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Archive for March, 2024


 
 
The autumn rain was not warm, but soft,
the kind that makes everything shine.
Even the sidewalk. Even a Tuesday.
 
Likely the air smelled of leaves and cut grass.
Likely the birds were a riotous chorus,
because that’s how it is here in fall.
 
What I remember so clear is how you
rushed out the front door
in your favorite hand-me-down dress
 
with brown velvet polka dots
and a pink satin sash—
mighty fancy for a day spent at home—
 
and began to dance on the driveway,
both arms lifting into the drizzle,
an elegant twist to both small wrists,
 
one leg stretched straight,
your bare toes pointed to the pavement,
your face raised up to the rain.
 
It’s your smile that startles me,
then and now, a look of deep contentment,
measureless pleasure in being.
 
Over ten years later, I still see it in you,
something utterly unfakeable, wildly true,
the capacity for joy beyond the frame.
 
It vibrates in me like the tone
of a gong struck gentle and long,
until I too am shining
 
with trembling reverence,
astonished by the grace that’s here.
Even when it’s gray. Grayer. Even when it’s cold.
 

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harmony opens in me
the doors of forgiveness,
just a sliver—
then it dissolves
the idea of a door

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As if the whole world depended on it
I nestled deeper into your warmth,
made myself soft as morning light,
soft as a lullaby, softer than that,
as if wars could be stopped and
peace achieved if only I could 
make of my flesh a place so safe
you could sleep. 
 

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today’s poem mentions suicide–I mention this so you can choose if you wish to read it


There’s no easy way to say it.
I told them. Our son died.
They were sitting across
from us, our new neighbors,
afternoon sun streaming
into the room with low spring gold.
Their grandson sat on our floor,
a teaspoon the only toy I had for him.
He mouthed it with quiet joy.
Was it an accident? she asked.
He chose to take his own life, I said.
The words hung in the air
like dust that sparkles
then seems to disappear.
What I did not say:
Once we sat on this couch
and read books, watched Peter Pan,
built pirate forts with pillows, searched
for Waldo and snuggled when it rained.
Once he, too, chewed on my teaspoons,
before he built computers and
took AP Statistics and helped me buy a Ford.
They murmured, I’m sorry,
because that’s what people say
when there is nothing else to say.
I realized I needed nothing more.
When the talk soon turned
to bonfires and building permits,
I did not mind. It was enough
to have acknowledged he was here.
What I did not say, but somehow said:
Just because he’s dead
doesn’t mean he’s gone.
We have three children—
two daughters and a son.
 

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I sat by the pond and watched
the blue dragonflies land
on slender green reeds.
And the sun was warm and
the air was still as I was still,
which is to say the air pulsed
with aliveness and so did I.
If someone could see the picture
from that day, they might think
I was sad. No slip of a smile
touches my lips. My glance
is far off, unfocused.
But I was in a place beyond
happiness, a place of being with,
a place that asks nothing of me
except that I forget everything
but sitting beside the pond
and marveling at blue dragonflies
as they weave and land,
the reeds so slender, so green.

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A Little Self-Talk

Pride crawls beneath the heart’s door
like an ant. You thought, perhaps,
you’d shut it out. Thought you could live
in a small hut called humility.
But pride is a master at entering
when something sweet is at stake.
Look. There it is in your honey.
Did you think you did such a good job
sweeping pride out? Oh, you did.  
Thought you could be good at being humble.
Better at it than most.
Oh sweetheart, it’s not a matter
of shutting pride out. It will always come back.
It’s what you do next that matters.

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As easy as stepping out the door,
this chance to drop the self who does,
the self who walls and calendars and phones,
the self who dishes and bills and desks
and become the self that becomes—
become whispering field and bright
squawking jay and full silence rising
mid squawks. Become sun-puddled,
sky-muddled, breeze-ruffled
heartbeat, spruce-reaching,
blue-winging, leaf-whirling heartbeat,
snow-melting, cliff-lifting,
grass greening heartbeat, become
heart warmth beat heart breath beat
heart sun beat heart cloud beat
heart   heart   heart   heart
as if this time I’ll never forget.

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I do not understand the mystery of grace—only that it meets us where we are and does not leave us where it found us.
                  —Anne Lamott
 
 
With every cell, I listened
to her familiar voice,
her thoughtful silences,
her precision with verbs,
and though we spoke
of showerheads and
grocery shopping,
elections, underbellies and
standing beneath the moon,
we spoke only of grace, every
sentence somehow stitched
with the most stripped-down
kind of praise, the kind
that doesn’t sparkle,
doesn’t sing, doesn’t
shimmy, doesn’t offer
sweet perfume, the kind
of praise that is so naked,
so plain, so bare
there is nothing at all
between us and the
sheer magnificent truth
that we are here.
I long to name such aliveness,
at once composed
and uncontainable,
but it slips my attempts—
it’s like trying to fit a dress
on a sunbeam.
But I felt it, how
as we spoke I went
from being stone
to being sky. Oh glory,
with my everything,
I felt it.

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A three-part workshop with Rosemerry Wahtola Trommer
& Kayleen Asbo

First Thursdays for Three Months

 March 7: Finding Our Way Out of Hell 

April 4: Climbing the Mountain of Hope 

May 2: Coming Home to Ourselves in Paradise 

Each month on the first Thursday of the month, join Rosemery and Kayleen online as we gather for four and a half hours from 10 am – 2:30 pm (MOUNTAIN TIME) to dive more deeply into Dante and also discover the wisdom that can emerge from our own hearts through creative writing practices fueled by the story, art and music all connected to the Divine Comedy.

