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Posts Tagged ‘ekphrasis’

I love the practice of Ekphrasis–the art of writing poems for other works of art. One of my favorite poetry journals, Rattle, has a monthly Ekphrastic Challenge, in which they invite poets to write poems for a piece of art, which the editors select. This month, one of my poems was selected by the editor, Tim Green. You can find the poem and the artwork by Samantha Gee here . Want to try your own hand at an Ekphrastic poem? It’s fun! You can find the monthly challenge here .

 

 

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Don’t look in the sink for happiness.

It sounds so obvious. But even the shiniest,

cleanest sink is still only a sink.

Don’t look in the cupboards.

Don’t look in the fridge. Don’t look

to the tile floor—though this

is a place we’ve danced before.

Even the stovetop, the home of flame

and chemical change—the burners

are not what we seek. Of course

we look to the kitchen. The center

of everything. Don’t look out

the open window. Don’t expect

from the empty green vase.

The only thing that’s ever mattered

were the lovers in this space.

No matter how clean the counters.

No matter how soft the breeze.

It’s us, my love, it’s us that’s missing.

It’s us that we most need.

 

 

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Wet-in-Wet

 

 

 

while not looking

at Van Gogh’s sunflowers,

inside my thoughts

I find them—

large unruly bouquets,

torches of hope

and yellow

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A poem based on The Treachery of Images

 

 

No, of course it’s not a pipe,

and I am not a woman

looking at an image

of a pipe,

and this is not

a love poem.

Just today I did not put a frame

around my tears.

I felt them slip,

wet and messy,

hot and light

against my cheeks,

the rich and pungent

scent of smoke

nowhere

to be found.

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Here’s a bit of information about the upcoming show, In Three Lines and (I hope) book launch for Even Now … Thank you Telluride Inside & Out! 

 

In Three Lines: Telluride Inside & Out

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When trouble comes like a black monkey

sitting on your shoulder, picking at things

you can’t see; when trouble comes

 

like a necklace made of thorns that twists

around your neck; when trouble comes

with its hummingbirds dead and dangling,

 

with its indifference to blue, do not try

to escape into the upper left corner,

though the dragonfly there could distract you.

 

Dare to meet it with a gaze unyielding,

meet it exactly where you are. Ask it

with your eyes, What do you have to teach me?

https://en.wikipedia.org/wiki/Self-Portrait_with_Thorn_Necklace_and_Hummingbird

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October 6

Art Opening: In Three Lines

Telluride, CO

81435 Gallery, 6-9 p.m.

 

For two years I have been collaborating with artist Jill Sabella, experimenting with simplicity—a leaning toward less and the more that blossoms out of it. We took turns sending each other work to respond to. The result: 45 intimate pairings, in which three-line drawings and three-line poems reflect each other. Some are framed individually and others framed in conversations of three. Our vision: Elegant. Provocative. Inviting. Poignant. The artwork began with charcoal thoughts, and later the same drawings were done on rice paper with Sumi ink and brush.

In addition to the framed artwork, the pairings have been made into a book, even now (Lithic Press, 2016), which will be available in just a few weeks!

The pieces  will be for sale in the gallery. If you are curious about purchasing a piece but are not able to make the show, I will help you see the images to make your selection. Single pieces are $250 and triptychs are $800. The show will be up until the first week of December. For more information, contact Molly Perault, 728-3930 or molly@Telluride Arts.org or Rosemerry at 970-729-1838, rosemerry@wordwoman.com

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… that’s what I was thinking about when I saw a painting by Meghan Tutolo as part of Rattle’s Ekphrastic Challenge … today it was featured on the Rattle site, the poem Divining. Wishing all of you beauty in these hours at the edge of our darkest days …

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No space of regret can make amends for one life’s opportunities misused!
― Charles Dickens, ”A Christmas Carol”

Through the window, I see myself,
dead. The white sheet doesn’t cover
my feet, and they stretch, stupid and pink,
off the edge of the gurney. There is too little
callus on them. They should be dirty
from walking the world. What a waste to die
with clean feet. The earth would not be
so covered in dirt if we were supposed to stay clean.

And there I am, facing away from the corpse.
So human to want to turn away. My sleeves
are rolled up, but my hands hang empty.

And here on the street, I see in the window
some semblance of my face,
not quite transparent, but substanceless.
I pick up a rock small enough to throw,
big enough to break the glass. No.
I drop the rock, untie my shoes instead.


This poem is a response to a picture, part of Rattle’s Ekphrasis challenge …
http://www.rattle.com/images/ekphrasisbernal.jpg

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They are large, the breasts,
more than two handfuls’ worth.

I move the soft cloth over them
slowly, gently, though she is bronze

and does not require tenderness.
I give her tenderness. I touch her

the way I long to be touched,
unhurried, deliberate, leisurely.

Outside the window, the cottonwood trees
are as naked as she is. Last night,

I saw the full moon in their limbs
and my thoughts let fall all their leaves.

I want the full moon to linger on me
the way I linger now on the narrow stretch

of her body, putting a shine on every
inch. She is lovely, God, she is lovely,

with her head flung back and her
arm flung high, staring at the world

with her unchanging eyes.
Through the window, I watch

as no birds fly from tree to tree.
The emptiness between the limbs

is empty. My thoughts grow
faintly green.

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