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Posts Tagged ‘healing’

As the Chemo Begins

 

 

 

Most of her hair was gone already,

but I guided the electric razor across her scalp,

brown tufts falling into my fingers.

 

We listened to music, drank wine,

toasted to vulnerability. She made jokes

about not needing to buy shampoo.

 

I sang along with the songs we had chosen—

choked on the lyrics to “Life is Wonderful,”

hummed when I couldn’t sing.

 

There are days when wonderful

is so far from what we might have chosen,

but wonderful it was, my hands

 

smoothing across the new naked landscape

of her head, delighting in the feel of the fuzz,

marveling at the gift of sharing loss and fear.

 

There are days when we lean into each other

and cry. And such a terrible wonderful it is,

letting the tears come. Weeping them together.

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Someone has crocheted a half dozen blankets—

one dark purple, another camo green, another

with stripes in every possible color.

There are half a dozen quilts with bright squares.

And someone has knit a dozen hats—

and a basket on the shelf overflows with handmade scarves.

 

My friend chooses a pink cotton pillow

that someone has sewn in the shape of a heart

and a long creamy scarf, impossibly soft.

She would rather be anywhere but here,

but look at that smile as she dons the scarf,

as if its stitches are keeping her from falling away.

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Things are gonna get brighter.

            —”Ooh Child,” The Five Stairsteps

 

 

In the photo, the girl is smiling.

I know all she is hiding.

 

If I could talk to her now,

I wouldn’t tell her much.

 

Wouldn’t warn her about

which boys will break her heart.

 

Wouldn’t tell her which jobs to avoid,

which years will last decades,

 

which friends will lie, which

day she should pay close attention.

 

But I would tell her that Nina Simone

was right when she covered The Five Stairsteps.

 

That things will be brighter.

The young me wouldn’t believe it, of course.

 

Because the healing hasn’t happened yet,

she has stopped believing it’s possible.

 

I might could slip that song into her

cassette mix. Even if she didn’t believe the lyrics,

 

she’d sing along. That’s the way she is.

And the words would land

 

in the branches of her heart

like the truest lyrics do. And build a nest there.

 

And when she lost her voice,

and when it got dark,

 

they would sing to her about the brightening.

Yeah, they would sing. They would sing.

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The Berry Bush

 

 

I knew that they were poisonous, the berries.

Still, I used them to make soup. They were

the most beautiful shades of yellow, green

and orange, and they popped when you squeezed them

and spilled their sticky juice, their tiny seeds.

I’d stir them into puddle water with handfuls

of ripped green grass, small stones, broken sticks.

Then I’d stir. Stir and chant into the old silver pot,

chant words I imagined had been sung long before.

It was a soup, I knew, that could heal.

A magical soup that could nourish the world

just in the making of it.

 

Years later I consider what I knew then—

how belief is the most important ingredient.

How all healing begins with a bit of poison.

 

 

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all day, the candle’s light

almost invisible, all day

I think of the girl

in the hospital, all day

to the light that is, adding more light

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Eventually

 

with thanks to JT

 

 

Start in the dirt,

said the photographer,

then elevate from there.

And though I was thinking

of poems, and though

he was speaking of images,

I immediately leapt to healing.

 

Just today I heard of a girl

who, on Christmas morning,

learned her stomach ache was cancer.

I called her mother

to console her, though

I was the one near tears.

 

Start in the dirt.

Ammons, my hero, once

looked to the dirt

in search of something

lowly, but all he could find

was magnificence. Within

a stanza, he launched

from ticks to galaxies.

 

Sometimes in the dirt

all I see is dirt.

 

I held back the tears until

after we hung up the phone,

then wept. I wanted to find

some shred of magnificence

in her story, but it is, perhaps,

too soon. No magnificence. I suppose

that’s the invitation to stay in the dirt,

stay there until I know, really know,

there is nothing lowly. Not

the lichen. Not the slug. Not the ant.

Not mutating cells.

 

Hafiz, my hero, once wrote

that everything, everything

is holy. Sometimes I want

to argue with him.

 

Start in the dirt. Yes.

Perhaps I will be here a while.

I have some practicing to do.

It may be some time

before I elevate.

