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Posts Tagged ‘spring’

 

 

Last year’s wild roses

have not yet discovered

it’s spring—the brambles

are barren and barbed.

What else is there but

to trust that the green leaves

and petals will come? What

else but to stand in our

own barrenness and believe?

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How could I know

it’d be a weed

that would save me—

 

one which I’ve

spent hours on my knees

trying to eradicate—

 

didn’t know that

on a day when

I needed to believe in spring,

 

it would appear in the quack grass,

its tiny purple flowers

calling to me

 

as if I were not the woman

who had uprooted them,

calling to me

 

as if I too

have some spring

left in me.

 

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In the bottom of my bottom drawer,

my swimming suit hides beneath t-shirts

and mini skirts, all of them wrinkled.

The bikini top strings are untied—

they snake around the dark space

like the sprouted eyes of potatoes.

All this waiting. Somewhere there is light.

The shape of the suit remembers

what it is like to hold things in

and keep things up. It remembers

the way the ocean waves tugged at its knots,

the gritty insistence of sand.

Outside, it is snowing again—

snow on the buds of the lilac tree,

snow on the first green of parsley.

Inside, there is this woman

who has stuffed things into dark corners.

I have nearly forgotten what it is

to be warm, warm enough

to wear next to nothing, warm enough

not to cover my heart with layer

after heavy layer. I am learning

how what is forgotten doesn’t really

go away. The shape of me

remembers how to pull my arms

through the water, how to tread

to stay on top. Outside, the sound

of the plow scrapes past. I am wondering

what else might be in that bottom drawer.

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Love Poem

after Octavio Paz

 

 

under the tired veils of leaves,

under the indifferent rocks,

under the brown needles,

that were once evergreen

under the pinecones dropped

like old conversations,

under the broken sticks,

under the matted exhaustion of grass

comes the tender new green of spring clover,

thrusting through all that was frozen.

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clinking my glass

with god—a toast

 

to the little green leaves

beneath the dead brush—

 

neither of us is surprised,

but dang, ain’t it grand

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One Sign

 

 

 

from empty branches

the orange breasted song of the oriole—

a leaf, straining against the bud scales,

this heart still in winter

begins to believe in green

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Inner Spring

 

 

 

Today, the cottonwoods

in the canyon are already

more green, more lush

than the day before—

we, too, are everyday

more ourselves, which

is to say less our story

and more whatever

it is that writes the story.

Of course it is not easy

to become, though

look, we can’t stop

becoming no matter

how hard we try,

It’s so soft, the new green,

though you and I both know

what it takes to push through,

to emerge into the cold.

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A Languaging Between

 

 

 

Spring speaks a language

with only present progressive verbs—

just today as I walked into blue sky

turned blizzard, I attempted translations

into English with words such as flusterizing,

mirthing, tizzying, and unguarding,

but none of these seemed quite right.

As soon as I felt I had touched

something true, the moment

was already changed.

 

In Springese, there’s a word

that means both destroying

and flourishing. And another word

that means both grieving

and rejoicing. I felt my heart

leap up in glad recognition—so familiar

it is with unrepentant paradox

that the clumsy tongue can’t master.

 

They seemed to have a profound conversation,

my heart and spring, that my brain wanted

so much to decode. It could not,

but the snow was heavy and cold and wet

as it fell on my warming cheeks,

my rising chest, the greening grass.

And though it was clearly

inadequate, the brain settled

for this gloss, God, its so good,

so damned good to be alive.

 

 

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But Oh In the Meantime

 

 

 

I don’t remember the name

of the small purple flowers

that rise through the golden dirt.

On this first day of spring

they play hide and I seek

and they slip me a glimpse

of what might come,

like a man who holds a woman’s

gaze for just a moment

(and another moment)

too long.

Oh, the sweet tease of spring,

the keen inexplicable yes

of it, ahh, how sweetly

(how sharply)

it torments me,

though there

is no uncertainty

it will follow through

with its promises,

mmm hmmm,

eventually.

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They are still tight,
the buds on the chives.
They are wise not to open.
After a brief spring
it is winter again.
Days of white, nights of white,
thick snow and heavy sky.

Last week, when the birds
were singing, I opened.
I didn’t think of it then
as a vulnerable thing to do.
It seemed so dependable,
the sunshine of you.

I should have taken a hint
from the iris still folded
deep in their green envelopes.
Oh damn this lilac heart,
how it rushes to bloom.
The forecast is for winter all spring.

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What the Spring Said

You can’t tell tulips
to unbloom,

you can’t unsing
last evening’s tune,

the shadow can’t undark
the moon,

you can’t unlove,
unbreathe, unswoon,

but wishes can be
ever wished

new bridges can be
ever crossed

so many kisses
still to kiss

before you unlive
unlaugh, dust.

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The world exists just fine without
our appreciation. It is not for us
that the dandelions bloom in tides of yellow

across the valley floor. It is not for us
that the elk stream in a slow brown current
before they disappear into the Englemann spruce.

