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Posts Tagged ‘daughter’

Last Days




In the end, my father couldn’t
raise his arm to feed himself.
Couldn’t sit. Could barely open
his eyes. But damn, could he love.
He could still curl his thick
fingers around my hand.
Could still say my name.
And though I had never known
a moment when I was not sure
this man loved me, in those last days
I knew it more. Somehow, barely
able to speak, he drenched me
in his devotion. In those last days,
all was reduced to love. Or was it
all was expanded to love? Either
way. Somehow I hadn’t known
how love can take over a body.
A life. The purity of it. The gift.

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One Unframeable


 
in a room of priceless art
I keep turning toward
my daughter’s smile

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A girl is curled into her mother.
The sun has long since gone down.
The night is warm and the room
is lit by a single orange globe
hung above the easy chair.
The girl could not be any closer—
even her ears are curled in
to the voice of her mother.
And if there is a world beyond
the chair in which they sit
and the book they read,
they are not aware of it.
Their imaginations are swirled
together into a world of talking
badgers and valiant mice and
betrayal and war and love.
Fifty years later, that girl
sometimes catches herself staring
in a mirror, stunned by a gratefulness
so deep for her own almost magical story,
a story in which for years she could sit
on her mother’s lap, rapt in a book,
both of them agreeing, just one more page,
and then, just one more.

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Dad used to love to say of strangers,
We went to different schools together.
He always did love the silly, the goofy,
the nonsensical, the absurd.
Loved making funny noises,
like the time he sent me a cassette
while I was living in Finland. He
squealed high into the recording, saying,
Have you ever heard the sound a sock makes?
EEEEEEEEEEEEEEEEEEEEEEE!
I learned from him to narrate the world through sound.
I, too, might find a noise for setting down a plate
or pulling up a window blind, or tugging a weed
or dropping seeds into the ground.
I, too, have heard myself say of a stranger,
Oh yes, we went to different schools together.
And though I’m the one speaking,
it’s Dad’s voice I hear. His hee hee hee
when I’m giggling, laughing till tears spill free.
His squeal when I pull on a sock.
And I don’t pretend to know how it works,
but I believe we are, even now, somehow
in different schools together—me in the school
of life, him in the school of death.
I don’t know what he is learning, but I
am still learning how to love what is
and what isn’t here, how to show up,
how to listen to and interpret
the secret sound of a thing.

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And It Is

 
When you were small
I watched you dance
on the sidewalk, your arms
raised high as if inviting
the world to meet you,
rain and sun and all.
I watched you dance
in the living room draped
in hand-me-down dresses
and colorful scarves,
watched you dance
in small windowless rooms.  
Now you dance on the big stage,
floating in on pointe shoes,
your hair in a perfect bun
you pin up by yourself.
I wonder if every other mother
sitting in the dark also forgets
every second of her life save this one,
this second when you raise
your arm with such grace,
this second when your effortless smile
sweeps across the crowd,
this second when you are so shiningly
yourself, a radiant being dancing
for the love of it, as if this is
the only moment that matters.

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You would be jealous, I think,
of how your sister is learning trig,
speaking Spanish, playing bridge.
You’d probably tease her, but really,
what you’d be thinking is, She is so cool.
And she is, sweetheart. She’s fun
and silly. Like you. Only like her.
We talk about you, of course.
Just this weekend, we remembered
how once you said if a 99-pound person
ate a one-pound burger, they
would be one percent burger.
I wonder what percent of your sister
is grief? And what percentage love?
Tonight a girl asked her if she had any siblings.
She said, yes, a brother. When the girl
asked her how old you were, she told her
the truth. That you were seventeen
when you died. What a terrible gift
to learn how to say the hardest things straight.
I can’t help but think if you are watching her,
you, too, must be in awe of who she’s becoming.
Oh, how we learn to grow from whatever soil
we’ve been given. I do not pretend to know
how this works. I only know she
is learning to transform ache into beauty,
nightmare into dream. I only know
I long for her to know love from you
the way a garden feels loved by sun, by rain.

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Every day has something in it whose name is Forever. 
—Mary Oliver, “Everything that was Broken”
 
 
The snow falls forever
into deepening drifts
and forever the mother
and daughter are fitting in
pieces of a puzzle that is
forever unfinished
and the cat purrs forever
in the lap of the girl
who is laughing forever
about the smallest
of things and the song
on the radio lasts forever
and the mother harmonizes
though forever she forgets
the words, and her tea
is forever not quite warm
in this sweet buried day
that she prays will last
forever though she knows
the other name for forever
is now, and now the snow
has stopped falling
and now the cat is asleep,
but how is it that
as the mother goes
to brush her teeth those
strands of forever have
stitched themselves into
her being and she carries
them into her dreams
with infinite other threads of forever,
even as forever carries her.

