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Posts Tagged ‘death’

One Lament

 

 

 

In the ragged purr of the cat

in my lap I hear all the sun

she has yet to curl into,

all the mice she has yet

to chase, all the days

we don’t have left.

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Just Before Death Comes

 

 

You want to say,

She was old, she had a good life.

You want to say,

She was treated well.

You want to believe

that death can be tender,

a blessing, a dark and beautiful flower,

and maybe you do say these things,

and all the while

your heart sags, wails,

curls like a cat into itself,

longs to be held

in some great, warm arms

even as you hold out

your own unsteady arms

to hold what can never

be held.

 

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They are dead,

the sunflowers,

all petal-less and brown,

and I almost uprooted them

from the garden,

almost tossed aside

their tall brittle stalks,

their heavy bowed heads,

 

but see today how

the small gray birds

flutter amongst the dead

and dive for dark seeds,

how the garden air shimmers

with dozens of wings.

 

Patience, I think,

with whatever we believe

is lost—

so much beauty survives

even after a frost.

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Before the sadness comes the shock,

like snow falling on sunflowers,

like nightfall at noon. And then

the tears catch up. And then

the wondering, What could I have done?

The urge to hold her now that I cannot.

The ache to hold her daughter, to hold

her son the way that she once held

my children when they were young.

What is there to do now but cradle

each other, to cry, to recover, and again

to shudder, to cry. To say to each other

that this day it hurts to be alive.

To notice that despite grief,

the larkspur are in full blue.

The river curls notes around the rocks.

The bees immerse their bodies

in snapdragon blooms.

How it’s never been more important

to know this—that the world

is beautiful. That even as we’re held

by tragedy, here is tenderness.

Here, always waiting to be opened,

the invitation to love.

 

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In the Garden

 

 

 

I apologize

as I squish

the green worm

that’s been feasting

on the basil leaf.

It does not change

the fact that the worm

is dead. And the basil

now will live.

 

Yesterday, my friend Carl

stopped me on the street

and wondered aloud

how we die

to the moment,

then greet the next.

He did not,

of course mean

a literal death.

 

The basil leaf

has a hole in it now

where the green worm

is not. I pick it

and eat it myself,

not out of spite,

perhaps

to feel how the worm

and I are not

after all

so different.

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Yesterday I found a bird on the ground outside the window. Remember how I had told you about the two pairs of Bullock’s Orioles at our feeder? It was one of the females. I was too squeamish to pick her up with my bare hands. Someone at some time told me about the bacteria on birds, and like so many other stories, I let it define my actions even though I don’t know that it’s true.

 

I did pick it up, however, fashioned a little stretcher out of cottonwood sticks and carried the bird to the deep grass.

 

Though it was at the feeder the day before, already it was gone enough to have lost its eyes, now two little sunken spaces where the head pulled in on itself. But the small body was not yet rigid, and it hung, limp, over the sticks.

 

I sang a death song, as I always do, sometimes out loud, sometimes in my head. It was taught to me by Art. “Nothing lives long, nothing lives long, nothing lives long, not even the mountain.”

 

I remember the day Art changed the lyric. For many years, he had sung the final phrase, “nothing lives long but the earth and the mountain.” Perhaps like all things

that are new, it trembled something me. The old words were so comfortable and familiar in my ears, my mouth. I suspect the real reason they shook me was the truth of them. Nothing lives long. Not even the mountain.

 

How small we are. Sometimes, like yesterday, I let my sadnesses and worries become so big, much bigger than my body. I can’t contain them and they spill. It was beautiful to watch how, on that flood of my sorrow, you found a boat and sat in it and showed me it was possible.

 

Why did I think the deep grass was a better place for the body of the bird? I didn’t question the voice that told me to take her there. Perhaps we are all heading into the unkempt field, a place where we are open and hidden at the same time.

 

I watched the other three birds all day as they flew from feeder to cottonwood. They were a braid of song, seldom staying in one place for long.

