. Now all

that lives of those bright lines are these two hands

that painted them. With something less than care

I rolled the canvas tight and took it to

the trash, the company of grapefruit rinds

and last year’s mail. By tea, I’ve gotten used

to how the wall looks—empty, open, free—

already dreamed what else these hands might do.

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How It Transforms

 

 

 

a pinch of cumin,

a pinch of salt, the scent

of lemon and ginger—

tell me, what else I should have done

with my anger

 

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