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Posts Tagged ‘letting go’

they can stay on,
your clothes, but please take off
everything else

*

blue, blue thoughts—
blackbirds fly
right through them

*

sun and more sun—
still I do not
pray for rain

*

clear spring—
everyone, everything I meet
a lover

*

soft wind—
did it touch
you, too?

*

cloudless night—
we sleep alone
together

*

cattails,
broken open, blown apart—
now the seeds

*

deeper
into the wound—
scent of white lily

*

the moon slips
into my tea—
no sleeping now

*

one cold night—
on every limb
ruined blossoms

*

step outside
I crown you—
billions of stars

*

I keep it
under my tongue—
your name

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That rock that we
have been pushing up
the hill—that one

that keeps rolling back down
and we keep pushing
back up—what if

we stopped? We are not
Sisyphus. This rock
is not a punishment.

It’s something we’ve chosen
to push. Who knows why.
I look at all the names

we once carved into
its sedimentary sides.
How important

I thought they were,
those names. How
I’ve clung to labels,

who’s right, who’s wrong,
how I’ve cared about
who’s pushed harder

and who’s been slack.
Now all I want
is to let the rock

roll back to where it belongs,
which is wherever it lands,
and you and I could,

imagine!, walk unencumbered,
all the way to the top and
walk and walk and never stop

except to discover what
our hands might do
if for once they were

receiving.

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Attempt

I can’t grasp it, but I am so very glad.
—Franz Wright, “A Word for Joy”

The weight of love,
it is sometimes,
to the ounce,

the weight of a man
as he rests
his body on yours.

Though if there is sorrow
or sickness in his thoughts,
the gravity can flatten you.

And sometimes it’s
heavier than that, the weight,
as if he first hems his pants

with lead and then
finds his way to your arms.
And sometimes it’s heavier

even than that, as if
the very air in his lungs
has millions of pockets,

all of them filled
with dull
gray stones.

And sometimes
the weight of love
is no weight at all,

is less than a blade
of orchard grass,
less than a note

hummed in quiet rooms,
less than a memory,
less than the scent

of lilac or rose,
more like the light
that lands on the hand

and makes it open
to hold what never
can be held.

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sitting beneath the
nothing moon the only thing
stirring is my mind

*

in the produce aisle
slant of sun hits the bananas
and it’s gold, gold, gold

*

easy to give
away old clothes, old cups
not so these old thoughts

*

out of the dirt rise
oh! hundreds of small brown birds
our hearts: dirt and bird

*

Li Po drowned trying
to embrace the moon—I laugh
but still I reach

*

what’s crooked, what’s straight—
silence translates them
the same

*

new tea cup
and the same black tea tastes
not at all the same

*

not only when I am
quiet does the quiet move
through me

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I cannot find
the right way
to say goodbye
to you and so
I watch your car
drive away
and only
then say
the impossible
please
don’t go.

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That wind always tries
to undress me … today
it took my name, too.

*

It’s hard to be
serious when you’re kissing
my elbows.

*

What’s that? It’s only
supposed to have seventeen
syllables? But the sky today deserves at least twenty-five.

*

Erase the word mine
from these lips. Replace it with
nothing.

*

Tonight the stars
are just stars, the lines that link
them all undrawn.

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It would take weeks
to walk to your house, still
our hearts so close.

*

This morning I ski
into the woods—forty years
later I ski out.

*

The snow did not stop
when I said stop, but it did
not fall forever.

*

Across the lake
invisible in the trees,
the crow in my ear.

*

That ripple
never travels and it is
always new water.

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Dad, I'm So Glad You're Alive

evening news headline
Man Lucky To Be Alive
it is all of us

*

all this letting go,
said the hands, and nothing
to show for it

*

standing naked in
the downpour, the biggest part
of me does not get wet

*

I bet somewhere there’s
lively applause for all this
beauty we’re making

*

all those years holding
up a ceiling when it was
time to live outside

*

God said nothing
and I listened closer and
really heard nothing

*

your body,
there is not one hair that
isn’t holy

*

I keep no secrets,
the wind said, so no one can
ever blackmail me

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when you rose
to leave, all the paths
went with you

*

Tied to your hand
by a string, the moon tugs on
a string held by mine

*

I’d like twelve arms
two to hold you while the other
ten let you go

*

I toss a coin up
to the sun, heads, tails, this coin
with your name on it

*

before I could ask if
you’d kiss even the blackest
part of me, you did

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those crumbs
in your hair, I think I’ll
leave them there

*

it’s not what I
expected, said the fish
when given wings

*

you and I, two
winging birds that just escaped
the terminal

*

these hands, so weary
from grasping, finally open
enough to hold light

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i.

