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Posts Tagged ‘grief’

After the Loss

It arrived as a tidal wave,
so much love from
so many people
all around the world.
Too much, too much,
I thought, until
I imagined just one
person not sending
love and then knew
with every cell 
that drowning in love
was the only way
to stay afloat.—Rosemerry Wahtola Trommer


*a personal note–
dear friends, we are a week from the fourth anniversary of my son’s death, and as I reach this milestone I can feel it approaching in my body–something in the color of the trees, the temperature at night, the slant of the light. My whole body remembers. And I remember, too, not only the horror but also the shock of the love. And so many of you were the ones who were there for me. I will forever remember how carried I was (still am) by your love. Thank you for the tidal wave. I do not know how I would have survived without it. May all who are grieving be carried by love through no effort of their own. 

*Also, I will be away from internet for the next few days. I will wait to release this week’s single from my new album Risking Love until I return, and friends, it is HAWT. I’ll be back with a bouquet of poems for you, plus the new video, on Sunday night. 

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Morning


 
By the time I realized
I was dreaming of him,
it was too late.
 
Already, the dream
was vanishing like night,
like dew.
 
For an hour I lay there,
eyes closed, grasping
at glimpses. Losing them.
 
All I was left with:
He was happy.
So was I.
 
Finally, I opened my eyes
to this world where
he is not. And yet.
 
The sun was here warming
the bed. More truly, the sun
was not physically here.
 
The sun is somewhere
far, far, far away,
but that doesn’t stop it
 
from transforming
the whole room.

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And I didn’t go buy fireworks today.
Not yesterday, either. Nor will
I buy them tomorrow because you
will not be here to light them.
I realize now what I loved about fireworks
was how much you loved them,
the way you brightened when the fuse was first lit,
the way you glowed near incandescent
as the sparks and colors fountained and flashed.
And rapt in your thrill, I would ooh and ahh.
This is how it is. We shape our lives
around the joys of those we love.
You found joy in the bang, the pop,
the squeal, the repeating boom.
I don’t love the noise. Don’t love
the Sulphury smell. Maybe this year,
your dad and I will sit outside
and watch the sparkle of unmoving stars—
this tradition truer to my own sense of joy.
Maybe a meteor will streak the sky.
If it does, I am sure I will ooh and ahh
the way we used to on the Fourth of July,
the way I still do on any given day
because, despite the ache of missing you,  
I’m still stunned by this life,
stunned by the things that bring joy in the dark.
Like the candles I burn. Like holding your dad’s hand.
Like the memory of you. Like stars.

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Close Encounters


 
 
It was a little mangy, to be honest,
the rabbit in the forest that came close to me—
close enough I could see the way sunlight
made his long ears glow pink. Close enough
for me to coo and praise his remarkably long rabbit feet,
praise the white socks of his fur,
praise the bright brown of his eyes.
Even his patchy, uneven molting couldn’t stop me
from falling in love with the way he leapt
from fallen trunks into patches of bluebells.
We were all staring at him, all six of us,
wondering why he would come so close,
but I took his appearance personally—
like when we read a fortune cookie fortune
and believe there was a bit of our destiny in it.
I cannot see a bunny without believing it’s my son.
I know. It isn’t my son. I also know it is.
Every bunny reminds me he was here.
Every bunny is a chance to push past
my rational mind and fling open the doors
of love. Every bunny, especially this one who
comes so close, seems to say, Sweetheart,
don’t you believe in grace? And as the bunny
leaps from log to duff, I think, I do, I do, I do.

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Sometimes I expect to see him walking by the river,
to see his tall, thin body move through the willows,
camera in hand. I don’t see him, of course, but I do,
I see him as a young man in a blue button-up shirt,
his hair cut short, his movements doe-like as he
picks his way through the rocks. And sometimes
I see him a young boy, still blonde, still shrieking
with joy at the splash he can make with a big river rock.
And sometimes I see him as the willows themselves,
as if he’s come back in everything—the willows,
the river, the stones, the trees, this woman
who is standing at the window, looking.  

