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Posts Tagged ‘daughter’

for Vivian
 
Just today, you asked me
to hold the front door open,
your own hands too full
with a peach smoothie,
a cup of tea, your backpack
and dance bag and lunch box.
It gave me such joy,
this small act of service,
though now I also see it
as practice in letting you go.
I followed you out the door
into the frost-limned world,
yellow leaves falling before
the sun had yet risen.
It would be easy to forget
this moment with you.
We didn’t even pause
to enjoy it, just inhaled
the chill morning air,
both of us mumbling
how glorious it was
before you walked to the car
and I walked back inside.
Now, I see they’re everything,
these slim moments we share,
for a day is slim and a
year is slim, and soon your whole
childhood will also seem
slim. I hold them to me
like treasure, these slender
chapters, charged as they are
with beauty, hold them to me
even as I practice letting you go.

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You, the Light

 
 
I thought the way
to hold you
was by folding
myself around you,
gentle but tight,
the way the hand
wraps around pebble,
acorn, coin,
and now that
you’re not here,
the love no less great,
I stand outside
with my empty,
upturned hands
and understand
opening them
is the only way
to hold light.

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Every day I fasten
my heart to yours.
with invisible strings,
strings so light
you might almost forget
they are there
until you start falling
from any edge
like disappointment,
like betrayal, like
forgetting you belong.
The strings don’t
keep you from falling—
that’s just not
how it works.
Nor could I ever
control you with them
like some well-
intentioned puppeteer.
But feel that tug?
It’s my heart
reminding yours
we’re connected.
And remember those
simple phones we made
with string and two cups?
When you need me,
make of your heart
a cup. I will do the same.
I may not catch
all the words,
but I’ll feel them
with you, wherever
you are, I’ll
feel them.

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My daughter dangles
her legs over mine.
I rest my head on her
shoulder. Is it true
every film is an exploration
of how growth depends
on letting something go?
Or is it simply the glasses
I wear, lenses grubby
from tears, that make it
seem this way? All I know
is it’s easier to practice
letting go when
we’re curled in together,
her hand pressed into mine,
tears sliding down
both of our cheeks,
scent of popcorn
thick in the air,
and all around us
others sniffling, too,
the light blue against
our upturned faces.

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Fräulein

Just because it’s a song about a man leaving a woman
and realizing he still loves her doesn’t mean

it isn’t also a song about a mother and a daughter
singing their hearts out in a car, both of us

falling in love with what the human voice can do
and what a song can do when two people choose

to sing it together, over and over, until it becomes
our anthem, until it becomes the glue in something

larger than we are, something less about the words
and more about the transmission of love,

the shared moments in which we come together
to sing it, you on the melody with Tyler Childers,

me on the harmony with Colter Wall. And the more
we sing it, the more I’m in love not just with the song,

but with you, because no matter what the song is about,
it’s our song, and we choose to sing it again and again,

because joy, because the way two voices come together
as one, even out of tune, because, Fräulein, this song is ours.

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What Can’t Be Lost




Again I search the drawer
for my small silver spoon
with the Space Needle
on the handle, the one
my mother bought me
when I was not yet two
and we lived in Seattle.
How I loved that spoon,
bringing it with me everywhere
I’ve moved—to college, grad school,
to the top of a mountain,
to a low river valley. I love
the shape of it, sure,
the way the bowl of the spoon
is pointed and shallow,
perfect for small bites
of vanilla ice cream.
Mostly, what I love
is thinking of how my mother,
who had so little then,
wanted to buy her daughter
a treasure. It’s been years
since the last time I touched it.
It’s disappeared many times,
my own young children as enamored
with the spoon as I, and so
I have found the spoon behind the couch
or beneath their beds or left outside
on the arm of a lawn chair,
sometimes even back in its slot
in the drawer.
So for years, I’ve assumed
the spoon will return.
To this day, I don’t think of it as lost.
How could I, when every time
I eat yogurt or ice cream or oatmeal,
I look in the drawer for the spoon,
which is to say every day I touch the spoon
with my mind, every day I remember
the way a mother bought her daughter
a treasure, I think of the love, and every day,
even when it’s not here, it’s so here.

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Curled up beside me,
my girl studies the laugh
of a man she admires
and the more he guffaws
the more she guffaws,
which of course,
makes me laugh, too,
and soon the evening
is a riotous bouquet
of giggles. I gather
the sound in me like a field
of wildflowers, a pleasure
that reseeds itself,
lovely as lupine, common
as blue flax that thrives
along even the busiest road.

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                  for Vivian on her 17th birthday
 
 
I don’t understand how it is that loving you
asks both everything and nothing from me.
Every day since your birth I have nourished
this love with time, with touch, with words,
and loved you the way I was loved—knowing
there is nothing you could do or be that
could make me stop loving you. I thought
I was making a refuge for you, but
every day since your birth, the love
you’ve given back to me has become
my sanctuary, a place I show up exactly as I am,
with bad breath, with tired arms, with a faulty
memory and dirt in my fingernails and trust
you will love me, too. Every day we build together
the nest of love. Once we wove in fairy houses
and reading books and making up secret handshakes.
Now we weave in cinema and long road trips and
floating on the pond. And trust is the glue
that holds the nest together, even as
it changes every day. It surprises me
the nest of love is less a place and more
a spaciousness inside—not somewhere we go,
more something we are, so even when
we’re not together, the refuge is always within us,
a love that asks nothing and everything,
a home that grows as we both continue to grow.  

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Inner Girl


 
 
I don’t know why he started calling me Roxanne,
but sometime in high school that’s what Dad did.
No matter it wasn’t my name. I loved how it made
me feel—something just ours. Dad had a way
of doing that—making a person feel seen, feel
uniquely known to him. And so today,
on his birthday, I imagined Dad could see me
through the veils of death. I talked to him as usual
as I weeded the garden bed. Told him about
the four river otter that showed up in the pond today,
how they slid their dark slick bodies across the top
of the water and dined on crawdads for hours.
As always, Dad didn’t talk back. Then, tonight,
at a party, when a woman introduced herself
as Roxanne, I stared at her, stunned, then unraveled
into tears. “I’m sorry,” I said. “I know it’s strange
to have a person start to weep when you tell
them your name.” She was kind to me all
the same. Just hearing someone say the word
I understood how much I miss hearing him
say it, miss the person I am with him.
It’s as if a door has been locked for years—
the door through which I am Roxanne.
Someone silly. Treasured. Supported. Known.
Hearing the name again felt like a key,
a gift on his birthday. It didn’t bring him back,
but it revived a forgotten part of me.
Even now, she is writing this poem.

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I mean there’s a silence
here where your voice should be,
an emptiness beside me
where your warmth is not.
I mean your cereal bowl
is not in the sink.
No scent of lavender candles
burning in your room.
I might say, I miss you,
but it’s code
for I miss who I am
when you are here.
Miss giggling until we fall
on the floor. Miss
the way my fingers
pull through your hair.
Miss holding your feet
while you sit in a chair—
that strange thing
that only we do.
I say, I miss you,
but I mean I miss
you humming the Eagles
while making chia seed pudding.
I miss the here of your hand
in my hand. I miss the here
of your feet on the floor,
I miss the here of your eyes.
The here of your sneeze.
The here, right here, of your sigh.
 

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