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Posts Tagged ‘language’

writing for four years
still not able to fully describe
that one moment

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When I am most still,
there is something that holds me—
not a being, but a voice,
no, not a voice, but a transmission.
Not really a transmission, no, but a place
with gradations of color, almost like sky at dawn.
Well, no, not a place. More a placelessness.
A placelessness that holds me.
Yes. A placelessness. That holds me.
Or rather, a placelessness that is me.
And is also all that I’m not.
Oh, these words that try so hard to say something true.
They feel so small as they leave my mouth.
Like I’m tossing out tiny pebbles
into the pool of the infinite.
I stare at the tiny ripples they make,
in awe of their insufficiency.
Which is to say I’m in awe
of all that does not ripple.
With awe comes stillness.
The kind of stillness that invites me.
Invites me to notice how utterly I am held.

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Water Speak


 
 
When you say goodbye
fill each syllable with the sound
of the river as it kisses the shore
just beyond our window,
then, no matter what words you say,
I will hear the unending waves,
will smell the musty,
earthy scent on my skin
long after the words are gone.
There is home in the way
your words cling to me
like water beads on my skin.
This is how I remember
where I am from.

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Evergreen


Skiing up the railroad grade
we pause to catch our breath
and from somewhere in the woods
a tree speaks to us in a spruce language
we can’t interpret,
and I am again a young girl
at the edge of the forest,
believing I understand the trees,
the way they call to me,
primal and true.
How did I ever forget?

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Translation


 
 
Beyond words is the language
of leaf with its speckle and rustle
and moldering scent, is the language
of sunlight which even now burns
its praise into my wrinkling skin.
Is the language of cloud
with its unraveling syntax
that dissolves into unconjugatable sky.
Sometimes I can decipher
the secret tongue that whispers
its song into everything—
you are here, then you’re gone,
but you’re never really gone,
see, it’s all here, it’s all here.

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I dug in the garden. For hours.
Hands deep in the dirt
where once your hands
dug, too. Pulled carrots.
Potatoes. Onions.
Held them up to the air
and marveled at what grows
in the dark. Asked you questions.
As always, you didn’t answer.
Or perhaps it’s truer to say
I do not know how
to interpret the language
of rain, the message
of the white seed that landed
in my hand, the significance
of the hummingbird moth
drinking from bright red nasturtiums.
But I am learning the language of silence.
Same language the earth speaks.
Same language we spoke while you
were still forming inside me. Such
an intimate tongue. Such generous
conversation. All day I practice
speaking it with you. All day
I practice listening.

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Puhpowee

—etymology from Braiding Sweetgrass by Robin Wall Kimmerer
 
 
In Anishinaabe, there’s a word
for “the force which causes mushrooms
to push up from the earth overnight,”
and I wonder if it’s the same force
that changes the grapes into wine,
 
that turns an acquaintance into a beloved,
that gathers a handful of notes from a scale
and constellates them
into a tune that scores our lives.
What is the force that moves through us,
 
that charges the world with becoming?
As much as I love the naming of it,
I love, too, the mystery,
the unspeakable wonder of it,
how the brain is humbled into blathering,
 
I love the bumbling that happens when our logic
tries to explain the miracle, and the heart
becomes like a blonde morel
that rises up through rocks, through duff.
It says nothing, but oh, how it feels the force.

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for Wendy
 
 
Into my hand, she pressed
a smooth rock she’d painted copper.
In all capital letters, turquoise and navy,
she’d written the word RESILIENCE.
Beneath it she’d drawn a lopsided helix.
I thought of her own spiraling with death.
Two years later, she volunteers
to teach in schools and dances
before breakfast every morning
with her husband in their living room.
She finds compassion for tough neighbors
and welcomes the wayward into her home.
She knows in every cell
the definition of resilience,
and so when she offered me
resilience on a rock,
I felt it, the full invitation
to be both grounded and vital,
to be both solid and springing,
the chance to be both the anchor
and the hand that reaches as if to say
come on, let’s leap, I’ll show you how.
 

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I do not understand the mystery of grace—only that it meets us where we are and does not leave us where it found us.
                  —Anne Lamott
 
 
With every cell, I listened
to her familiar voice,
her thoughtful silences,
her precision with verbs,
and though we spoke
of showerheads and
grocery shopping,
elections, underbellies and
standing beneath the moon,
we spoke only of grace, every
sentence somehow stitched
with the most stripped-down
kind of praise, the kind
that doesn’t sparkle,
doesn’t sing, doesn’t
shimmy, doesn’t offer
sweet perfume, the kind
of praise that is so naked,
so plain, so bare
there is nothing at all
between us and the
sheer magnificent truth
that we are here.
I long to name such aliveness,
at once composed
and uncontainable,
but it slips my attempts—
it’s like trying to fit a dress
on a sunbeam.
But I felt it, how
as we spoke I went
from being stone
to being sky. Oh glory,
with my everything,
I felt it.

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The sound of your voice
enters me and becomes me—
becomes synapse, becomes pulse,
becomes blood, becomes breath.
And in this way, the more I listen to you,
the more I become you.
It is no small thing to converse.
Sometimes I swim in the wild honey
of your words. Sometimes I break
on their jagged shores.
Some words become pillars that hold up
what is possible.
Others are wrecking balls
that turn to rubble all I thought I knew.
How fleeting it is, any grasp
of who we are. This is why,
hour after month after year
I welcome your words—
I like what they do.
Even when they are not easy to hear,
I love who I become
when I listen to you.

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