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Archive for October, 2019

 

 

 

The broccoli was a disappointment this year—

planted from seed, it had finally begun to sport

small knobby green heads when the frost came.

And though the broccoli didn’t die, it stalled.

Perhaps I fear I am like this broccoli—destined

to grow but never to fruit. Perhaps this is why

I feel such urgency, this need to write faster,

heal quicker, mature sooner, love more. Because

what if the freeze comes? What if I die before

doing what I have come here to do?

 

There is a part of me who is patient. A part of me

who says, Sweet One, you could not possibly be

any more you than you are right now. She tells me,

You are exactly enough. And sometimes I believe her.

But sometimes I roll my eyes at her and tell myself,

Hurry up, hurry up. I know myself as barren stalk.

I try to will my own ripening. Not once has it worked,

not once, and still this strange drive:

go faster, do it better, do it now.

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That time of year thou mayst in me behold …. Bare ruined choirs, where late the sweet birds sang.

            William Shakespeare, Sonnet 73

And though the leaves may fall and molder,

though the winter nights get colder,

and though, my love, we both grow older,

may the choir in me that sings for you

be ever clear and ever blue—

the stream beneath your red canoe.

And though it seems that time’s a thief

and leaf subsides to crumbled leaf

and though the days are gnawed by grief,

may I sing for you forever sweet

in tunes both tame and indiscreet—

sing bare, unruined, my heart, my beat.

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You’re hesitating, says John from behind his mask.

Each time I invite you to strike, you wait. And he’s right.

Each time before I extend and lunge, I drop my sword.

It’s crazy. I tell myself not to do it, but every time

he motions to strike, instinct says: drop the sword.

John, I say, I’ve trained myself not to be aggressive.

When people are vulnerable, I do everything I can

to make them feel safe. It helps that John

is gentle. It helps that he beams at me a genuine smile.

Don’t think of it as aggression, he says. If someone

you love gives you the signal to touch them,

aren’t you always ready to meet them then?

And I am. Think of it as an invitation to touch.

I wonder how many stories I’ve hardwired into me.

Thou shalt not hurt. Thou shalt not strike.

Thou shalt not stab another with a sword.

I wonder that I struggle so instinctively now

when this is so clearly a game.

John drops his sword. I extend, I lunge.

I touch his chest through his silver vest

with the tip of my sword, then retreat.

Good, he says. Good. Again. Again.

Is this the way we learn all the rules

we have written for ourselves?

By breaking them. Is this the way

we might choose to meet our opponents?

By loving them.

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It’s something the hands learn

with practice—how thin to slice

the apples for drying, how close

to cut to the core. In the same way

the hands learn to touch a lover,

how gently, how firmly, just where.

Oh the apple. What it knows

of desire. What it knows

of bruising, of bite. Oh the hands,

what they know of precision.

Of the pleasure of practice.

Of the joy in getting it right.

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CMURosemerry Wahtola Trommer event

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amber moon rise—

the heart, as if seeing it for the first time,

gives a standing ovation

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They say you left your house just once

in your last fifteen years—

you slipped alone through veil of night

to see a new-built church.

And rumor says the moon was full

when you escaped your walls—

you had no need for candlelight,

the evening led you well.

Tonight round shines the Hunter’s moon—

so dazzling is the dome

that all the world feels like a church

and night itself a poem.

Perhaps that’s what you understood

and lost your need to leave—

each room, each place is holy

and has a gift to give.

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Pushing Buttons

 

Doing something typically feels better than doing nothing.

—Ellen Langer, Harvard Psychologist quoted in “Illusion of Control: Why the world is full of buttons that don’t work,” CNN

 

 

The world is full of buttons

that do nothing—buttons

at crosswalks, in elevators,

in hotel rooms—buttons

that can be pushed, but in

fact have no functionality.

The Harvard psychologist

suggests that these buttons

serve a purpose: they help

people feel as if they have

some control: she says

it feels good to have

something to do.

 

We could, I suppose, make

buttons to press for these

careening days when we

realize just how little control

we have. Not over death.

Not over weather. Not

over anyone’s heart—not

even our own.

 

Or we could press

our own belly buttons—

a reminder there are

a few things we can do:

Write letters. Walk. Say

thank you. Practice peace.

Protest. Wear a raincoat.

Take Vitamin B.

And, of course, the most

difficult thing of all—

to say yes to not being in control,

to dance in that uncomfortable

place, laughing like a stream.

 

 

 

*

 

read the full article here: http://edition.cnn.com/style/article/placebo-buttons-design/index.html

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It’s not adrenaline after all,

but the bones that tell the body

to fight, to freeze, to flee.

The bones send the hormone

that tells the heart to beat faster,

tells lungs to breathe quicker, tells glucose

to pump through the body as fuel.

The odd gift: the same bones

that tell us to run away

help us stand and see it through.

 

 

 

*

 

 

Check it out: https://phys.org/news/2019-09-bone-adrenaline-flight-response.html?fbclid=IwAR1FsGbaAaoLL5jB1esEouhf7E0SMLnSWwQDjh3hANvvqRNbXmhKGtDPmFw

 

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Small Gratitudes

 

 

 

It was one of those days when the alarm

didn’t go off, and we woke anyway

to a world covered in snow, and

 

by noon the sky was blue. And I drove

right through the construction zone

without being stopped by a flagger.

 

The tomato for breakfast was ripe

and sharp and sweet. And the tea

was strong and black. The radio

 

played only songs I wanted to sing.

My car started. I had no flat tires.

I never felt sick. Never fell. More blessings,

 

it turns out, than a woman can count, though

I try to count them all. And the more

I remember—a good friend called, all

 

ten fingers are intact, my eyes still

see across the room—yes,

the more blessings I consider, the more

 

my joy grows until I am dumbfounded,

gobsmacked by gratitude that’s exactly

the size of the known universe, amazed by

 

how perfectly it fits—as if I were made for this—

right inside my skin.

 

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