Can’t make it live? No worries. We record every session so you can explore at your own pace. We offer this three-part series on a sliding scale ($110-$330). If you are in greater need because it is really a “dark wood” time, just drop us a line at mythicafoundation@gmail.com and tell us about yourself. 

If you weren’t able to join us last week for our free 60-minute teaser class, click here to get a taste of the class and how it is Dante found himself writing The Divine Comedy in the first place.

Thanks to the generosity of donors, we have scholarships for those in need.

9 am-1:30 pm PST/10-2:30 MST/11 am -3:30 CST/12-4:30 pm EST
REGISTER HERE

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The Mystery of Grief: Writing into the Loss
Wednesday, March 6
7-9pm ET, 6-8pm CT, 5-7pm MT and 4-6pm PT
 Zoom, $15
Hosted by Evermore: America’s voice in advancing social change for all bereaved people

When we lose loved ones, writing can be a powerful tool for helping us remember them, helping us re-encounter the world without them, and helping us re-know ourselves as the loss transforms us.

In this two-hour online program, Evermore Poet Laureate Rosemerry Wahtola Trommer will offer a few suggestions for writing. Together, we will read poems about grief and discuss them. We will have chances to do our own writing, there will be optional time for sharing what we wrote, and we will have time to reflect on the effect writing has on us.

The poems we read and write won’t be able to hold all the feelings, but they will offer us a way to touch our grief, to connect with the lives and deaths of our loved ones, to give voice to our anguish, to find compassion for each other, to fall in love with the world that is left, to express our heartache, and to explore the landscape of our hearts. Recording will be sent to everyone who registers. 

REGISTER HERE

If you need an angel ticket or have any questions, please contact jena@evermore.org

Other versions of this workshop will be held on the first Wednesday of the month on June 5, September 4, and December 4. 

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The Unbroken


 
 
The walls I thought
would shelter me?
Blown down
by merciless wind.
And I’m too spent
to erect them again.
I can’t stand it, I shout,
my voice nothing
in the gusts.
I can’t stand it,
I whimper.
Yet I am still here.
What is it
that keeps us alive?
Whatever it is,
it’s harder now
to see myself
as separate from it.
When I am broken,
it is what is not broken.
When I cannot stand,
it takes on my shape
and carries me.

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Blustery

for Corinne


Into the wind, the whipping
wind, the fierce, tempestuous,
mighty wind, we skied
as it pushed us and
bent us and slapped us
in a language made wholly
of howl—how alive we were,
laughing into the gale,
taking the storm into our lungs,
as if our breath could learn
its syntax, translate
its tongues of gust and squall
into wild, untamable mirth.
This is how we carried the storm
home in our bloodstream.           
This is how, even now,
I feel it in my lips,
an uncontrollable, reckless smile.

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                  for Dan
 

Still, this longing to help.
I want to write the impossible poem,
the one that would make what is terrible
less terrible, want to give you
something useful as a tool belt,
practical as long division, hopeful
as the grace that rises out of our losses
as surely as sunshine rises
at the end of our valley.
There was that cold March morning,
years ago, when you grabbed my hand
and pulled me toward the street
to see a rainbow of ice crystals
glowing bright in the east.
An ice rainbow! you shouted,
your joy so feral, so real it became my joy.
God, how I needed it.
That. I want to give you that.

*

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like honey and sunlight
the music tonight—
my body, a thousand eager mouths  

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for Kayleen Asbo

With hands that have played Bach
on the finest pianos in Europe,
hands that have written poems
and love letters and treatises on art,
with precious, skilled, talented hands

she lifted my foot to her lap
and smoothed oil into the cold, rough skin,
kneading and pressing deep circles
into my arches, squeezing my toes
(once deemed by a boyfriend

“the ugliest toes I’ve ever seen”).
And she made me feel beautiful.
I remember how all of me softened,
even those voices that sometimes rage,
you’re not good enough.

How could those voices stand a chance
against such a gift of touch?
Her hands said, you are not alone.
Her hands said, you belong.
Her hands said, you are treasure to me.

And the day was gray; her hands were strong.
I was less woman, more clay.
With hands that coax music
from sorrow and fear,
she made me into song.

*

Exploring Dante with Guides for your Head and Your Heart
March 7, April 4, May 2 10 a.m. – 2:30 p.m. Mountain Time
Zoom (recordings available)

Oh friends, if you weren’t able to join us today for an ecstatic hour of exploring Dante’s Divine Comedy, don’t worry–here’s the replay. It’s free–a preview of a three-part class that begins next Thursday and runs the first Thursday of the month for three months. The classes themselves with be spacious–with lots of time to listen to composer, pianist and cultural historian Kayleen Asbo lead us through the art, music, history and mythology that informs Dante’s life and writing. Then I will help you explore the truth of your heart and how this centuries-old story might have something valuable for you in times of loss, struggle, elation. It’s a story of connection, of how we help each other, how we become most wholly ourselves. Join the big conversation as we Find Our Way Out of Hell to the Shores of Acceptance (Inferno, March 7); Climb the Mountain of Hope (Purgatory, April 4) and Come Home to Ourselves in Paradise (Paradiso, May 2). Each session has a 30-minute break in the middle. Recordings available to all registrants. Sliding scale. Scholarships available. To register, click here. You do not need to have read Divine Comedy–in fact, we suggest you read it AFTER the class so you have more tools for understanding and appreciating it.

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