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One Expanding Awe


                  for Vivian
 
 
when she can’t stop
falling in love with the blush of sky
I can’t stop falling in love with her

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Holding my girl
on the couch,
came a moment
so tender because
I remembered
I will die—
what grace when,
minutes later,
lost in the bliss
of her warmth,
came a moment
so tender because
I forgot.

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the river must follow its channel,
but every cloud can tell you
water also flows up

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Keep some room in your heart for the unimaginable.
                  —Mary Oliver
 
 
I could not have imagined
how every year my daughter
and I would bake a chocolate beet cake
for Timothée Chalamet’s birthday—
nor could I have foreseen
how it would thrill me—
this sweet ritual in which we celebrate
the life of an actor who brings
us joy. Joy needs such a meager
door through which to enter and reveal
itself. A door I can’t imagine
with a handle I can’t find
except by loving the world
and the people in it.
I would have thought loving
made the heart more full.
And it does. But it makes
the heart more spacious, too,
a place where anything could happen,
even what is real: a daughter,
a mother, and hours in the kitchen
singing and stirring, the scent
of chocolate, earthy and nutty,
floating in the air like a song.
 

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Kinetic Joy


                  for my daughter
 
 
It’s perhaps like billiards,
in which the cue ball collides
with another ball, and the kinetic
energy passes on to a second ball—
that’s how it is when you,
in your joy, collide with me in a hug,
and your joy passes on to me,
my every molecule vibrating
as your bliss becomes my bliss,
your joy becomes my joy, until
I’m dizzy with it, spinning with it,
rolling around the room with it,
in fact it’s what I was made for,
to be moved by you, by your joy.

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Mom slips her fingers through my hair;
my eyes close, and I am again
a sigh of a girl, a wisp made of trust,
and I don’t know where she goes,
the middle-aged version of me
who works, who carries, who forges on.
It’s not that I ask her to leave,
she just disappears as I curl deeper
into the den of dreams, my body limp
as a kitten picked up by the scruff.
Maybe I purr. I nuzzle in deeper.
I forget to remember there is anything
else to do. It’s a lifetime before I wake.

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One at The Nutcracker


 
 
so bright the light you carry—
watching you dance
I, too, am glowing

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I want to bottle it,
tonight’s drive
with my girl,
both of us singing
full voice,
so when I forget
how good it can be
in this world,
I can dab it
behind my ears
and inhale again
the joy of singing
through the dark
that brazenly,
that together.

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We color. I pull out the only coloring book
we have left, most of the pages already full
of half-finished attempts from years ago.
Blue and pink seals. A resting jaguar
with one purple eye, the other eye green.
We sit side by side the way we have
since she could first hold a crayon
and choose a fresh page to color.
She coughs. I sing with her playlist.
We chatter about nothing important
and fill in the green of the leaves,
make a monkey with orange and blue hair.
And it’s boring. We both agree.
Buy my god, I’m so grateful today
to be bored with her,
so grateful to fill in the lines
because right now, there is no room
but this one, this the gift:
her sniffling, the house filled with midday sun,
my life so tethered to her life,
the pink pencil growing shorter every minute.

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just when I think
I’m made of sludge
you candle me

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millions of small miracles
bring me to this morning
beside you

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my daughter’s tears
find their way
into my eyes

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Bowing at the Feet of the Ordinary


May I remember this day
with its two-hundred twenty two
miles of pavement and my
daughter beside me and both
of us singing her favorite songs.
Remember this day not because
it was special but because
it was the way it always is,
with us laughing and talking
and sitting in easy silence.
With a stop at the car wash
and her grumbling about vacuuming,
then doing it anyway. With
a stop at the coffee shop
and me grumbling about
cake pops, then buying one
anyway. With the sweetness
of ripe Cresthaven peaches
we bought at the roadside stand—
how the juice dripped down our chins.
With the rich green of late summer
a blur out the window. The day
so infused with commonplace
love I never once doubted
I belonged with my girl, in that car,
in the world, in the universe,
the days getting shorter
but still so luminous, so warm.

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