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Archive for October, 2017

Just Before Death Comes

 

 

You want to say,

She was old, she had a good life.

You want to say,

She was treated well.

You want to believe

that death can be tender,

a blessing, a dark and beautiful flower,

and maybe you do say these things,

and all the while

your heart sags, wails,

curls like a cat into itself,

longs to be held

in some great, warm arms

even as you hold out

your own unsteady arms

to hold what can never

be held.

 

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all this glimmer

seems to have come

from nothing

 

sometimes it takes

the cold to make

invisible beauty visible

 

all day I look

into others, trying to find

the sky inside us

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for Tomàs

 

The candle is not there to illuminate itself. 

            —Jan-Fishan Khan

 

 

It will only take five minutes, he said,

and so, though I’d not spoken with him before

and though I was about to teach a class,

I followed him outside the library door

to the dirt lot where his truck was parked

and from the open pick up bed

he pulled with flourish a rolled-up rug

and spread it between the rabbit brush

and milk thistle, then hoisted

two flat wooden seats he’d fashioned

out of pine, arranged them on the rug,

and swung a bench-like table from the bed

and placed it in the center.

And I expected, what, well, not

what happened next. It’s your canoe,

he said, and from his truck he plucked

a long and knobby stick. And here’s your oar,

he offered, with a slight bow of his head.

I took it up and kicked my shoes off, stepped

onto the rug, then leapt up to table top

and began to paddle the air.

Where are we going then, I said,

my eyes on the horizon.

To Java, he said, and I paddled harder,

eager to reach its shores. I’ve always

wanted to go to Java, I said, pulling

through currents of air. And look, he said,

there’s a farmer there on the banks

saying his morning prayers.

And he pulled from the truck a large

straw hat that he set upon his head

and a simple white scarf he let

slip through his fingers in a ritual

of silk. And when my boat came near,

he stepped beside it, met me

with a bowl-shaped bell, and circled

the small canoe, baptizing the air

with its one-note song. I closed my eyes,

and felt the tone open inside me,

and when I let my lids fly up,

he was standing right in front of me

with a vial of dark oil that smelled of vanilla

and evergreen. And he anointed me,

touching the oil to my head with his finger.

I knew I had arrived. I jumped down and hugged

the farmer, then searched the ground

for a smooth white stone to give him in return.

And as I journeyed back to the library,

somehow now only steps away, I took with me

the scent of pine, the smile of the native man,

the joy that comes when all the lines

we thought we knew have been erased,

and our inner map wildly rearranged.

 

 

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first snow

and fields of rabbit brush

reveal their gold—

live like that, heart, I say,

unapologetic and flourishing

 

 

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And Every Step I’ll Remember

 

 

 

Peace, be

the stone

in my shoe

I cannot

ignore

and cannot

remove.

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But if you were, that darn bubble

would always show up above your head,

the kind with the empty circles that shows

the rest of the world what you’re thinking

and not saying. Imagine how those bubbles

would float above you in the meeting

when the manager is lying, or in the kitchen

when no one says thank you for the dinner

you spent an hour making, or in line

at the grocery store where the woman

cuts in front of you.

 

Perhaps you could, from time to time,

look up and read what the bubble says

when even you, yourself, are unsure

what you are thinking. There would be,

perhaps, an untranslatable squiggle,

or a series of exclamation points, asterisks,

semi colons and question marks,

and you’d have to wait for the next frame

in which, miraculously, the bubble over your head

corresponds with the words you are saying.

 

Still, you’d know that somewhere inside

that three by three inch square, inside

that two dimensional, black and white image

there’s more to be said, something

no one else can read, not even yourself—

yes, you, too are waiting to step

through the vertical black line

into the next frame to be drawn

when all will be revealed.

 

*title based on a title by Jack Ridl

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In a time of national crisis, what our country really needs is a good poem.

—Herbert Hoover

 

This is the time when we must say to the stranger,

the other, sit here. Notice how difficult it can be

to even come to the same table, how hard

to look the other in the eye. Something in us screams,

“Right, I am right.” And it is hard to hear the voice

beneath that scream, a whisper of a gospel that says

nothing at all.

 

This is the time when we must say to ourselves,

I am also the stranger, when we must look

in the mirror and not know who it is we see—

someone capable of being more courageous,

more compassionate, more devoted, more

astonishingly vulnerable and connected

than we ever knew ourselves to be. Who

is that stranger in the mirror, we must ask,

and vow to never let her down.

 

This is the time when we must write the poems

our country needs, the poem that builds the bridge

from truth to truth and never touches the river

of lies. The poem that allows our country

to fall in love with itself again, the poem

with enough places set at its table

that everyone knows they have a place to sit

and the rest of us know when that person is missing

because their chair is empty.

 

This is the time for the beauty that passes

all understanding, a testament of goodness

that cannot be contained, a congress of delight.

This is the time to pick up your pen

and with your most tender, beautiful self

fight.

 

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Again this morning

the invitation to be soft,

to notice how when we wake,

the cage of thorns that sprang up

yesterday is not now here.

 

It takes only just one thought of blame

or righteousness, and the thorns

return in all their ferocity

and brandish their barbs,

and flaunt their hooks,

 

but there is this moment

when we can simply notice

how soft we are, how vulnerable,

and choose to stay that way,

and a moment later, choose again,

 

oh, the morning, it smells like freedom.

 

 

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There are monks who sing

for the laity—May you be happy,

and today I sing it, too,

though I have not been

anointed and have no special

sway, but I stitch my song

into the morning’s ferocious wind

and send it everywhere,

May you be well.

The wind rips the words

from my lips. I sing them

again. This is all

we have in this world,

the way we choose

to meet it.

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the wind tugs the leaves

off the aspen trees, many

before they’re golden—

 

children, I say, I love you,

and kiss their green ears

their green heads as I send

 

them to school,

tell them to go

do beautiful things

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