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Dad used to love to say of strangers,
We went to different schools together.
He always did love the silly, the goofy,
the nonsensical, the absurd.
Loved making funny noises,
like the time he sent me a cassette
while I was living in Finland. He
squealed high into the recording, saying,
Have you ever heard the sound a sock makes?
EEEEEEEEEEEEEEEEEEEEEEE!
I learned from him to narrate the world through sound.
I, too, might find a noise for setting down a plate
or pulling up a window blind, or tugging a weed
or dropping seeds into the ground.
I, too, have heard myself say of a stranger,
Oh yes, we went to different schools together.
And though I’m the one speaking,
it’s Dad’s voice I hear. His hee hee hee
when I’m giggling, laughing till tears spill free.
His squeal when I pull on a sock.
And I don’t pretend to know how it works,
but I believe we are, even now, somehow
in different schools together—me in the school
of life, him in the school of death.
I don’t know what he is learning, but I
am still learning how to love what is
and what isn’t here, how to show up,
how to listen to and interpret
the secret sound of a thing.

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Walking in the field
or touching your cheek,
eating a thin slice of pear
or listening to you breathe,
I understand now
how everything, everything
is stitched through by grief
and somehow that makes
the weave of this quiet moment
beside you even more
unbearably beautiful.

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Return


 
 
There was a time I wondered
if I would ever want
to open my eyes again—
today, I can’t stop falling in love
with the glossy black back
of the blackbird, the bright
crimson hues on its wing,
the light song that tumbles
like praise from its beak
as if to say, we are made
to return, we are made to sing.

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Framing



In the photo on my phone, my son stands beside
a key deer, one hand limp at his side, the other
extending toward the spindly creature,
his delighted gaze on me where I stand behind
the camera. I don’t remember why he’s wearing
a shoelace tied around his head, but
his hair is bunched up and the look on his face says
he is both frightened by the deer and longing
to be closer to it. Oh, to love what we don’t understand. It
is ten years before he will take his life.
There are no clues in this photo of the tears.
The way his eyes will dull to black. The empty room.
The choice he made in that doorway.
No, in this photo, the aperture is still wide and
the Florida light reflects off his still-blonde
hair. What’s to come is more blurred than
the tropical trees behind him and the deer. Here, he is
still so curious about what might happen next, and
me, though I know now will happen in his story, it
doesn’t stop me from loving the boy
in that photo. Nor does it stop me from
loving him now. That love still framing
my life.

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One Bite


 
lemon cookie—
even as I pucker
I snuggle into a memory

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There are millions
of us here, billions,
all of us finding our way
on a different path,
as many paths as there
are griefs. But the field
is the same. Big enough
to hold us all. How is it
I sometimes feel alone,
when every other human
has gathered here
or will gather here
someday? How do I
sometimes fail to see
how grief connects us all,
even when we can’t
get ourselves out of bed,
even when we wonder
why grief looks so different
from the way we thought it would.
Even when we’re breaking down
in a room that looks empty,
even then we are companioned.
Even when we’re most alone,
we are never alone.
 

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You would be jealous, I think,
of how your sister is learning trig,
speaking Spanish, playing bridge.
You’d probably tease her, but really,
what you’d be thinking is, She is so cool.
And she is, sweetheart. She’s fun
and silly. Like you. Only like her.
We talk about you, of course.
Just this weekend, we remembered
how once you said if a 99-pound person
ate a one-pound burger, they
would be one percent burger.
I wonder what percent of your sister
is grief? And what percentage love?
Tonight a girl asked her if she had any siblings.
She said, yes, a brother. When the girl
asked her how old you were, she told her
the truth. That you were seventeen
when you died. What a terrible gift
to learn how to say the hardest things straight.
I can’t help but think if you are watching her,
you, too, must be in awe of who she’s becoming.
Oh, how we learn to grow from whatever soil
we’ve been given. I do not pretend to know
how this works. I only know she
is learning to transform ache into beauty,
nightmare into dream. I only know
I long for her to know love from you
the way a garden feels loved by sun, by rain.

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Though No One Else Can See It


 
 
For a time I thought I wanted
a tattoo to remember you on my skin—
that was before I understood
how your life is already marked
into every cell, every breath,
how there is no part of me
not needled and stained
with your life, your story,
your silence, your presence,
your love, the wonder of you,
your weight in my arms, your name.

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I put on my shoes, friend,
the way I always do, and
opened the door and stepped
into the cold.
If you had seen me,
it would have looked
so normal. Like a woman
stepping out of her home.
Even the part where I talked
to the stars. Everybody
talks to stars sometimes,
right? What you couldn’t have seen
was how every step was an edge.
Sometimes, right there
outside the front door, I
slipped off the cliffs of the known.
It was years before
the ground was even again.
Though truly, sometimes
the cliffs are still there,
and I fall off again.
Isn’t it strange?
It looks just like I’m walking.

