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Posts Tagged ‘parenting’

One Wonder

 

 

 

the boy who fit in my lap

now taller than I—

an oak from a geranium seed

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Just today, in the garden,

I found dozens of dark blue

McHugh Blue potatoes,

hard and small, their

delicious fists hiding

in the cool soil.

How wonderful the world is

if you just dig a little.

All those things you planted,

they show up, even though

everything around them

looks dead.

Don’t be in a hurry,

the woman said,

and I realized

I was wishing away

these difficult days.

Imagine how patient

the ground.

 

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Annual Check Up

 

 

 

The doctor checks their pulses,

their ears, their throats,

knee reflexes and weight

and dubs them healthy,

gives them high fives

without mentioning

(did he not notice?)

that they have wings.

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One Almost 5’10

 

 

 

the tree I planted

now taller than I—

my empty hand

still remembering

the weight of the acorn

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the wind tugs the leaves

off the aspen trees, many

before they’re golden—

 

children, I say, I love you,

and kiss their green ears

their green heads as I send

 

them to school,

tell them to go

do beautiful things

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In Knots

 

 

I’ve spent years learning to tie the monkey’s fist,

wrapping the long working end of the rope

around the fingers of my hand. While rocking

and nursing and feeding and soothing, I’ve held

the first set of turns in place, then made three more turns

with the rope. While reading and chasing and

swinging and catching, I’ve learned to pass the end

through the inside of the knot, to make turns inside

other turns. And pull it all tight, just so.

 

I have wanted to perfect this heaving line knot,

something I might use to throw to my son

to save him when he drifts away.

I have practiced the art of the throw, but it seems

I have tied my own hands by accident.

And now that it’s time to untether the line,

my hands want only to practice what they know,

holding on, holding on, holding on,

how clumsy this new art, letting go.

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The night is enormous—

big enough to hold us both

in a way that make us

seem close.

This is why I speak to you

through the stars—

not because I think

that they can hear,

but because I pray

you can.

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I tell myself this is how love begins,

with a grumble. A rock in the shoe.

The flowers dead. Sleet.

This is how love begins, with taunting.

With mud on its feet. It begins

when we can’t imagine loving.

It begins when there is no light.

This is how love begins. When

we’re too exhausted to fight,

and as we slump, a door appears,

and we can’t imagine not

walking through it.

 

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Before she sleeps, my daughter and I

face each other on her pillow,

our heads heavy, our eyes half mast,

 

and in the dim light we recite

“The Owl and the Pussycat”—

the words seem to leap between

 

our breaths so that we can’t tell

where each other’s voice ends or starts,

and I think of the pericardium

 

around the heart, which the Chinese say

is a boundary place that decides

who gets in and who stays out,

 

and I marvel at how, for now,

on this quiet night, our hearts

seem to need not any space apart,

 

and after the owl and the pussycat

dance to the light of the moon, the moon,

we curl into each other’s curves

 

like two parentheses

on the same side of a thought,

like twin silver runsible spoons.

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Next Chapter

 

 

 

Mom, she says, Stop crying.

She’s embarrassed for me.

 

I can’t stop. After three hours

of snuggling on the green couch,

 

we are nearing the end of our book,

where the silverback gorilla

 

and the baby elephant say goodbye

to the girl who has helped them

 

leave their cages. It is not

the farewell that makes me weep,

 

though that, too, but the way

that the girl and the gorilla

 

share a passion for art. It’s so good,

I say to my girl between sniffs,

 

it’s so rare and so good to find someone

who really understands you.

 

She looks at me as if she will never

comprehend how such a thing

 

could make someone cry.

My tears land on the end of the chapter,

 

leaving a wet trail I don’t

expect her to follow, not yet,

 

her small hand already

pushing on mine to turn the page.

 

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In Room 224

 

 

 

My daughter is still asleep

after stealing the sheets

all night. I finally let her

have them all and I’ve risen

to watch the snow not fall

outside the window.

It is gray, and from where

I sit on the floor, I’m not sure

if it’s gray because it’s too early

for sun or because it’s cloudy.

I don’t want to move

or make a sound—

would rather not wake

my daughter. They are rare,

these moments alone.

 

A truck rattles by outside.

I notice I am noticing the truck.

That’s a lot of noticing

for something so insignificant,

I think to myself,

then I’m startled by a laugh,

a full belly laugh, in the bed

beside me. My daughter, dreaming,

can’t stop giggling.

God, I think, it’s great

to have a body,

and on this cold, gray morning,

gratitude finds me and

body slams me

with my wild luck,

pins me with joy

to be this very woman

on the floor in room 224

not at all alone.

