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Posts Tagged ‘freedom’

Love Bent the Bars

hiding in this cage
felt so safe until
I began to notice
what else
was hiding in this cage

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The sea lion swims in the glass-framed pond
with his eyes closed. Lap after lap, he barely
seems to move his great webbed feet, his smooth
gray body flexes and curves. I try to imagine his eyes
are closed in contentment, but that is such
an utterly human wish. It is human to wish—
to see what we want to see, to believe what we want
to believe. The sea lion swims in his cage
with his eyes closed. I can’t stop watching.

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It’s an Inside Job


Before we can be what we are meant to be, we must accept what we are not.
–Mark Nepo, The Book of Awakening , June 29

Bird in a cage
every day she drops the seeds
till beneath her
then all around her
a tangle of wild things.

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(though love be a day

and life be nothing,

it shall not stop kissing)

–e. e. cummings, Thy Fingers Make Early Flowers

 

Make me then a flower

that is unashamed of blooming.

And make me a river undammed.

Make me a leaf that surrenders to death

but surrenders even more in life.

And make me a dawn that keeps

unfolding, a book that has no last chapter,

a phone that rings only love.

Paint me rose and then unpaint me.

Make me the door that forgets

how to latch, and just in case,

make me the skeleton key.

Make me a black wing that gathers

the light and gathers the wind,

and make me the light as it breaks on the wing

and make me the homeless wind.

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One More Escape

I made a cage
out of my story—
love bent the bars

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It begins as a dark wing arcing up,
then cart wheeling high, swooping
down, then back up to a point before
diving as falcons do toward the earth
with great straightness, curving up
at the very last moment, in this case
before meeting the blue solid line, climbing
to intersect the first long arc,
then doubling back on its path.

The pencil wheels across the blank
page, it flies into another loop,
and another, pushes into a bow
and then bends, sweeps and circles again,
and the boy moves his hand, entranced
by the leaden record of its dance
as his thoughts appear on uneven horizons
until the whole page
is a flock of slender black wings
all of them rising at once,
that beating, that beating, his heart.

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I don’t know my lines.
That is always the case,
only this time, the props

were not set, either,
and I am frantically
baking popovers

for the first act.
Five minutes before curtain,
I tell the other two actors,

“I’m going to have to improvise.”
They look at me in astonishment,
not because they are disappointed

but because they can tell
I only just this moment
knew that was an option.

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Five Undoings

wearing that story
for so long I forgot
I had slipped it on

*

bad hem day—
tripping on my own
once upon a time

*

rumors of my self
catch on morning sun, snag on
the wake of herons

*

with one hand, I stitch
the small tears, with the other,
I rip out the seams

*

naked
the scent
of hyacinth

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for years
thinking you were my jailer
these unyielding bars
today finding the key
in my own pocket

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so small
the weight
and yet
too much
to hold
and so
it falls
not that
it is
not lovely
not that
it is
not wanted
not that
we could
force the
liberation
just that
it is
time
for it
to fall

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So busy watching my feet
move over the small stones,
dried leaves, paths of ants,
it is a long time before
I see the birds.

*

What is it I am circling?
What is this longing
to name it?

*

The slats of shadow
and light only look
like prisons.
We slide through the bars
like song.

*

The bell does not ring
when we call it bell. It rings
with the playing of it.

*

And what is playing me,
this too-solid bell of a
flesh called woman,
Hollow me, I am
diligently practicing
my one note
in the symphony.

*

All these obstacles,
and still
the unspiraling line.

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This rope of love
I tied in knots
without knowing
how to untie them.

Knot after knot,
I tied a net
for catching
myself, all the while

longing for freedom.
Why do we play
such games—
one hand open

in prayer, begging
for one thing,
the other hand working
as fast as it can

for the opposite.
You know the old
magician’s trick
when he produces

from his pocket
a knotted rope,
mumbles some magic,
and with his words

all the knots fall out.
Ta da! Well, it was not fast like that,
but slowly and quietly
and one by one

with both hands
open and by some
miracle all the knots came
undone and I

am falling, falling
through the threads
I thought would save me,
falling into the stark

between the stars,
falling through
the fragrance of laughter
and the silence

after that.

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Finn comes in, hands cupped
and asks me for a jar. What for?
I ask, and he lets me peek between

his palms to see the butterfly.
He is all aglow with the catching of it,
and I do not try to hide my regret.

Let it go, I say, it will be so much happier, love.
No, he shouts, and looks about
for a jar since I won’t help him out.

Please Finn, I say, let it go,
but he is intent on keeping
what is beautiful. He pokes holes

in the lid so the admiral can breathe,
gives it a yellow salsify and insists
that it’s sipping nectar. The butterfly,

all violent wing, flaps a long time before
settling beside the pretty weed.
Finn stares in the jar at his butterfly.

It is pure, his admiration for the
loveliness he sees, so pure that I squeeze him
tight, too tight perhaps, my arms

around the place he would have wings.

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That rock that we
have been pushing up
the hill—that one

that keeps rolling back down
and we keep pushing
back up—what if

we stopped? We are not
Sisyphus. This rock
is not a punishment.

It’s something we’ve chosen
to push. Who knows why.
I look at all the names

we once carved into
its sedimentary sides.
How important

I thought they were,
those names. How
I’ve clung to labels,

who’s right, who’s wrong,
how I’ve cared about
who’s pushed harder

and who’s been slack.
Now all I want
is to let the rock

roll back to where it belongs,
which is wherever it lands,
and you and I could,

imagine!, walk unencumbered,
all the way to the top and
walk and walk and never stop

except to discover what
our hands might do
if for once they were

receiving.

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these scars on my arm?
I used to walk my hell with me
everywhere on a leash
and let it bite me sometimes
just to be sure it still hurt

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It was dim
then
starless

who would guess
this was a gift

now whatever path
there is

is lit

by my own

light

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It was no wolf
in grandma’s kerchief
that tricked me,
but I thought
it was I who opened
every door, thinking
I knew what was
behind it. Now
I watch as doors
I never knew were there
open themselves,
come unhinged,
fall off.

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five haiku


I could never say
what love is but often
I say I love you

*

you’re shy? it’s okay—
I can drip love from these words
instead of flooding

*

who says there is
only one sun? let’s think
vaster than that

*

falling through
the spaces between stars
a temple of emptiness

*

a velvet cage
is still a cage she said
scissors in hand

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the compass rose
slipped off the map—
the road bloomed

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those crumbs
in your hair, I think I’ll
leave them there

*

it’s not what I
expected, said the fish
when given wings

*

you and I, two
winging birds that just escaped
the terminal

*

these hands, so weary
from grasping, finally open
enough to hold light

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