—Rosemerry Wahtola Trommer

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One Listening

beautiful boy,
in the still water of the river
is that your voice?

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And if I should sit at the table with Helen of Troy,
let me not sip from the drink she offers,
the nepenthe that would make me forget sorrow.
If I know anything now, it is that sorrow
helps us grow. Not that I want sorrow,
no, but neither do I want to forget my boy,
and his story is knit with sorrow.
I choose sorrow so I might continue to love.
Imagine not saying his name when I walk
alone beneath stars. Imagine not weeping
when I think of how he held me.
Imagine not laughing when I think of how
we played. Imagine not smiling
when I hear myself saying words he would say.
Imagine not learning how tenuous it is,
this thread that ties us to life;
how lovely and strong it is, this thread
that ties us to each other, even after death.
Let me not take Helen’s cup. Let the beauty
be not in forgetting our cares, but in sharing them—
connection, the most potent drug of all.
In this epic, perhaps she will offer to listen to me.
And I, I will listen to her.

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Forgive me if, as we wade through
December’s blue shadows,
if, as we pull the wood toboggan
across the basin of field,
if, as we wander through spruce,
as we traverse the crystal petals
of hoar frost, forgive me if, on this most
perfect day when I am so deeply
in love with my girl and my husband
and the day itself, forgive me if
as we cut down the finest,
most symmetrical Christmas tree
we’ve ever found, if in the midst
of beauty and luck and laughter and joy
I also feel inside me the ache
for the boy who would now
be a man who is not
with us here. Forgive me.
It’s all so beautiful. And still
this sorrow. How they mix together
like vinegar and pure water—
completely dissolved into each other.
I couldn’t begin to tell you what it means,
this tear.

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for Donna
 
 
I saw you last night in my dream.
We were singing, of course.
The strange part is we were floating
in inner tubes in your home
which was flooded. I was worried,
but you didn’t seem bothered.
The smile never left your face.
The water was clear and we could see
to the bottom where the rugs
and chairs and tables were still in place.
We paddled around the room
and sang with our friends. God,
it was good to sing with you again,
me still here in the flood of the world
and you teaching me to sing
through it all. Teaching me
smiling is still possible. Teaching me
even the weight of grief can float.

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It’s like when the ice floe
moves through the river bed
ripping out any ice
winter has set, until
the whole channel is
roil and rush and wild
upheaval. I remember
what that was like
after he died—
when hours, days,
whole months, were
stripped of all skin
and all that was left
was the naked, beating heart.
I thought that was what it meant
to be stripped, but then,
I remember the first time
I knew for sure if I could have
my boy back, I wouldn’t.
Not if the world stayed the same.
It was a useless bargain,
anyway. But I knew
it was selfish to wish
him back to this world
to ease my own pain.
That was the moment
my whole emptied being
understood there was
more to lose. And I don’t know
if we could say that I chose it
or that life chose it for me.
I was standing in the drive
beneath the evergreen tree.
Everything changed then
when even my useless desire
to bargain with death
was stripped from me.
Today as the ice floe
tears through the canyon,
I listen as it alters
the landscape. Trunks of trees
bash against the rocks.
The rocks themselves tumble
in cold, thick waves.
Nothing to be done,
save surrender to the tumult.
Inside me, my heart beats, untamed.
Yes, I think. That is
exactly what it was like.
 

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Please, I tell myself,
don’t take this lightly.
Don’t walk into this room
as if it’s just another room.
Come with reverence.
Please, I say to myself—
all of my selves—
please don’t stride
across this wooden floor
as if it isn’t the last place
your son brought the world
into his lungs,
the last place he loved
and ached and wept.
So I sit and breathe
until I feel it rise in my chest
how sacred it is, this place.
I sit here until I feel
my attention split.
I notice the urge to leave.
I choose again to stay,
and the choice baptizes me.
Please, I say to myself,
please slow to the pace of stone.
Nothing to do but be here.
And the crying comes.
And goes. And comes again.
And goes. I close my eyes and
let the shadows grow.
Then open my eyes and look
beyond the window to the sky,
the cliffs, the lake.
Please, I tell myself,
do not refuse to see it is beautiful.
What is the part of me that dies?
And what is the part that rises,
slow and new, to walk again
into the world?

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