 

Nothing lives long. It’s no revelation, but sometimes an old truth finds wings in us. And so it was when you told me yesterday, just before you drove away, that I needed to stop hoping things would change—that I needed to decide if I could be happy with things just as they are. Only minutes later I found the bird. Though the two events didn’t seem connected at the moment, now they are like two drops that become one water.

 

And so this morning, I join you in the boat. Although it is just a metaphor, I notice that it changes things not to be swimming in the waters of wishing things were different. I notice how there are no oars in the boat, and how part of me longs for control and part of me has already found the freedom to stare at the sky.

 

And there they are, the three orioles, their yellow feathers flashing as they rearrange the air. And there she isn’t, the oriole now laying in the field.

 

Later today I will fill the feeder. There are some things we can do.

 

 

Your friend,

Rosemerry

 

 

 

 

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Morning Commute

 

 

 

Red carcass beside the road,

the thin ribs like white staffs

and the black birds

that flitter around them

like staccato notes

escaped from the score—

 

if you listen for a death song

all you’ll hear

is the shiny caw of good fortune,

the sound of your own

hungry wheels humming by.

 

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Make definite assertions. Avoid tame, colorless hesitating, noncommittal language. Use the word not as a means of denial or in antithesis, never as a means of evasion.

            —Elements of Style, Strunk & White

 

 

It would be less preferred

to say of the baby quail

that “It did not survive”

when the falcon

went hunting

along the side of the cliff.

Better, say the experts,

to make definite assertions,

“It died.”

It’s rule twelve:

“Put statements

in positive form.”

But what to say

of the inner fight,

how the soul cheers

for the falcon in flight—

all grace and ferocity,

precision, might.

While the heart

can’t help but cheer

for that bumbling chick

brown-striped, blameless,

chirp and slip.

It’s not that the heart

is trying to evade,

not trying to lie,

it just wants

to build a small hope

for us all with the word survive

something to soften the truth—

all things die.

 

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What Then?

 

 

 

 

When it dies, the whooper swan sings—

a drawn out trellising of soft running notes—

a glissando as its lungs collapse.

 

It isn’t that the swan tries

to be beautiful then

after a lifetime of bugling.

 

No, the effect is strictly mechanical,

they say, an additional tracheal loop

within the swan’s sternum.

 

Isn’t it like us to want to believe

that the swan gives its greatest effort

at the end? Anything to release us

 

from the tedium and noise

of the day to day—as if doing it better later

releases us from the moment’s scale.

 

Sometimes we sing

and fail to recognize our own tune.

Sometimes we try too hard

 

and our effort comes out less song,

more honk, more strangled cry.

What if, instead of weighting

 

the finale, we focus on the few notes

we’ve been given and every day

do with them the best we can—

 

play with their volume, their

timbre, their tempo, their texture—

learn to feel them resonant

 

in our bodies, learn to find them

beautiful as they join the air,

the tune still warm from our breath

 

as we scatter our song across the fields,

across the highways, the forests,

letting it touch everything we love

and everything we are still

learning to love.

 

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Emergence

Tell me, I said

to the cemetery stone,

how long before

our names are

prayers only

the lichen

can speak?

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Letting the Small Ache Sing

 

 

 

Not yet dirt,

the outline

of squirrel is still visible

on the hard earth

of the back road—

I step over what remains,

wonder

how many other lives

I’m walking on.

There are infinite ways

to praise,

among them

these words:

I am sorry.

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Three Inadequacies

 

 

 

slumped on my chest

the body of the girl

not quite so limp

as the weight of her pet

still almost warm

 

*

 

no less permanent

this death of a body

so small

 

*

 

the dull weight of sorrow,

wishing it would come soon

to replace this burn

 

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When It Is Time

When It Is Time

 

 

The way you held

and bathed

all those children,

may death have such tender,

such efficient hands.

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This is how

 

 

one lives

when she knows she will die—

she sits beside the river

and puts down the book

and lets the sun

scrawl its hot verses

on every page

of her body.

