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Posts Tagged ‘hands’

Manual



 
The hands are churches that worship the world.
—Naomi Shihab Nye, “Daily”
 
 
To pour water over the aloe, 
the cyclamen, the jade plant, the cactus,
this, too, is prayer. Prayer in touching 
my own dry lips, marveling at the fullness
beneath fingertips. Worship in hefting
the tea pot by its thick black handle. 
Worship in squeezing the sudsy warm sponge.
Just yesterday, while we were driving,
Art said to me, “Why not open to the marvelous?” 
I equated marvelous with the grand, the inexplicable, 
even the strange. It didn’t occur to me then 
that gripping the smooth, leather arc of steering wheel 
is marvelous, cradling the white paper cup full of coffee 
is marvelous, fingering the waffle pattern on the dishcloth
as I fold it is marvelous. Marvelous, flipping through 
skin-thin pages of notebooks. Marvelous
and sacred, my palm resting on my husband’s thigh.
Marvelous, these knobby knuckles, how they 
curl around the hair brush. Sacred, 
the pillowed pads of these fingers, how they 
trace the lines of my husband’s face,
how they twist and tug wool around the knitting
needles, how they tap at the keyboard to fashion
language out of feeling, how they rest above my heart
and translate into praise that beat, faithful and familiar.

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I plunge my hands into the soil
and tug on the long white bindweed roots
that cling to the cool damp dark.
Never once have I pulled the whole plant.
Always, the bindweed comes back.
Once I might have longed for a weed-free
world. How did I not see the bindweed
for what it is—a chance to touch
again and again what humbles me, and
to learn with my hands the art of acceptance
so my hands might teach my heart.

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One Caress

touching you
even these old scarred hands
become wings

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In Hand


Each night before dinner
I slide my hand, palm up,
across the table toward yours,
and always, you rest your hand on mine,
the way a petal might land on a leaf,
the way a leaf might land on grass.
So gentle your hand
that is equally at home in my hand
as it is in the engine of an old Toyota truck
or tightening a valve on the irrigation pump,
wielding a chainsaw or dripping hot wax
onto a ski before scraping it off.
 
So many ways I don’t know your hands—
how they fidgeted when you were a child,
how they fumbled when you first tied a shoe,
what they clutched when you felt alone.
But now, they are nearly as familiar to me
as my own hands—how your hands
flutter up to press to your lips,
how they cup each other to create
a small cave you breathe into when thinking,
how they pull through my hair
when I lay my head in your lap,
how they help me to know my own shape,
how one hand of yours will rest
against one hand of mine
to tether us even in sleep.

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While I Could

We arrive empty handed, and leave empty handed. So then, how do we want to spend the time in between?
            —Nimo, Empty Hands Music


For a time, I held
him. Before he
could walk, before
he could stand,
before he could
speak, I held
his full weight
in my hands.
Day became night
became day became
night became day
and I held him
and rocked him
and soothed him
and bathed him
and cradled
his beautiful face.
It didn’t last.
It never lasts.
But before he could run,
before he could
fall, before
he could choose
what I never
would have chosen for him,
I held him.
Oh, this gift,
to know the heft
of his life, to have been
the one—though
never again—
to have been the one
for a time, sweet time,
to hold him.

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Drinking Assam Tea

 

 

Malty, bright and voluptuous,

the tea meets me this morning,

and though I’m alone, the kitchen

 

is filled with other hands—the

potter’s, for instance, that threw

and trimmed and pulled and glazed

 

this favorite mug into mugness.

And the hands of the harvesters

in India who gathered the fresh green leaves

 

of the second flush, then

spread them on a tray and left them

to dry in the sun. And who rolled the leaves?

 

And who gathered them after they aged?

I wrap both hands around the mug

and inhale the musky scent of tea

 

and marvel at how much humanity

went into this simple cup. I stare

at my knuckles, my fingers, my palms.

 

It’s your turn, I tell them.

Serve the world well. Can you make something

so bold, so strong?

 

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It’s something the hands learn

with practice—how thin to slice

the apples for drying, how close

to cut to the core. In the same way

the hands learn to touch a lover,

how gently, how firmly, just where.

Oh the apple. What it knows

of desire. What it knows

of bruising, of bite. Oh the hands,

what they know of precision.

Of the pleasure of practice.

Of the joy in getting it right.

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What Hands Can Do

 

 

 

In my country, he said, we take strangers

by the hand when we greet them.

His taxi wove through the northbound cars

on Lakeshore Drive, and I watched his eyes

in the rearview mirror as they searched

the lanes for where to go. It’s strange,

perhaps, he said, to offer someone

your bare hand, but it’s a nice gesture,

I think. In the world beyond the car,

how many strangers did we pass

in one minute? How many chances

to reach toward another and say

Hello, or as they say in Bosnia,

Zdravo? How many chances

to open some small part of ourselves

and trust the other to do the same?

I wanted to disagree with the man.

I wanted to tell him, that’s what

we do in this country, too. But

clearly his experience told him otherwise.

Here, he said, people shake at the end

of a conversation to make a deal.

But not at the beginning. At least

not with strangers.

I want to start a revolution. I want

our country shake hands more.

I want us to extend ourselves

toward those we don’t know,

to offer them something of ourselves,

to be vulnerable, welcoming, kind.

When I got out of the car, I thanked the man

in his tongue, as he’d taught me, Hvala.

I paid with the credit card in the back.

I didn’t reach forward to seal the deal.

I stepped out grateful for what he gave me—

one more way to revere creation,

one more way to honor what hands can do.

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Imagine that your hands are an extension of your heart. Because they are.

—Clea Willow, yoga instructor

 

 

While slipping coins into the meter

I remind my hands they are doing

the work of the heart. They fumble

to find another quarter in my coin purse,

then drop it on the sidewalk

where it shines against the gray.

Isn’t that just like the heart, I think,

to bumble even the simplest of routines.

It could be so easy to search for, hold closely,

and let go at just the right time.

Come on hands, I tell them, do what

what the heart must do. Reach.

Recover. Try again.

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Sole

 

 

 

Like a boot takes the shape

of the foot that wears it, I imagine

my hand might come to take the shape

of yours, your hand—something

I was made to hold, made to move with,

made to let go.

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