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Posts Tagged ‘poems’

Sitting alone in warm water
with the sun doing what the sun does
when given a clear, clear sky,
everything seems possible.

Imagine, the earth heats this water
before it enters the rounded stone pool
and this seems miracle enough
to make me think that whatever is sacred

in this life might be very, very simple.
Simple as it is, I don’t understand
how it works—just as I do not understand
the heart with its longing to love.

Doesn’t it remember the hurt?
Doesn’t it remember the walls crashing down,
the rubble, the wreckage, the stench?
Doesn’t it remember the long, slow

blossoming of ache? How it unfurled
like the chokecherry tree in the yard—
tiny buds, tiny buds, tiny buds,
larger buds, then bloom! A riot of bloom!

I recently read about frogs, how
if they jump into a pot of boiling water
they immediately will jump out
and survive. But if they are put

in a pot of cold water and the fire
is lit and the temperature increase
is slow, then they will stay in the pot
even though it is getting uncomfortable,

even though it is more and more hot,
they will stay until they are boiled.
And dead. Does the heart learn from this?
Apparently not.

Here I am sitting alone
in warm, warm water, the sun
burning red the skin on my chest,
and all I can think is how good it feels

to be naked, to be warm, to be alive,
and to let the heart love, to love despite.
Oh foolish woman. Oh pleasure
in being a fool, how it burns.

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Silence knows the only
words worth speaking—
keeps them to itself.

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A gift for you my heart would bring—the sweet release of everything, the breath I take before I sing…
—Jan Garret, JD Martin and Lisa Aschmann

This is what
we were born for—
the almost unbearable
softness of grass,
the sweet perfume
of blue weeds in spring,
listening to voices
that cannot be heard,
and reaching for that
which can never be held.
The popping sound
of the daffodil bloom,
Having our hearts
ripped open, and again
ripped open, ripped open,
still beating,
the weeping, the salt,
the communion of blood,
the awkwardness of it all—
and the grace.
The wanting and
the wanting to not want,
the roar of the river’s brown shush,
wings we don’t have,
the new leafing out
of the old, old cottonwood tree
and the long walk
to the cemetery
not long enough.
Oh this beautiful ache.
Ashes, we are not ashes
yet.

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At the Same Time

One hand weaves new threads
into the nest, the other
slowly pulls them out

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Moonless
and still this
shining

*

I’m really getting to know it—
that big rock
in my path

*

dust storm
how many lives
did I just breathe

*

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Erika on the red mat
tucks her right foot in her groin
and bends forward from the waist

then lowers till she’s hovering
above her left tippy toes.
If you can’t follow

what I’m saying, that’s
because her body’s twisted,
furled and folded as a body seldom is.

But full of grace,
she brings her hands
to meet in prayer in front of her

and for a minute poises there,
a compact bulb with five small roots
and a patient shoot waiting

to push up and through.
It’s beautiful to stand beside
Erika on the red mat

to feel more than see
the rising energy as like
a tulip in the spring

she reaches not just up
but into the quiet balance point
where anything can happen.

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Above the deep river
on the slenderest branch—
a nest.

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Somewhere a door
is hinging—open and
less open and not

at all open and open.
All day I feel it.
All day, I know

there is not a thing
I can do about that swinging
except notice how the light

changes, notice how soft
the breeze, and how cold,
notice how the urge

to do something about
that door rises and
and passes, notice

how the sun breaks through.

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Look what happens
given warmth
given light—

deep fields of shining bloom

and every moment
is
forever

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Almost spring
and the wind makes wild music
out of everything—
though someday I’ll forget it
tonight there is nothing else.

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March sun so warm
I almost believe those yellow flowers
are real.

*

Apricot trees
in first bloom, white and white,
but that is somewhere else.

*

I wish I had
no occasion to send tulips
to room 109.

*

Under microscopes
mutant cells blossom
forget me nots

*

She hands me
a dandelion—an hour later
gold still in my hand.

*

Scent of spring—
even the shadows
grow buds.

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Open those eyes … the ones that were born in your own skull. —Hsu Yun

I sniffed the lily—
such perfume!—
too closely
and now I wear
its stain.

*

Jupiter and Venus
almost touch in the west—
O rising thrill
to see two objects so far
so near.

*

I took my heart
for a ski today—
one look
at that diamond field
and it let fall all its clothes.

*

It is no lovelier
the scent of the lily,
up close
or across
the room.

*

See these scars
on my heart, these new bruises,
it’s not that I have been
unlucky at love, it’s that
I love.

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After we break
we learn there is always
more to break
and
O
the more
we break the more
our light radiates

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In silence
everything
is possible.

Our words,
enwombed,
could become

honey,
could sprout wings,
or (imagine)

could shape themselves
as just the right words
that fall out at just

the right time.

Or, perhaps,
it’s that silence
does the work

that words
can’t do,
linking us

to nothing,
which is
everything.

I give you
silence.

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eruption of crocuses—
that old brittle oak leaf still
not ready to fall

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Tired and cold
she came to a clearing
beside the river
and set herself down.
There, the moon.
The moon.

*

Not once had she dreamed
to bring the moon any closer.
Not once had she wished
it would move any faster.

*

How to stay in this place
of not wanting
not needing
not wishing
not hoping
not reaching, not knowing.

*

At the edge of whatever
she thought she knew
she leaned
until the only thing
touching her
was nothing.

*

Sometimes a story
ends. Sometimes it
plays again. Sometimes
we see through a story
to see ourselves.

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these scars on my arm?
I used to walk my hell with me
everywhere on a leash
and let it bite me sometimes
just to be sure it still hurt

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I drop
these stories
of who and how—
every barrier between us
crumbles

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Would I Sing More?

At dinner, I heard
about those in a tribe who,
as they die, will tie
around the dying one’s finger
a string long enough
to reach the sea. The other end
is attached to a boat
to carry away the soul.

I have wanted such a string,
not for when I am dead,
but for when I am alive,
something to secure me
to that most intangible part
of myself, as if it could be lost.

Perhaps the string would be less tether
and more reminder
that that distant land
wherever it is we go when we’re gone
is a lot closer than I think,
close enough that it’s probably
even now touching where the soft frayed ends
would be dangling so near my finger tip.

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stepping
into the morning sun
oh and oh!
so sweet to be
reminded

my own light
so little
and not
even
mine

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