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Wish

 

for my father

 

 

And when at last

the healing comes,

 

may it come like rain,

like rain after a long drought,

 

so soft that at first

you won’t be sure

 

it is raining,

but the fragrance

 

will overcome you,

green and wet,

 

and the world

will look dewy and

 

you’ll feel it in your lungs.

Yes, may the healing

 

arrive in a way that

astounds you,

 

as today when the rain turned

long and steady,

 

the kind that touches

and changes everything,

 

changes things so completely

you almost can’t remember

 

what it was like before,

yes, may healing come like this

 

so that everywhere you look,

all you see is promise.

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the only thing

that matters

is the wound—

from a dark nest

comes gold

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with thanks to Artful for the fabulous starts

 

 

Last year’s potatoes—

small red fists

with stubby white shoots—

they have something

to teach the heart about

unclenching,

about how to find something of value

in their own darkness

something that knows how to reach

toward the light,

something that when faced

with darkness again

will reach even farther

until they become

astonishingly prolific, alive.

 

 

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her daughter has a tumor behind her knee.

Already it’s grown into the bone.

 

Very aggressive, the doctor says,

and though he names the diagnosis,

 

he tells my friend not to Google it.

Sometimes what we know

 

creates more footholds for fear. There’ll be surgery,

the doctor says, and chemo.

 

I want to give her a brush tonight, nothing special,

one she could pull through her own long hair

 

and then through her daughter’s dark curls, as well.

How commonplace to brush and comb,

 

to unsnarl the tangles and make one’s hair

smooth again. I want to give her the terrible gift

 

of the habitual life—the tedious days in which we

brush and wash and dress and sleep and work

 

and laugh and shit and yell and fuss and forget

how fragile we are, forget how temporary

 

these bodies can be, forget how bloody lucky

we are every minute to be alive.

 

 

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One Eventually

 

 

those thorns in my pocket

surprised to find I have rubbed them

dull, smooth

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still this longing

to bring a golden cup

and hold it

to your sweet

parched lips

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Doctors, said the professor

to the room of fresh pre-meds,

know this:

Eighty percent of the people

you treat will get better

even if you do nothing.

Ten percent will heal because

of what you do. And ten percent

will get worse because of what you do.

Let’s begin.

Tonight, as my daughter’s skin

blooms increasingly red—

a rash staining her trunk,

her face, her limbs—I consider

what the professor said.

She is long past the age

where I can heal things

with a kiss. Still, I kiss her,

knowing this to be the best medicine

eighty percent of the time.

I give her a dose of jokes,

and prescribe another chapter

of The Silver Chair. We read

as the red grows angrier.

She laughs when I tell her

at least she didn’t break her arm

or lose all of her hair.

I hate how helpless I feel.

Though I did not enter

the rooms of dissection

nor memorize tomes

of bones and diseases and cures,

I still have the longing

to heal, to remove the pain, to nurse.

If she is afraid, she does not show it.

I disguise my fear. I give her

another kiss. It won’t, at least,

make anything worse.

*with thanks to Dr. John Belka for the story that opens this poem.

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In the Midst of the Wreckage

Make in my heart a concert hall

where a single violin

plays on the vacant stage

reminding me in a minor key,

that one true song

touches every broken,

twisted, rotted thing

invites us to lean deeper into,

no, to fall completely

into the beauty

we stopped believing in.

Let me not just hear the song,

let me tear down the heart’s walls

so everyone can hear.

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You never really recover.

That’s what the woman told me

her friend had said.

We were talking about

eating disorders.

There’s no way to make

that line sound poetic.

Her friend ran a program

at a hospital for other women

with eating disorders.

Her friend knew the subject personally.

I remember, I told the woman,

when I believed the same thing.

Until one day, it happened.

I just didn’t know

it was possible because

for so many, many years

it hadn’t happened to me,

though I tried, I tried.

Whenever it happened,

there were no fireworks,

no symphonies, no ecstatic dance,

no revelations written in clouds.

No rhapsody, no reveille, no

parade, no streams of light.

It happened so quietly I didn’t notice—

not for days, weeks, perhaps months.

Now I lean in when I hear myself say never.

What a fine time to get very curious.

What a fine time to get very quiet,

even quieter than that.

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Nothing grows here in the courtyard, not anymore.

