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Archive for December, 2017

 

 

 

One of the rooms

in the longest night

has an empty chair

and an open book—

and in the book

is an empty page

full of light—

if you read it

long enough

you might forget

what an hour is,

or night,

forget all stories

besides this one,

older than scripture,

where everything

is possible.

 

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One Note from the Wind

 

 

 

 

another morning,

another chance to be

utterly rearranged

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We begin with simple words.

Fat. Ugly. Good. Tall.

Gordo. Feo. Bueno. Alto.

How odd to break the world

into adjectives—

how human this longing

to describe a thing,

as if to explain it is to know it.

Easy. Big. Blonde.

Facil. Grande. Rubio.

I imagine a language

where instead of delineating

how different we are,

it had only shades of sameness.

Would we still find ways

to fight? To judge? To grade

and order and assess?

What if it were only ever a day—

not a good day, not a bad day,

just a day. And the woman—

not a fat woman, not a blonde woman,

just a woman—moved through that day

and met a man. Would they

be happier if they didn’t live

happily ever after, if they just lived,

their hearts not even knowing

you could fill in all that lovely silence

with adjectives and adverbs—

it would rain sometimes.

And the flowers would bloom.

Dinner would be served.

They would look in the mirror and smile.

 

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Dear poetry friends,

 

I’ve been dabbling in storytelling, both written and oral, and this month Edible Southwest, an elegant gourmet magazine, picked up a story of mine in their annual storytelling issue. It’s a story of when things go wrong around holiday meals … and how sometimes, that allows for things to go right …

You can check it out here: The Lesson of the Daughter-in-Law

 

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Transportation

 

 

While sautéing onions

in the warm kitchen

I find myself on a tire swing

arcing through fields

of night—

is it the sound of crickets

or the pungent scent

that makes me cry?

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Genesis

 

 

Who said your real voice is not the choir?

—Steven Nightingale, “Who Said, Who Decided, Who”

 

 

and if you are not only the melody

but also the baseline, the harmony,

the descant, then who’s to say

you’re not also the quarter rest,

the fermata, the coda, the clef—

and perhaps you are also

the hand that wrote the score

and the woman who loved

to take that hand in her own

and wander the halls toward bed.

And perhaps you are also the rumpled

sheets, the ones that never made

it to the choir, the sheets that fell

to the floor while the notes

made their way uncomposed

into throats of the singers,

the air full of such improvisational grace

you’d swear the angel choirs

were singing, too.

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Sentenced

 

 

 

By the time you wake,

the day is already a question.

Whatever declaration there was

in your dreams has already

curled itself into a question mark.

No matter how you wrestle

with the punctuation—try,

perhaps, to straighten it

into an exclamation or crumple it

into a period—regardless, the day

insists on being interrogative.

And why shouldn’t it

insist on being a curve

like a river bed,

like a nautilus,

like a naked breast

beneath the ultrasound—

nature despises a straight line.

Now what matters

is what always matters—

how will you meet the day?

 

 

 

 

 

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just ask the bindweed—

the more someone tries to destroy it

the more vigorously it grows

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How

 

 

Darkness lands in my lap

on all fours, curls up and purrs—

I learn to miss

its weightless weight

when it leaves,

learn to be more still

so it will stay,

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Getaway

 

 

 

Even on a Monday it can happen,

you step out of the office

and instead of going to your car

or making another call or running

to the bank, your feet

and legs conspire to move you

toward the woods where after

only ten minutes you are more breath

than brain, more here than anywhere else—

water drips in the creek bed,

sunlight pushes through empty branches,

and at your sides your arms swing

as if they were made for this.

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