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Archive for May, 2017

IMG_1048

 

 

in the bowl

a single morel—

bouquet of laughter

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Hi friends … today’s poem is really a performance art piece I did last night at the fourth annual Literary Burlesque in Telluride. I thought I’d try to capture how the performance went, so here are the lighting and image cues, the music accompaniment cues, and costuming and set directions.

 

Inspired by In the Box, Horizontal by Ruth Bernhard, German born, American, black and white photograph.

PUAM

Rosemerry, writer/performer

Kyra, cellist

 

LIGHTS: STILL DARK. KYRA ENTERS WITH CELLO, PLAYS LIVE IN DARK DURING SET-UP.

 

Stage hands set a folding table on stage with a black covering, and on top of that a long cardboard box. Also place on the table a cell phone and pen.

 

IMAGE: KYRA PAUSES, THEN STARTS BASELINE OF “GLORY BOX,” BY PORTISHEAD.

 

IMAGE OF WOMAN IN THE BOX COMES UP WHEN BASELINE BEGINS.

 

ROSEMERRY ENTERS IN DARK, WEARING “SEXY TEACHER” COSTUME—SHORT PLAID SKIRT, WHITE BUTTON SHIRT, HAIR UP, READING GLASSES, SUPER HIGH HEELS CARRYING A LONG WHITE RULER, SINGING INTRO MELODY OF “GLORY BOX” BY PORTISHEAD

 

IMAGE STILL UP. Kyra still playing.

 

KYRA PLAYS BASE LINE 4 TIMES,

 

IMAGE OUT.

 

LIGHTS UP.

 

 

(Kyra continue plucking bass on the cello)

 

Rm speaking: Good evening class,

tonight we’re going to talk about

a woman’s box.

 

Pop Quiz:

Is it a: how she fights with her fists against tyranny

Is it b: a place to be grabbed by men with orange hair

is it c: where she keeps her jewelry

 

No. Imma tell you what it is … And-a 1, 2, 3

 

(Music A, same bassline, bowed instead of plucked, pick up tempo, rm sing)

There’s a place a woman goes

when she’s needs to be alone—

 

it’s her box.

 

(SPOKEN: Play it Kyra)

 

There’s a place she disappears

when she needs to see things clear—

 

it’s her box.

(SPOKEN: I love my box)

 

Not a cage, there is no key,

it’s her private sanctuary

it’s a place you’ll never see—

 

it’s her box.  (rm take off shoes here)

 

(rm start body slap rhythm while kyra plays, kyra join on body rhythm, rm speak)

 

Okay class, let’s break it down

 

IMAGE: IMAGE OF US MAP GOES UP

 

Now there’s lots of work to do out there

the earth’s in desperate need of care

 

(RM point with ruler to places on the map)

 

the EPA is decimated,

pipeline construction’s escalated

 

global warmings’ being negated

offshore drilling’s being slated

 

with all these threats, and all that’s wrong

 

IMAGE: IMAGES OFF

 

a woman must be warrior, strong—

 

she needs her mask (pull out reading glasses), she needs her sword (pick up pen and brandish it)

she needs her trusty, high-speed horse  (pull out cell phone and pretend to speed dial … while kyra makes rhythmic sound of horse galloping)

 

(no music)

hello, senator Cory Gardner? this is Rosemerry Trommer calling, I’m your constituent from Placerville, zip code 81430, and today I want to talk about how you’re going to vote on …

 

(back to music A, but slower, quieter, smoother, kyra slide, rm sing)

 

When lies are swirling all around

she needs the place where truth is found

her inner knowing, her sacred ground

 

it’s in her box.

 

it’s an infinity she keeps inside her

where the world is limitless, quieter,

our expansiveness comes from within

 

a home where she removes her armor (start here to take off glasses)

where she lets the mystery touch her

 

(kyra soft pluck slide the bass, rm begin to unbutton shirt, eyes gaze down, inward)

 

yes in her private chrysalis

is where a woman’s power begins (drop shirt)

a place where she is open, tender, soft,

 

the silence there informs her (drop skirt, wearing a nude bodysuit underneath)

vulnerability transforms her—

and the world—in ways ferocity cannot. (kick skirt into audience)

 

kyra bow the intro hum (rm climb inside the box here) then kyra pluck the intro hum

 

you are your own fertile seed

you are your own desert rain

you are your own silk cocoon

you are your own shaman’s cave

 

it’s from the inside

we learn to be brave

 

(kyra decrescendo, rm reach left hand out … red hand showing)

lights out.

 

 

 

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Dear Jack

 

 

 

it was a little too quiet last night

at the poetry reading, though we heckled

as if we were you,

but our interruptions were mere imitation,

they missed the gravel of your voice

and the bedrock of your conviction

and the growl of your disdain,

your love like a weed I learned to want.

 

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Lenity

 

 

 

 

 

First it was the woman

who waved at me

through the spring snow.

I didn’t take it personally,

her kindness, more like

an accident that I happened

to be there. Then it was

the woman who forgave me

for being confused

about when I was supposed

to arrive. Then the woman

who hugged me for no reason

at all. And the man who

looked up and smiled.

And the friend who

played me a tune.

Kindnesses inside every hour.

All day. It was like stumbling

on a word I’ve never heard before,

and suddenly—how could I

have missed it all this time—

it’s everywhere.

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Tonight the path

is tired of being

a path, would rather

be a leaf. Enough

of trodding. Enough

of this one foot

in front of the other.

Rather to unfurl

and serve and let go

and get lost. Really,

how hard could it be?

Something about

“path” suggests

certainty. The path

feels like a fraud.

It’s exhausted

with arrivals. It wants

to fall off. It wants

to cartwheel across the field

like last year’s leaves

in spring wind.

It wants to have

no idea at all

where it is going.

 

 

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One Transmutation

 

 

 

sending you these words

to wear like a scarf, only softer

than that, more like song

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with thanks to Artful for the fabulous starts

 

 

Last year’s potatoes—

small red fists

with stubby white shoots—

they have something

to teach the heart about

unclenching,

about how to find something of value

in their own darkness

something that knows how to reach

toward the light,

something that when faced

with darkness again

will reach even farther

until they become

astonishingly prolific, alive.

 

 

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Digging there in the dirt

with small seeds

in your hands

you hear the wind

high in the cottonwoods,

you hear the silence

sown inside the wind,

and the quieter

you are, you hear

perhaps, within you

a call like the geese

that aren’t flying

overhead, a startling

call, an almost

strangled sound

that, if you heard it,

might almost

wake you up.

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To all of you who are mothers and all of you who have mothers, here are three poems to celebrate the most rewarding, incredible, challenging and primary relationship of our lives. I am super lucky to have an amazing mom, and Mom, I am continually in awe of you. The older my kids get, the more I wonder how you managed to parent with so much grace and joy and confidence.

These poems were previously published in Telluride Inside and Out a few years ago … I missed the deadline to send new poems this year! Thanks Sus, for finding some to print!

 

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It’s not your everyday poetry reading … Founder Amy Irvine gives a tease for what you might expect this year in this article. Hope you can join me, Samantha Tisdel Wright, Erika Gordon, Kierstin Bridger, Corinne Platt, Daiva Chesonis, Craig Childs, Amy Irvine and Lydia Peelle for a night unlike any other at the Ah Haa School in Telluride on May 20 at 8 p.m. Tickets are available at Between the Covers

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