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Archive for March, 2025

We show up, burn brightly, live passionately and hold nothing back and when the moment is over, when our work is done, we step back and let go.
—Rolf Gates


This moment, too, is surrender, this blazing,
this bliss-ache, this bright-chime of being,
this showing up heartbare with no shred held back,
this feral unselving, this radiant loss
of all knowing, this wild unhiding
where anything can happen next,
this, too, is surrender. Not like the soulquaking
gut-fall of grief, only just like it, no foothold
except on the needle-tip point of what is,
that place where there is no story, no self,
no yes, no no, no safety, no promises, and
all is being, yes, this, too, is surrender,
this opening beyond self, this radiant obliteration,
unfathomed unfurling, trust-flaring, now-flaming,
instructionless grace, this ecstatic exploding
that always and never arrives.

*

Oh friends … Rumi said, “Be a fool,” and also suggested “be helpless, dumbfounded, unable to say yes or no … crazed, lying in a zero circle, mute …” … 

And so … happy April Fool’s. Perhaps not the fool where you try to trick people, more the fool where you are “surrendered to beauty.”


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Design


 
 
Imagine the self as a canyon in the making,
   once solid, and then, ongoingly,
     made more spacious, shaped by water,
 
by wind, by forces beyond its control.
   Whatever is sacred, I feel it in canyons,
     these earthen temples to surrender—
 
such holy architecture
   with their deep and ancient silence,
     with their steep and crumbling walls.
 
How sacred the angle of light
   as it enters from the rim and slants
     through the belly of air.
 
Sacred, too, the shadows,
   like those most secret parts of ourselves
     that never see light.
 
When I think of the self as a canyon,
   it is easier to believe I, too,
     can be made more spacious
 
through surrender, the shape of my life
   an ever-changing record of where I resist
     and where I release,
 
oh this practice I am still learning
   to trust, this erosion of self
     into reverence.

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In Second Grade


 
 
I wanted that plastic recorder.
Wanted it so much that when mom
suggested I could earn that two dollars
by defrosting the freezer, I sat
on the black-and-white tiled kitchen floor
with a blow drier on high. For hours.
Sat there watching each drip.
Sat there longer, perhaps,
than the cumulative time I played
my recorder, but I tell you,
I cherished that brown plastic tube.
Every “Hot Cross Buns” I played
was an anthem to self-determination.
Almost fifty years later I don’t remember
what I read yesterday, but I remember
one a penny, two a penny.
I remember the drip, drip, drip of the frost.
I remember my mom saying,
No, not yet. Keep going.
I remember my lips on the mouthpiece,
the flesh of my fingertips
pressed on the holes,
the shrill music filling the kitchen.

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On Peace


 
All of humanity’s difficulties stem from man’s inability to sit quietly in a room alone.
                  —Blaise Pascal, Pensées (first published in 1670)
 
 
Let me learn this quiet art
of being still in a room alone.
There is so much I cannot do
to help the world,
but this—
let me learn to metabolize
silence as the alga in lichen
metabolizes light. Let me learn
to root and grow
in the sparest of places
as the fungus of lichen attaches
to the barest of rocks.
Let me learn to let the vastly different
kingdoms of myself serve each other
instead of warring,
the way alga and fungus
live together in lichen,
a symbiosis so stable we see
the two as one. This is how
I come to believe it is possible.
I have been sitting with lichen.
The quietest of sermons.
I cannot stop listening.

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for Deb
 
 
I held the tall and solid
song of her in my arms,
held her the way
a note clings to a staff,
as if for a moment,
I could anchor myself
to the years of shared
laughter. I miss you,
I said. And she said,
That is how it is.
What a gift, these five words.
They did not try to fix,
nor did they ignore
the ache of missing.
As if she were helping me
rekey my thoughts into bitonality—
a melody written in love
with a harmony written
in ache. For a while longer
then, I held her because
I could. And moments
later I rehearsed again
how to let her go.
No part of it
was not beautiful.

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One Persistence


 
 
these dreams of peace
fistfuls of tiny seeds
I toss every day to the wind

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The Minimum




Even when worry wrecks us,
leaving us broken on the shores
of the life we had,
even when we have been wrung
like rags, even when we
are brittle, snappish things,
even then the scent of spring
can reach us with its notes
of damp soil, sharp pine,
and sun-warmed grass,
the air clean and slightly sweet.
We don’t need to open
our eyes. Don’t need to try.
All that is asked of us: breathe.

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What is it like to meet a blank page? Anything at all can happen. It’s part of why I love writing poems. Ars poetica is a Latin term referring to poems written about writing poems (I know, pretty meta), and in this particular expression of ars poetica, I explore what it’s like to meet uncertainty when you first sit down to create and the page is still blank. The poem was featured in Uncertain, a limited-run podcast for Scientific American, made by my beloved friend, science writer Christie Aschwanden. Then, the amazing Anaissa Ruiz ( @shethescientist  ) transformed it into this creative video … so sweet all the dimensions of creative wonderment that led up to these 51 seconds! You can hear what went into the making of Christie’s amazing podcast here on episode 109 of Emerging Form. As she says, “The magic really happens when you are open to things,” she says, and openness is only possible when we engage in, you guessed it, uncertainty.

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Walking in the field
or touching your cheek,
eating a thin slice of pear
or listening to you breathe,
I understand now
how everything, everything
is stitched through by grief
and somehow that makes
the weave of this quiet moment
beside you even more
unbearably beautiful.

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And It Is

 
When you were small
I watched you dance
on the sidewalk, your arms
raised high as if inviting
the world to meet you,
rain and sun and all.
I watched you dance
in the living room draped
in hand-me-down dresses
and colorful scarves,
watched you dance
in small windowless rooms.  
Now you dance on the big stage,
floating in on pointe shoes,
your hair in a perfect bun
you pin up by yourself.
I wonder if every other mother
sitting in the dark also forgets
every second of her life save this one,
this second when you raise
your arm with such grace,
this second when your effortless smile
sweeps across the crowd,
this second when you are so shiningly
yourself, a radiant being dancing
for the love of it, as if this is
the only moment that matters.

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