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Archive for June, 2018

 

 

I decided to take

the invitation seriously.

Nothing changed.

I made breakfast.

Went to work.

Walked.

Made a date

to speak with a friend.

Swore at the magpie

that dive bombed

my head. Ate popcorn

for lunch.

Made plans

for four months from now.

Took vitamins.

Drank green tea.

Watered the seeds

planted yesterday.

Talked to the seeds,

encouraged them to grow.

Read a book, stopped

at the penultimate chapter.

Some things are better

left unfinished.

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preview

Come join me in a glorious gallery and art studio near Toronto, Canada, as we explore presence through poetry, meditation and interaction with art. July 28 & 29. Visit The Art of Showing Up for more information.

 

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Mom, she says, I don’t know what it was about that book,

but the pages were falling out and it smelled old

and I think it cast a spell on me.

And I recall the first time I read Emily,

an old cloth book with the text debossed,

how I ran my fingers over the words

and felt them as I read them:

“As imperceptibly as Grief

The Summer lapsed away—”

Mom, she says, I didn’t even understand

a single word I read, but I couldn’t stop reading.

And now, I think that book is haunting me.

We are making her bed just before she sleeps,

and I tug on the covers to straighten them.

Yes, I say, her words are like spells.

I memorized that poem, though I was

too young to know of “courteous

and harrowing grace.” I knew only

that when I said the words, they gave

me such an openness, a wideness, a delight,

as if morning found its way into my chest,

and now, thirty years later, the early light

still touches me, still thralls.

The bed remade, she slips beneath

and I lay at her feet and for a time we read.

I want to talk more about Emily,

but the spell is her own and I don’t

want to trespass her magic,

the wonder she feels.

Perhaps someday she, too,

will read these lines,

“Our Summer made her light escape

into the beautiful.”

and know herself more beautiful

for having let them touch her.

 

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One Hopeful

 

 

 

counterfeit can only exist

when there is real gold—

is it the same with god?

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trying to pickpocket

the universe—it turned around

and gave me everything

 

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snapdragon in the rose bed

thriving and in full bloom—

pulling it anyway

 

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One Monopoly

 

 

 

hotel on boardwalk—

the thimble would rather

play charades

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when I was young and read Lord of the Flies,

and when I read the part where Piggy dies,

I screamed out loud, You got it wrong. No!

As if Golding could hear me through the spine.

Perhaps because I also was a geek.

Perhaps because I didn’t want to know

how cruel the world can be. How kids like me

could choose, in fearful times, to kill our friends.

 

My son detests the book, but not because

the boys are cruel, because it moves too slow.

I try to reconcile his callousness, his good

and tender heart. He’s grown up in an age

where killing is a part of weekly life.

How strange for me to grieve the loss of grief.

 

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for Shawnee

 

 

This time the goodbye is in the kitchen,

me running off to the next thing,

you at the counter with morning tea

before you drive away.

I give you a hug from behind

and a kiss on your cheek and thank you

for coming to visit.

 

I want to tell you I love you,

but the words have never

tumbled out easily, not because

they aren’t true, but because

I don’t want to frighten you.

Strange to feel I must hold you at a distance

in order to keep you close,

like a mother bird

who monitors her nestling

from a neighboring tree.

 

I never was one of the mothers

who worry about fatal things:

car crashes, avalanche, infectious disease.

I worry more about the most

terrible thing that could happen,

that you could be alive and not know how

much I love you, fiercely, unfoldingly,

worry my longing

to keep you at ease could

make you feel pushed away.

 

Driving from the house,

it is not the sun in my eyes

that makes them leak,

it’s this knowing that I

have made for you a nest

in my heart where I hold you,

but perhaps what you needed all these years

was for me to hold your real hand,

to wrap my real arms around

where your wings would be.

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based on The Guest, by Anna Akhmatova

 

 

I felt the way he looked at me across the room.

Hungry. A bear in spring. Glass of red wine

in his paws. His gaze hooked into me

 

as I parted the currents of the crowd.

I found a window, stood in its chill,

felt his heat arrive behind me. Scent

 

of tundra. Sweet grass. I did not turn

to him to speak. What do you want,

I said. To meet you in hell, he said,

 

his voice layered in honey and shade.

I met his eyes in the window, saw him

on his hind legs, rippled, as though through a lake.

 

You mean to have us both destroyed,

I said. Watched through our reflections

the falling snow. Tell me, he said,

 

how men kiss you. Tell me how you kiss.

My lips wanted to show him, Like this,

but my mouth formed in a silent O,

 

round as a wedding ring. In the mirror

of the night, I watched his eyes linger there.

And the gold on my finger slipped off

 

as my hands transformed to fins. I knew

some part of me would die. I knew

I would choose to swim.

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I wanted the artwork hung on the wall, a slip of paper with bright splattered paint. I had no tape, no tack, no nail. But strange, in the corner I noticed a small brown mound of shit. And strange I could not smell it. I did not know how it had come to be there. Did not know how long it had been on the floor. And for reasons I can only explain as urgent, I considered its sticky properties. The possibility clicked in before the revulsion. By then it was too late. I took my naked hand and smeared a brown arc on the wall, then pressed into it the art. It held. It occurred to me to be embarrassed. It occurred to me it was gross. Unhealthy. Unnormal. I was repulsed. And slightly proud in making due when resources are few. There was some pleasure in the way I shocked myself. Not with what I did, but with how I dare now to tell the truth.

 

**Dear friends, this is, of course, from a dream. 

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One Sermon

 

 

 

beneath the meadowlark,

the fencepost turns pulpit—

praise, praise, praise

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There was a time when I’d pull his hair out

if he sat too close to me on the couch.

Now, I curl into his right side,

lean my head on his shoulder,

feel the trembling of his chest

as he weeps. How good it feels

to be close to him as we grieve.

How familiar, the shape of his head,

the heft of his hand as he reaches for mine.

How deeply right, this leaning

into sorrow together.

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but I would rather write poems about kissing,

beside the wild roses, for instance,

with nothing between us

but perfume and shadow.

Or kissing riverside

with waves frolicking into

our sighs. Or kissing anywhere,

really, a parking lot, a stairwell,

the front step, in a plane.

See how this urge turns

everything into a love poem,

even this, which began

as a poem about loss,

has found gardens inside it

with long rows just perfect

for kissing, slow kisses

both bruising and sweet.

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Just because we can’t imagine

what it will look like, this path,

doesn’t mean it won’t appear.

Just today, I took a detour

off the interstate when a rolled semi

closed down all the lanes.

The GPS suggested

a back road, which turned

into dirt road, which turned

into dozens of switchbacks,

one hairpin turn after another

rising up and away from the route

I had planned. The GPS died.

No one else going the same way,

which always makes a mind wonder.

Just because we have little idea

where we are doesn’t mean

we are lost. And being lost

doesn’t mean we aren’t right where we

are meant to be, off on our own,

more alert than before

amongst the ten thousand

shades of evergreen.

Eventually, the detour proved true,

and I was back on pavement,

then back on the interstate.

the taste of dust on my lips.

 

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