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Archive for July, 2018

 

Think of the frost that will crack our bones eventually

            —Tom Hennen, “Love for Other Things”

 

 

Before I can love you, I hate you.

Because the frothy pink of the milkweed

and the monarch who travels thousands of miles

just to feed there. Because the dark leaves

of soybeans, millions of green hearts

per acre. Because ripe blueberries

without a hint of pucker. Because

of the touch of the man who loves me.

Because the cool breeze on my bare arms.

 

But to love is to open the circle

of what is beloved, to offer my attention

to the concert of crickets and crows,

to the proliferation of box elder beetles,

the weeds that infiltrate the field. Sound

of lawn mowers, jackhammers, swarm

of mosquitoes. Stench of Sulphur. Deep

snows that bury the drive.

 

And love says why stop there? Widen

the circle to toxic sludge. Yellow jackets.

Earwigs. Freezing sideways sleet. Men

with guns and hate in their stare. Girls

who spit disdain. And the pain

that steals sleep. And the pain

that never leaves. And the pain

that would obliterate every bright thing,

 

and in so doing, reveal what is most precious—

this ability to love. To love despite.

To love regardless. To love. To love

what I hate, even you, frost that will crack

my bones. Will you not be my final teacher

in how to offer my attention? Will you

not be my last great love?

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If you watch the heron as it stalks

amongst the tall green reeds, then pauses,

and in its pausing disappears, then you understand

something of the power of stillness.

 

And if you, yourself, are still long enough

to see the head of the snapping turtle

rise between the lily pads,

then you glean something of the rewards

that come with sitting still.

 

But if you sit expecting such rewards,

then perhaps sit longer and watch the cattails

as they waver and still, sway and still and still,

and feel how the urge in you to say something rises

and softens and softens until there is nothing to say,

 

until that kind of stillness becomes

the greatest reward, until you feel

stillness hold you the way the lake

holds the lily pad, the way

the silence holds a song.

 

 

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            Based on an encaustic piece by the same name by Andrea Bird

 

 

 

She asks if I can hear the silence.

I try. I try too hard and all I hear is a low

green chant: lovable, loveless, loophole, loose. 

 

So she gives me petals, a handful of pink,

and I gather them in my hands. How lovely

they are as I listen to them fall.

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And here they are, the wild violets.

How they leap into gardens uninvited,

their tiny purple faces unapologetic, open.

How they thrive amidst the other plants

chosen by the gardener. They do not mind

not being the chosen ones. They thrive.

Tenacity can be so small, so beautiful.

 

I may not be a powerful woman,

but I have some wild violet in me,

some willingness to insist on renegade beauty,

some desire to be soft and yet persist,

some certainty that the garden

is big enough for us all.

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It is like the musical figurine

on the bedside stand

that, for no reason,

begins to play, first

one tinkly note, then another.

The room has been quiet,

and now, the small ceramic girl

with her pink sun hat

and her kneeling sheep moves

ever so slightly and the invisible metal

tines plink out notes

to an unfamiliar song.

And then they stop. And then

start again. There is no

visible hand turning

the crank to initiate

the music. And isn’t that

just how it happens sometimes,

how you feel as if

you, too, do not feel nor see

the hand that turns you,

but out of nothing

a music arrives in you

and though it is

a mystery, you nod

and say thank you, thank you.

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eating wild plums—

the back of the mouth rucks

the lips quiver for more

 

*

 

in the hot springs—

letting myself soak until all I am

is a woman in the hot springs

 

*

raindrops on the tent—

I practice how to whisper love

in rain language

 

*

 

earwigs in the sleeping bags—

there is nothing nothing

good about this

 

*

 

bribing my daughter

with ice cream to hike—

each step a victory

 

*

 

apricots so perfectly

apricot, I clap as I taste them—

longing to be that true

 

 

 

 

 

 

 

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in the dark

you lose track

of any lines

that say

you are here

and the night

holds you

like a lover

with hands

somehow

everywhere,

and the stars

keep thousands

of secrets

and sometimes

they spill,

and if you have

a question,

it comes to meet you

whether or not

you’ve dared

to ask it.

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praise the larkspur

grown so tall, so heavy with bloom

it breaks at its base,

but oh, how it grew,

it grew

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hello friends, back from a glorious few days of being unplugged … here are a few poems from the last five days. 

 

 

 

falling asleep beside the stream

it carries away

the day, the years

 

 

*

 

whatever a partial moon means—

cradling it in my hands

to give to you

 

*

 

inviting Audrey Hepburn

for pancakes and tea—

she arrives with two tiaras

 

*

 

familiar path—

a year later

this new woman walks it

 

*

 

it takes four days

before my hands open enough

to let in the world

 

*

 

riding our bikes

on the old dirt road—

baptized in scent of pine

 

*

 

sitting on a rock

long enough

no one feels like an enemy

 

*

 

beside the path

one ripe wild raspberry—

walking through its door

 

 

 

 

 

 

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listen as your days unfold
Challenge what your future holds

            —Patti Austin, “You Gotta Be”

 

 

And if I could

I’d scatter all the seeds

of grace, release

them from their old dry pods

and let them fall

in tired places—

like your heart,

my heart.

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