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Posts Tagged ‘communion’

Belonging




And if it’s true we are alone,
we are alone together,
the way blades of grass
are alone, but exist as a field.
Sometimes I feel it,
the green fuse that ignites us,
the wild thrum that unites us,
an inner hum that reminds us
of our shared humanity.
Just as thirty-five trillion
red blood cells join in one body
to become one blood.
Just as one hundred thirty-six thousand
notes make up one symphony.
Alone as we are, our small voices
weave into the one big conversation.
Our actions are essential
to the one infinite story of what it is
to be alive. When we feel alone,
we belong to the grand communion
of those who sometimes feel alone—
we are the dust, the dust that hopes,
a rising of dust, a pitch of dust
the dust that dances in the light   
with all other dust, the dust
that makes the world.

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For your birthday, Johannes,
I listened to your first piano concerto,
my heart trembling like a tuning fork
as the ivory keys and nylon strings
conversed about tenebrous grief and loss.

No one hissed in the audience
the way they did when your concerto
debuted. In fact, in my kitchen,
I sighed. I gasped. I thanked you
for the turbulence. What a gift when our sorrow

meets a sister sorrow so beautiful
we forget our own story, our own name,
and we tender what’s left
of our aching hearts to the blooming dark
that even now opens around us, inside us.

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Hearing Aid



 
 
I slipped my ear
into your pocket
close to your heart.
It wanted to be near
the steady thump
of those chambers,
a rhythm more reassuring
than any lullaby.
My ear likes it there
against your chest,
likes the warm hum
of your voice floating
over it, your words
indistinct through the cloth.
Forgive this eavesdropping
on the pulse of you,
but it is the only news
that interests my ear today
while the rest of me
works far away.
Yes, the only thing
my ear wants to hear
is the red song of you
like a faithful drum beating
here, here, here.
 

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I want to read the poem of you—
want to hold in my breath
your intimate rhythms
want to translate in my lungs
the silences between your stanzas,
want to feel in my heart
the sharp tug of your turns,
the communion of your inner rhymes.

I want to follow
the ever-emerging form of you,
want to know which words
are appearing even now
in the divine cursive
that writes us all,
want to wander in your ambiguities,
wonder about your secrets,
marvel at your beauty,
be wrestled by your oppositions.

I want to recite your lines
again and again and again
so your stories
are the allusions that inspire
the emerging poem of me.

This is the poem in which I admit
every poem has the potential
to break open the heart—
imagine the size of the book.
This is the poem in which I remember
the heart was made to break open.

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I don’t want us to be
like Jupiter and Saturn,
slowly moving toward each other
only to find ourselves
slowly moving further away.
When we conjoin,
let it be that we find
our paths not crossing
but merging, moving
us forever in the same direction,
our light uniting so brightly
others might imagine
it signifies a miracle—
and they will, of course,
be right.

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Winter Evening

Though I sit alone

on my couch at home,

I’m somehow also sitting

with Rachel and Julie

and it’s summer and

we’re laughing, laughing

until we tumble

into each other’s laps,

laughing as we collapse

into a puppy pile of giggles,

laughing because it feels

so good to laugh—

even now I laugh aloud

with no memory of why

we were laughing then,

but many years later,

it’s still contagious.

Sometimes we tumble

so wholly into the grace

of a moment

that it opens in us forever,

continuously blooms

and spreads its perfume

like night-blooming jasmine,

christens everything

with its fragrance,

even this empty room,

even this tired woman

now so surprisingly awake.

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Join Me?

all day I spike my tea

with sky—

is it any wonder

by night I’m singing

love songs

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Less

 

 

Today I can see how I wear it

like a velvet dress, the dream

 

of wanting to be somebody.

It’s so easy to forget I am wearing it.

 

Because it is lovely. Because

it feels good. But life

 

hands me a hanger and asks me

to take off the dress

 

and move naked today

through my inner rooms.

 

It’s not as if anyone else can see,

but I notice, as I must,

 

how much easier it is now to know

the self as sunrise, as apple seed,

 

as cinnamon, as you.

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One Unbaptized

 

 

filled with golden leaves,

the pond, and shimmering with sky

and me, too dry, too dry

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sitting in darkness—

how easily I forget

we are separate

 

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Once I would say “table,” and mean

“table.” Once, I would say

“broccoli” and mean “broccoli.”

I would say “stone” and mean

“stone.” I really did believe

that things were separate.

