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Archive for October, 2020

Why I Garden

Digging in the garden,

hands deep in the dirt,

I have no beliefs.

I have soil for a pulse

and soil for lungs, soil

for hands and heart.

I don’t have thoughts

about who should do what

or how, instead

I have dirt thoughts—

loamy, rich, crumbling thoughts

that sometimes, if I’m lucky,

have a potato in them.

I speak the language

of mineral and listen

for organic matter,

but the only word

they seem to say

is listen, listen.

And then, they say

nothing at all.

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Whatever It Means

Certain I can’t carry

another sadness,

I step outside

and let the shine

of the mid-morning sun

stroke my cheek

like a lover.

And the air has a strange

bright citrus tang,

and I inhale it

again and again.

Whatever it means

to be alive,

it has something

to do with this—

the scent of leaf

and soil and shadow.

The astonishing warmth

of a late October day.

The weight

of loving another,

that weight

without which

I would be nothing.

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One Expansion

swallowing the sky tonight—

all those enormous worries in me

now like grains of sand

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Learner

Just because I don’t see the edge

doesn’t mean the edge isn’t there.

Walking with Amy through the scrub oak woods,

I had no idea that just to my right

was a deep canyon. I could have walked on for miles

believing the world was flat

if she hadn’t suggested we walk off the trail

to see the gaping chasm.

It wasn’t that she was trying to teach me,

she was just doing what she does—

straying from the path to see what else is there.

Now I am looking everywhere for edges—

in every conversation, in every thought.

Now, I am looking at everyone as a teacher.

I have no idea what they see that I don’t.

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Advice to Self: Get Lost

To move forward, move forward.

But first, get lost.

Really lost. If you have a map,

burn it. Not that there’s

anything wrong with a map.

But you must recalibrate

the one using it. Let her not know

where she is. And if she does know,

perhaps through rote,

perhaps through muscle memory,

then spin her around

with a blindfold on,

the way kids do when pinning

a paper tail on a donkey.

Spin her until she has no idea

which direction to walk with that tail.

Spin her until she falls.

And then let her do as St. Francis taught—

let step in whatever direction

her head is pointing.

Let her trust that any direction she steps

can be the right way forward,

every path can be a path toward love.

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            on seeing The Lovers by Pablo Picasso when I was sixteen

Perhaps because I was in love

I fell in love with The Lovers

fell in love with the way

the man held the woman from behind.

Fell in love with his red,

with her yellow and green.

Fell in love with his gaze,

with the tilt of her head.

I knew what it was like

to be that woman.

Even now, looking

at the painting in pixels,

not in oil on linen,

I feel it—the harmony

of the blue sky behind them,

a sky somehow boundless

inside of them, too.

Thirty years later,

I’m still charged with that blue.

And whatever it is

that forces the woman

to look beyond the frame,

I remember that, too.

It’s as if she can’t quite see

what’s about to happen,

so with one hand,

she holds on to her lover.

With the other, she reaches,

or is she holding herself?

And here’s what I grasp

that she doesn’t yet know—

how hard it will be, how hard

it will be to let go.

The Lovers by Pablo Picasso

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Clear Instruction

Tonight my daughter

closes her fist

around the first snow

squeezes to make it

into a small cold ball

the shape of her hand,

and then offers it to me.

It tastes like sky,

like electric charge,

like winter, like childhood,

like curiosity.

And once again

I’m a girl who walks

to the neighbor’s yard

for a drink at the well—

I pump the heavy lever

and it draws clean, clear water

from the ground.

There’s a red metal ladle

hanging from a nail

on a nearby tree,

and the water tastes of moss

and rust and freedom.

There is a thirst

that’s been bequeathed us—

a thirst for what is

untreated and pure,

a thirst I somehow

manage to forget.

If it could speak,

the thirst might say,

Remember, remember,

remember.

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Making Applesauce

To buy three boxes of apples

is to believe the world

will go on long enough

that we should preserve

the goodness of autumn.

Perhaps it is practical

to cook the fruit,

to store it in jars,

but I prefer to think of it

as hope filling the house

with its sweet red perfume,

hope filling the shelves

with the memory

of sunshine, of bloom.

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When I think of encouragement,

I think of Jack Pera,

who stood every year

at the top of Imogene Pass—

in snow, in sun, in sleet, in fog.

On race day, a thousand plus runners

would reach the top,

weary, having climbed

over five thousand feet in ten miles,

and Jack, he would hold out his hand

and pull each of us up the last foot,

launching us toward the long downhill finish.

I remember how surprised I was

the first time, and grateful,

grateful to feel him reaching for me,

grateful to feel his powerful grip

yanking me up through the scree.

“Good job,” he’d say to each one of us,

cheering us though we were sweaty

and drooling and panting and spent.

After that first race, I knew to look for him

as I climbed the last pitch,

trying to make out his form

at the top of the ridge.

And there was. Every time.

“Good job,” he’d say

as he made that last steep step

feel like flight.

There are people who do this,

who hold out their hand,

year after year,

to help those who need it.

There are people who carry us

when we most need it,

if only for a moment.

When I heard today Jack had died,

I couldn’t help but imagine

an angel waiting there above him

as he took his last breath,

an angel with a firm grip and a big smile

holding out a hand, pulling him through that last effort,

telling him, “Good Job, Jack. Good job.”

And may he have felt in that moment

the blessing of that encouragement,

totally ready to be launched into whatever came next.

Good job, Jack Pera. Good job.

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What will you do with your one wild and precious life? For five decades, Mary Oliver wrote poetry that invited us to live more wholly, more attentively, more wildly in the world. In this five-week discussion class, we’ll discuss poems from her new selected poems, Devotions, which Oliver herself curated and arranged. We’ll do as she invites us: to pause with her and see and feel the world, to fall in love with life and to explore more deeply what it means to be human. As we read her poems, we’ll try to following her instructions: Pay attention. Be astonished. Tell about it.

Hardcover books provided by SHYFT at Mile High. Hosted by SHYFT at Mile High. $140. Scholarships available.

Choose either Mondays (beginning Nov. 9) 

or 

Wednesdays (beginning Nov. 11).

This event is hosted by SHYFT at Mile High, whose mission is to provide all people, regardless of ability to pay, with classes and programs proven to reduce stress, heal trauma, and create connection.

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