Once there were roses in every bed,

impossibly always in full, unguarded flower.

Once there was always perfume, always opening.

It is not hard to remember the peonies, the parsley,

the surprising upstarts of basil, the hanging baskets

with long sweeping tendrils of bloom.

Once there were minstrels who never stopped singing.

The air always wore a silken song.

And now it is gone.

I do not know why I have come here again,

I who once planted these gardens, I who once

played the lute. I thought I had left them for good.

I’m surprised there are not even weeds here. Nothing

in the cracks of the sandstone steps.

Nothing in the empty beds.

It was not exactly a wrong turn

that brought me here, more of a wandering.

It was not really curiosity, more coincidence.

But isn’t it strange? Not even bindweed? Not lamb’s quarters?

Not even a blade of cheat grass?

The fountain in the center has not crumbled,

though no water flows in it. All the bricks

in the archways are still intact.

There is a gate. It always used to be locked,

but now it swings open at the slightest push.

It is innocent. I was the one who had locked it.

I knew what it was for.

If I’d known I were coming, would I have brought

some kind of offering? A poem, perhaps, or

tea leaves? Some flowers to scatter? Some seeds?

My hands flutter empty. They are unembarrassed

by their lack. There are no sacrifices to be made.

Once there were birds making play out of sky.

There is no sadness in remembering this.

I walk the paths. The way is still worn.

My feet know where to go. There is nothing

to bring back, nothing hidden in the walls.

Perhaps this is what I came for.

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Right Here Over the Rainbow

Almost every heart
we know
is wounded—

all the more reason
to learn the language the sun speaks
when it touches the meadow in spring,

and then speak
like that
to each other.

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I went in
expecting a miracle.

I wanted to be healed
when I walked out the door.

Instead, the doctor
told me there was nothing

he could do. Told me
the problem. Told me

the solution. Long and
painful. And then

he said he could help me.
I left feeling hopeless.

Frustrated. Spent. And still
in so much pain.

I went in expecting a miracle.
I think that’s what

he gave you,
my friend later said.

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“It is so sweet,” the song says,
“to jest with songs and with hearts
and with serious combat.”
I do not know the poet,
Emanuel Geibel, nor have I played
Schumann’s Der Hidalgo, Opus 30 No. 3.
But this is what I turn to, Evie,
when I hear you are in Room 879.
I found the text first. “I am always ready
for love or for a fight.” Of course
I would think of you then, you who are
both lover and fighter,
fiercely, equally at the same time.

If I could, I would sit beside
the hospital bed and hum lieder,
hum so I would not mispronounce
the German. Better yet, I would bring
your electric piano to your room
and plunk at the keys in my awkward way
so you could hum along. As the Hidalgo says,
“I sing outside many a grilled window,
and I mock many a knight with an insolent song.”

Surely the pain is a knight worth mocking.
Surely we could conjure up ample insolence
even as we praise the graying winter sky
beyond the window glass, praise the birds
winging past the frame that neither of us
(but your husband) could name, praise
the music of heartache and blossom and loss,
and praise and curse the passions that lead you
to the roads you love.

“Tomorrrow,” says the song, “I shall carry home
flowers or wounds.” I would always wish
for you flowers. Acres and acres of daffodils.
Red buds at the end of your drive. Magnolias
throwing their blossoms into your yard.
But here, the wounds. You have known them before,
and still off you go, as Geibel writes, “off, then,
to adventure!” To adventure, Evie,
to adventure! Oh damn. To adventure! The wounds.
To adventure! Your pelvis. Your clavicle. Your ribs.

One morning, while I was still in sleep,
you came to wake me, humming, and cupping
in your hands a dark and bitter delicious brew.
How I would love to come to you now
with something dark and delicious, something
I knew could make you smile, something
satisfying to warm you, rouse you, though we both
know how bitter it is.

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After the Slam

It hurts worst
in the first few hours,
when the purple
leaps up in the moon
of the nail,
and it pulses, throbs,
how the thumb’s pulp
strains against
the skin’s chapel,
and the wrinkles
erase themselves
as the knuckle swells.
Tell yourself
at least it was
only your thumb.
Tell yourself
it was no one’s fault.
Tell yourself
it is not at all
like the heart.
It will heal.
The hurt
will be gone.

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