She sits in my lap, facing me,
then arches back,
dangling her arms, extending
her neck, laughing and laughing.
She knows I will not let her fall.
Mama hold me, she says.
I will hold you, I say,
and thrill that for this moment
it is true, I can hold her,
can protect her head,
can support her limbs, her smile.
We don’t get to hold each other.
Not for long. Not in the ways
that matter.

ii.

What matters?
There is snow falling
and the sky is blue.
In this moment,
everything is possible.

iii.

Prickle and petal,
muck and bright flame,
Come to me
just as you are.

iv.

Mache dich auf und werde licht

v.

My friend tells me
meet each moment
just as it comes
and not a moment before.

vi.

All day I practice leaning back,
just a tiny bit farther, a tiny bit farther,
my neck arched back, my hair hanging down,
no one to catch me
and I keep on bending.

vii.

When I cry,
I cry.
When I laugh,
I laugh.
When I cry and laugh
I gurgle and then
it’s awfully hard
to hold on
to anything.

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Gilgamesh, too, found rocks
in his path. They were like crumbs
for Hansel and Gretel, like
Ariadne’s red fleece thread.
It’s so hard, sometimes,
to see how we are being led.
We think we know the path.
We think we know something.

*

In a dream, I say,
It’s the rocks
that I just can’t let go of.

*

By the river, all the rocks
are softened, tumbled and smooth.
They are nearly impossible
to balance, to stack—
but possible it is.

*

So on the path
Gilgamesh, in his urgency,
smashed the rocks.

*

The ice
is thin.
The rocks,
flung underhand,
make such
satisfying holes.
Why is it satisfying?
The sound of shattering.
The sksksksksksk of pond ice resettling.
The hole.

*
Inside the stone,
it is dark.
Not like a shadow.
Like dark.

*

He broke everything
he needed
to find his way.

*

I do not know
why I break
what I need,
why I repel
what I love,
why I hold on
to rocks in a dream.

*

It’s not a path,
says my teacher,
it’s a beckoning.

*

By the continual
creeping of ants
a stone
will wear
away.

*
A stone
thrown into the pond
will not move
for many, many, many years.
A stone
thrown into the pond
is not lost.

*

There is no permanence.

*

My son says, Mom,
they’re all so beautiful,
every one of these rocks.
We toss them,
rock by rock,
into the river.

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The Process

Soul, you are the empty space
honored by the maker of lace,
you the holes that are always there,
and we the threads that frame the air.
You the gap, the empty, the naught,
and we the ones cutting away the cloth
to arrive at the nothing that links us all,
unweaving, unbraiding, elated, enthralled.

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What Isn’t Mine


a fifteen-minute sonnet on a title by Veronica Patterson

No not this day with all its sudden snow
and not the sunshine sliding through the white.
Not my children, though I call them mine
and feed them, drive them where they need to go.
My car? It’s in my husband’s name. My home?
The bank owns part of it. The words I write?
I steal from all my heroes. My delight?
I learned it from my mother. There is no
computer, cell phone, cookbook, shirt or cat
that I can point to and say I own that—
for anything I think is mine can steal
away like snow in sun or autumn leaves
in trees. The less I hold the more I feel
whatever owns the trees is living me.

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Pantoum for the Ego

Sometimes it’s hard to let things go.
They keep returning to the mind
like echoes in a narrow canyon—
hello, hello, hello, hello.

They keep returning to the mind,
these images, these pushy thoughts,
hello, hello, hello, hello,
like stones dropped into glassy ponds.

These images, these pushy thoughts—
like neighbors who keep knocking, knocking,
like stones dropped into glassy ponds.
And trying to stop them makes it worse.

Like neighbors who keep knocking, knocking,
these same darn thoughts, these same darn thoughts.
And trying to stop them makes it worse.
I give up, I give up, I give up, I give up.

These same darn thoughts, these same darn thoughts,
I’m, encircled by these same darn thoughts.
I give up. I give up. I give up. I give up.
Oh make them stop, please make them stop.

I’m encircled by these same darn thoughts
like echoes in a narrow canyon.
Oh make them stop, please make them stop.
Sometimes it’s hard to let things go.


*The pantoum is a poetic form from Malaysia that plays on repetition. Two lines, the second and fourth lines, are carried forward into the next stanza as the first and third lines. The poem ends by repeating the first and third lines from the first stanza, weaving them with the second and fourth lines from the penultimate stanza.

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