 

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I like the way he leans over the paper,

the way he pulls the black ink

 

across the page, the matter-of-fact way

he says, “Like this, Mom,

 

only you don’t have to be afraid

to make mistakes. They usually turn out.”

 

I want to tell him

his life is like these trees—

 

that no matter how much

he thinks he’s messed up,

 

there is no blotch or line

that cannot be transformed

 

into an opportunity.

Instead, I say, “Show me

 

what to do next,”

and he shows me how

 

to shade the sides

with small quick strokes,

 

the dark lines holding

so much light.

 

 

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Five Cents

 

 

 

Finding by chance a buffalo nickel

my son decides to spend his fortune

on a girl he’s never met

who woke one morning

with cancer in her marrow—

 

he tells me he’s thinking

a lot about death,

and he’s scared,

and I tell him yes,

it’s scary.

 

Later, I look out the window,

and though there’s not a hint

of leaves on the trees outside,

I feel some certainty

about green and summer,

 

and I’m amazed at how

just when we think the world

could not get any colder,

we are reminded what even

a tiny bit of warmth can do.

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Western Slope Moms! Join me for a writing class this Saturday, 9-1, in Ridgway–no experience except mothering necessary. Read all about it and register here: Lost in Motherland: Writing to Discover Who We Are(n’t)

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At the Candlelight Vigil

 

 

 

Mommy, she says,

her face still warm in candlelight,

why did you start to cry—

and I hear not just curiosity

but the itchy vest of embarrassment.

 

I don’t tell her

the math of the world

is just too sad,

perhaps I cry more

because for a moment I believe

the words I tell her—

it’s going to be okay.

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How It Transforms

 

 

 

a pinch of cumin,

a pinch of salt, the scent

of lemon and ginger—

tell me, what else I should have done

with my anger

 

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Why

 

 

 

There are yet words that come near the unsayable,

and, from crumbling stones, a new music

to make a sacred dwelling in a place we cannot own.

 

—Rainer Maria Rilke, Sonnets to Orpheus, Part Two X

 

 

Before bed, my daughter asks me

why in school they learn to sing,

I mean, she says, it’s not like that’s

what we’ll do when we grow up.

 

And part of me longs to answer her

with stories of my own—

how the stone of our losses dissolves

into tune, how we become wave,

 

become surge, blur with tone,

how song opens up every door

we might close, how it holds us

when nothing and no one else will.

 

Instead, I tuck the question

under her pillow as she climbs in bed,

hope it finds the trapdoor into her sleep,

hope the unsayable answer will weave itself

 

into her dreams like a river,

like light in a forest, like a breeze

in July, like a song that finds the lips

again and again and each time makes them new.

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One Blink

 

 

 

distracted by dishes

and shoveling and paperwork

I fail to notice

my son

has grown two inches

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her daughter has a tumor behind her knee.

Already it’s grown into the bone.

 

Very aggressive, the doctor says,

and though he names the diagnosis,

 

he tells my friend not to Google it.

Sometimes what we know

 

creates more footholds for fear. There’ll be surgery,

the doctor says, and chemo.

 

I want to give her a brush tonight, nothing special,

one she could pull through her own long hair

 

and then through her daughter’s dark curls, as well.

How commonplace to brush and comb,

 

to unsnarl the tangles and make one’s hair

smooth again. I want to give her the terrible gift

 

of the habitual life—the tedious days in which we

brush and wash and dress and sleep and work

 

and laugh and shit and yell and fuss and forget

how fragile we are, forget how temporary

 

these bodies can be, forget how bloody lucky

we are every minute to be alive.

 

 

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In the crèche arranged on the piano each Christmas,

the clay face of the virgin mother is eternally beaming

at the miracle child in his swaddling clothes,

 

and the miracle child is sleeping, always peacefully sleeping,

no matter how loudly my son pretends he’s a race car, no matter

how many people are laughing in the kitchen.

 

And Joseph, he is looking out across the piano

as if staring through the stable, staring through centuries,

perhaps, as if he can already see the tables upended

 

in the temple, can already smell the sweetness

of shared loaves and the pungency of fish, can hear

Mary weeping, or is it me he hears, playing piano

 

and singing about the hopes and fears of all the years,

then pausing to ask my children not to argue, please,

and to use their kindest voices with each other—and they

 

continue to bicker. Meanwhile the shepherd and his sheep

gaze up at the crack in the wall in awe, as if there were stars there,

stars brightly shining, and yonder, breaking, a new and glorious morn.

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