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One

 

 

 

carcass on the trail

the ribcage emptied, still red—

my own heart beating

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Four Circlings

 

 

 

this gray afternoon

we walked circles around death—

the sun came out

 

*

 

be brave, I tell myself

until the only voice I hear—

be true

 

 

*

 

on the wrist

of the man with hours to live

the watch tells perfect time

 

*

 

make of my body

a bridge, now to now,

love to love, life to life

 

 

 

 

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Past the grave of the baby girl,

past the grave of the beloved mother—

“we loved her,” it says in italic letters—

and past the grave with my birthday on it,

we find a tombstone greened in moss

with its names and dates long since lost.

The grass has nearly reclaimed the stone,

and we sit here together and talk for hours,

joyful expressions of dust as we laugh

and cry and remember just why

it is so damn sweet to be alive, to practice

what it means to love in the face of our impermanence.

All the leaves have left for the year,

but look at what remains—the chance

for sudden, immeasurable bliss

no matter what the season is.

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Last Lunch

For the last lunch on the Titanic,

the kitchen served corned beef and dumplings.

We know because one of the men

who was saved in a lifeboat

kept his menu with him,

and over a hundred years later

someone bought the old scrap of paper

for eighty-eight thousand bucks.

My friends, just in case I die tonight,

and just in case it’s a dramatic,

exciting death, I want you to know

that for lunch I had Lay’s potato chips

and a Caribbean Spice smoothie

with protein powder. I didn’t

save the menu, I know, what a bummer.

But it’s written in chalk on the wall

at Heidi’s Brooklyn Deli, and if you take

a picture, well, somewhere down the centuries

it might just make a fortune for your kids.

Unlike that lucky survivor, I don’t happen to have

a Turkish bath ticket I can send you.

Too bad. I would have loved one today.

But perhaps at auction

you can make a few extra bucks

if you throw in the knowledge

that the sunflowers were in full bloom,

and the cottonwood trees were golden,

though it was already October 3.

The whole sale would be more profitable

if only I were more famous. Sorry.

Oh yes. Two pickles. I nearly forgot to mention.

They throw them in free with the kids’ sandwiches,

but those pickles might be worth a lot to you.

I hope not many others will die in this disaster,

but know that I am aware as I write this

that there is a sweet danger brewing,

and there are no life boats.

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Of course I know I am going to die

I know it the same way I know

the sun is dying, too. This is a fact,

that feels far away. All the same,

I carry it with me today as I notice

how the new summer growth

on the spruce is startlingly blue.

And the river, low and clear, wears a shimmer

in its song. Every flower in the bed

is fully in blossom, and the meadows

are lush and green. I know they will die,

as I will die, though all of us seem so wildly

alive in this moment, especially the bindweed

I pull from the garden as if

there will be a tomorrow

with plants that need space to grow.

I speak to the reaching tendrils of beans

in hopes of a harvest,

though there are, as of yet, no white blooms.
I tell them frost will come soon.

When Donna’s letter arrives on my screen,

I am just stepping in from the garden.

It was unexpected, she says.

In her letter, I swallow a hint of what else

is as real as the green all around,

and in me ripens a deeper hint of blue,

a hue that reframes so tenderly

these fleet shades of the living.

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Bottom Line

The first time I died it was sunny.

I could see the sunlight streaming in

through the waves as I drowned.

I was not frightened, more curious.

It was so new—the swirls of the current,

the bending of morning light. I was only scared

after I learned I was still breathing.

Then I fought for my breath.

The second time I died, it was lonely.

I stood at the top of the cliff

and the earth did not swallow me.

I fell for months without hitting bottom.

It was only much later I noticed

that I was alive again.

There were more.

Some of the deaths I do not remember.

Some of the deaths do not leave.

They are never and always the same.

I love it, this life, how it insists on itself.

I died again tonight,

watched as the mask of me struggled

to stay in place. It did not shatter nor melt.

It was just gone, though already I sense

it has found its way back on.

There is no need for tombstones, no need

to memorialize. It’s the living that matters,

and with each death, it’s easier to see

how life is so (oh, just say it), yes,

life is so beautiful.

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