And nameable. Now,

every word that comes

out of my mouth, no matter

how many syllables, no matter

the tone of voice, no matter

my intention, I’ve come to understand

that every word

is really just a translation

for thank you,

thank you for this moment.

And every silence between the words,

regardless how brief,

is really just the sound

of one hand in gratitude clapping.

 

 

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I wanted my love to avalanche,

and love said to me, be flake of snow,

 

I wanted my love to be tsunami,

and love said, be water in my glass.

 

Be crumb of bread, be scrap of cloth,

be ray instead of sun.

 

I wanted to be enormous.

Love said to me, be one.

 

 

 

 

 

 

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The snow was light and the moon was near full,

and the shovels skated across the drive.

 

The rest of the world was asleep

except for the shoveler and her shovels and the moon.

 

The snow was light and her thoughts were quiet,

quiet like leafless cottonwood trees

 

with branches that tangled with the forward moon.

There are nights when though we are alone

 

we are not alone,

nights when the darkness doesn’t seem so dark,

 

nights when our work feels not like work

and we step out of our homes, then out of ourselves,

 

and we are somehow unsurprised

by the way everything shines.

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for Amy and Devin

 

 

two rivers

become one water—

sound of ten thousands hands clapping

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It’s hardwired, says the instructor,

explaining that all of us tend to identify

more with people who are more like us.

It’s a survival tool from ancient times,

she says, to put people like us in an in group,

and to label the others other.

I take notes. Raise my hand. Participate.

Do exercises that show that although

I say I have no preferences, my limbic brain

has its own opinion. And so

I dedicate myself to finding

the ways we are all alike, uncovering

the ways we all mirror each other—

vulnerable, strong, curious, cautious,

I pledge myself to our common humanity,

to notice my bias and question it.

It’s a survival tool for the present time,

I tell myself. Every one of us, a sliver

of divinity.

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The moon was hidden and the scent

of rabbit brush was thick, so thick

a woman could be hypnotized by it—

 

it seemed to come from everywhere,

the garbled light, the sage-sharp scent,

the sound of every step she took, and

 

every step she took felt like

a baptism, though into what, she could

not say—herself, perhaps, but more

 

the world, and yes, it was

the kind of tenderness

one only meets when we’re

 

alone and somehow lost

inside the night, amazed that it

can be so warm, so gentle,

 

shocked that we can be so slight

we almost, almost disappear—

but ah, the sound of every step she took

 

reminded her that she was here—

and sage-sharp scent of rabbit brush

caressed her every everywhere,

 

and led her deeper into night,

soft sound of footsteps, garbled light,

the snarl of squirrel nests in the trees

 

made visible through silhouette,

and every every step she took felt

like a baptism, like a rite

 

though rite of what, she could not say,

the moonlight gave itself away

the rabbit brush said here, here, here.

 

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Dear __________,

 

 

 

You are warmly invited to join our conspiracy of joy,

a growing cabal of strangers and friends who collude

to create delight, who initiate random acts of bliss, who

scheme of ways to help all others find authentic jubilance,

who tear down walls that would separate us and them.

If you enjoy such subterfuge, there certainly is room

for you. To be clear, you may be charged with pleasure,

ecstasy, and truth. Next meeting, now. And now. And now

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after The House Was Quiet and the World Was Calm by Wallace Stevens

 

 

 

The field was high and the sun was low

and the woman became the light; and the evening

 

slowed its pace perhaps to let the light remain.

The field was high and the sun was low.

 

She moved as though there were no night

worth fearing, as if the field could hold it all.

 

She leaned into the goldening, the way

the light itself leans softly on the world.

 

The night, a gentle friend, meandered quietly

across the land. There were no words

 

that could be said. The field was high

and the sun was lower. Slowly, hushed,

 

the wind a sigh, the field surrendered

all its lines. The darkness gathered

 

everything, the field, the woman, even

light, and made itself an offering.

 

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in the dark

you lose track

of any lines

that say

you are here

and the night

holds you

like a lover

with hands

somehow

everywhere,

and the stars

keep thousands

of secrets

and sometimes

they spill,

and if you have

a question,

it comes to meet you

whether or not

you’ve dared

to ask it.

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Anywhere at All

 

 

 

I find the silence

between your words

and set a cushion there

and close my eyes

and find stillness in that quiet

place in you

that speaks to that quiet

place in me.

Within a single conversation

we’ve shared communion

a thousand times—

is it any wonder we cry

when we say goodbye?

 

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