And then there are the tiny empires
of grasshoppers, ants and bees—
and the underground realms of prairie dogs

and worms and rhizomes and moles—
so much of the world we never see.
And still, this drive toward gratitude.

Still this tug to pull over the car and step out,
this impulse to offer the world my attention.
As if being very still were as vital to

the moment as the scurry and swerve,
scamper and stride. As perhaps it is.

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Thank you for this day made
of wind and rain and sun and the scent
of old-fashioned lilacs. Thank you

for the pond and the slippery tadpole
and the wild iris that opened beside the pond
last week, so pale, so nearly purple,

their stems already flagged and bent.
Thank you for the yellow morels hiding in the field grass,
the ones we can only see when we are already

on our knees. And thank you for the humming
that rises out of the morning as if mornings
are simply reasons to hum. What a gift,

this being alive, this chance to encounter the world.
What a gift, this being a witness to spring—
spring in everything. Spring in the way

that we greet each other. Spring in the way the golden eagle
takes to the thermals and spirals up to where
we can barely see the great span of its wings.

Spring in the words we have known
since our births. Like glory. Like celebrate.
like flowering. What is it in us that longs to unfurl,

to expand, to open up and leap out—
something feral, unnamable, something
so fierce it can push through the crust of the soil,

something so vulnerable it can freeze and overnight
disappear. Thank you for this return to exactly
where we are, this greening, this bright roar

of the river rising, this swooping
of swallows, this leafing of lettuce,
this now, this yes, this here.

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One Springling

begging the alium
to open faster—nope,
weeks of foreplay it is …

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From across the parking lot
on an early spring afternoon
you see a yellow butterfly

just before it disappears
behind the roof of the grocery store
and I am certain no scientist

could ever prove this, but
in that moment on the pavement
in the swirling chill of breeze

you are somehow saved, though you don’t
have a hint what that might mean, except
that it feels like, at least for that instant,

everything is possible.

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how beautiful
the snow
the instant
I stop wishing
for a clear day

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On a Day Like This

My darling, if there is a flute
nearby, let’s play it, even though
we don’t know how to properly
make a tune. Let’s dance in the field
even though we don’t know fancy steps.
Let us turn our hands into tambourines.
Let us make lyres of our hungry lips.
There’s a breeze, do you feel it,
how it’s playing our skin, and I think
it knows exactly what it’s doing.

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Request

Sing me fifty-five songs, love.
I am starved for song. It’s been winter
so long, so long and my ears are full of blue.

Sing me fifty-five songs, love,
one for each finger and one for each toe,
one for each rib and twenty-three more to wish on.

Sing me fifty-five songs, love.
I don’t care if they are in tune. And if you forget
the words, I will build a nest in your hum.

Sing me fifty-five songs, love.
And I will tuck them into my hair and wrap
them around my shoulders bare and toss them into the wind.

Sing me fifty-five songs, love.
Start now but take your time. And I will weave jonquils
between the notes to blossom each time you breathe.

Sing me fifty-five songs, love.
And sing me fifty-five more. I am starved for song,
the winter’s been long, and singing is what spring is for.

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These days are a mad gamble,
winter or spring, snow storm or sunburn,

though there is no mistaking
who’s leading the dance.

Overnight the pond ice
is gone. A bird we can’t name

dives below the open water
and we gasp, wondering how long

he can stay under there.
How long have we been under,

holding our breaths, fishing
for something, we know not what.

How long has it been winter?
There is frost in my hair.

Coming up for air, is that what we
are doing? It is hard to not notice

the spells that spring weaves
on the wind—scent of thaw,

scent of emergence, scent of divulgence,
scent of almost green. What are we becoming?

The tulip, it knows what will blossom
at the end of its stem. The jonquil,

the chokecherry, the avens. Are we,
too, predetermined in our unfolding?

I used to think I knew something about
how our story goes. That was before

the spine fell off the book and the pages
fluttered away like so many swooping starlings.

Let’s not try to answer anything. The ground
itself is breaking. The buds are breaking.

The vine is pushing life through what looks dead.
It is not that the prayers worked. It is spring.

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Grace

Spring comes to the sidewalk
in the longer days of March.

The sun warms the slab, and beneath
it the seeds of old weeds start to stir.

They are tiny. And who knows how,
but in the dark, they begin to grow

and put down roots and,
though it seems unlikely,

begin to push through the concrete itself.
First a hairline crack. This fissure is somehow

sufficient to provide light and water enough.
Soon there are tendrils, then whole leaves,

then the yellow blooms of new weeds.
What is it in us that knows to push?

I, too, have wintered in a dark, thick cast, one
of my own making. Cramped and dormant,

I had stopped believing in hope.
But it was not hope that cracked the shell.

Nor was it anything that I did.
It was life’s longing for itself.

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