When was the first time you knew
you would never be loved for who you are?
The first time you knew you would disappoint
everyone when you dared to show up
as yourself? I think of Camille Claudel
in her white frock, the lacy one she was forced
to wear. Her mother’s anger when
young Camille would return from the woods,
mud-joyously smudged, after a day
spent forming skeletons in clay.
A decade later Camille would be the one
Rodin depended on to sculpt the hands
and feet of his masterpieces. He would put
his own name on her work. Decry her talent.
Disparage her truth. Have you, too,
had your gifts turned to weapons used against you?
Have you, too, had someone else’s hands
re-mold the clay of your life into a story
you cannot bear? Could you, too, like Camille,
carve your most painful moment into hard marble
and offer it to the world to see, a moment so raw
people would gasp when they saw it,
even a hundred years later, and filled with ache
they would say, oh, my god, it is so beautiful.
**
Oh friends. There are so many unsung heroes in the world. And I am so glad that during Women’s History Month (yes, it still exists and is still relevant), my dear friend Kayleen Asbo and I are hosting a two-week series on relatively unknown, remarkably talented women artists with incredible stories. The first week we learn about Camille Claudel, the subject of my poem above, who was first worshipped by and then vilified by Auguste Rodin. The second week we learn of the wacky, resilient Suzanne Valadon who was muse to Renoir, Toulouse-Lautrec, Erik Satie, and more, who forged her own artistic path, recreating the feminine from object to subject. It is STILL a radical act to celebrate the lives and contributions of women artists. Join us, please. Both weeks we’ll have six writing opportunities inspired by these women’s lives and their art.
From Tragedy to Triumph: Writing with Great Women Artists
March 4 & 11, 11-1 mountain time
Zoom
$50/$80/$100
Join me and the incomparable cultural historian Kayleen Asbo for a two-week class in which we explore the lives of sculptress Camille Claudel (whom we briefly met in connection with Rodin) and the wildly unconventional and irrepressible Suzanne Valadon, who began her career as the favorite model of Renoir and Toulouse Lautrec and though self-taught, achieved remarkable success and renown in her own right as a painter. We will marry inspiring art with poetry and our shared creative writing practice. Join us!
I will be out of town, but PLEASE do this again on a Wednesday as I would like to participate.
Hi dear Linda, if you are open to it, you can watch the recordings, available to all who sign up for the class.
I’m delighted you’re having this program next month. The struggle you write about today, about having impulses and arts or acknowledgements pressed down, is the struggle I have had and frankly lost from through my life.
I am so glad you are still here. And I am hopeful you can join us in real time or on the recordings–such powerful stories of Camille and Suzanne.