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Posts Tagged ‘friendship’

Of course she knows she is doomed.
That is not the part that bothers her.
Everyone is doomed. Lawyers.
Dilettantes. Poets. Priests.
She never takes Kismet personally.
Not even when he rips her dress
just before she goes on stage.
Not even when she is sick, near death.
Not even when she trips and splats
full body on the wall of her own loneliness.
She knows being doomed just comes
with the package. Still she can’t help
but wonder if Kismet is not, perhaps,
open for a little seduction. Cause Wild Rose
has a friend that she wishes that Kismet might
just forget to visit with his little dark bag
of doom if only she can keep
him interested here in her thighs
for just one more day, one more night.


* For those who have not met her yet, Wild Rose is my alter ego, the one who does everything that I am too frightened or embarrassed to do.

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Grieving Barry

for Barry Spacks

the last poem he wrote
to me was in pen, about tears—
indelible metaphor

*

his words like bathtub
rings on my mind, nothing
will rub them out

*

meanwhile, our flesh
is written in lead and is already
nearly erased

*

sometimes I would
curl inside his words and make
a home there

*

into my breath
he tattooed
kindness

*

sometimes his words
would curl inside me
and then explode

*

not any of these words
the right words
oh sad alphabet

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Why the Women Cry

Lara and I sit side by side in her rocking chairs.
Like old women. We are old women.
Or at least much older than when we first
had sleepovers at her house in seventh grade.
She would tell me her secretest thoughts
late at night and I, laying in the trundle
bed beneath and beside her would often fall asleep
in the middle. Oh how she would pummel
me then with her pillow. Her anger was
as real as her tears.

*

At first I think she is laughing. I turn
down the music to hear the small
gurgles in the backseat. It is dark.
Sweetheart, I say to my girl, are you laughing?
Now I hear they are sobs.

*

In the search bar I type:
myth why people cry.
In seconds I am led to 9,980,000
results. People crying for myth.
Myths about crying and depression.
But there are no stories I can find
about the why of the tears.

*

It was her nephew who died.
As we rock, we talk about him and his life.
She loved him. He was the first
child she ever knew. Avalanche.
Though it doesn’t much matter,
the why. He’s dead. She says,
I knew him, but I never really knew him.
He never totally let me in.

*

My daughter is scared.
Mom, she says, are there any
other cars going the same way
that we are going?
Yes, my love, I say. We are moving
at the same rate and at the same time
in the same direction, so we cannot see them.
Does it scare you that we seem to be alone?
Yes, she says. Yes, I say, it can be scary
to feel alone.

*

Once upon a time there lived a woman.
She was all alone. She lived by the sea.
The sea frightened her. It was vast
and deep and full of things
she could not understand.

*

Lara does not cry. Not tonight.
She tells me about how her nephew
has lived so much in such a short time.

*

Grown ups don’t cry, my daughter says,
when I tell her it’s alright to cry.
Oh sweetheart, I say, yes they do.
Mommy cries all the time.

*

The woman who lived by the sea
stood on the beach and looked at the water
for many, many days.
At last she said to the ocean,
what do you have to teach me?
And the ocean said nothing at all.
But she could feel in her such
a great, great emptiness
so she began to drink. At first
a sip. Then another. She could taste in it
the unfurling of the intricate undersea fans.
She could taste in the water the blood of a recent kill.
She could taste the wreckage, the rainbow,
the force of the waves. And she drank
and she drank and she drank.

*

When I was 23, I remember
reading in a magazine about
how if you cried more than 2 times
a week, it meant that you were depressed.
Oh, I thought, but I cry at least two times a day,
and I am the happiest person I know.

*

And when she had swallowed the entire sea,
the violence, the glassine façade, the sludge
and the tug and the roar and the still,
she sat on the beach and was satisfied
that it all was inside of her.
Until she remembered the pleasure,
could it be? that she’d felt when she was
more empty. Less knowing. Less full
of it all. More thirsty. More space.
The world then was more mysterious.
And she began to, what was it?
cry. Something no one had done
before. Oh the salt. Oh the sting.
Oh the ferocity of the act as the sea
spilled out of her. And sometimes, too,
she leaned into the gentleness.
And slowly the shore became a shore
and again the sea became a sea.
And the woman then understood
what it meant to gain and lose things.

*

This night, when I am ready for sleep,
Lara does not throw her pillow at me.
She kisses me good night, and we lean
our bodies into each others bodies,
then climb the stairs to our husbands, our beds.

*

Mama, she says, you cry?
Oh yes, my love. I try to imagine
how she has not seen this before.
Inside I feel the teeth of the eel,
the ship without an anchor,
the shifting of the rising shore.

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There between the tortillas
and the frozen okra,
an old friend.
How is it possible
to love someone so much
but to forget that we love them
until quite by accident
we see them again?
Lucky for me,
I needed to buy tortillas,
and there they were, on sale,
our favorite brand.
There are many kinds of luck,
each like a rope
that rings a different bell.
Falling in love again
with an old dear friend,
even if the reunion lasts
only until the end of aisle two,
I feel in these three minutes like a little girl
pulling the rope of the cathedral
bells, and letting myself
be swung by the full body chime
as it dongs, dongs, dongs.

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“It is so sweet,” the song says,
“to jest with songs and with hearts
and with serious combat.”
I do not know the poet,
Emanuel Geibel, nor have I played
Schumann’s Der Hidalgo, Opus 30 No. 3.
But this is what I turn to, Evie,
when I hear you are in Room 879.
I found the text first. “I am always ready
for love or for a fight.” Of course
I would think of you then, you who are
both lover and fighter,
fiercely, equally at the same time.

If I could, I would sit beside
the hospital bed and hum lieder,
hum so I would not mispronounce
the German. Better yet, I would bring
your electric piano to your room
and plunk at the keys in my awkward way
so you could hum along. As the Hidalgo says,
“I sing outside many a grilled window,
and I mock many a knight with an insolent song.”

Surely the pain is a knight worth mocking.
Surely we could conjure up ample insolence
even as we praise the graying winter sky
beyond the window glass, praise the birds
winging past the frame that neither of us
(but your husband) could name, praise
the music of heartache and blossom and loss,
and praise and curse the passions that lead you
to the roads you love.

“Tomorrrow,” says the song, “I shall carry home
flowers or wounds.” I would always wish
for you flowers. Acres and acres of daffodils.
Red buds at the end of your drive. Magnolias
throwing their blossoms into your yard.
But here, the wounds. You have known them before,
and still off you go, as Geibel writes, “off, then,
to adventure!” To adventure, Evie,
to adventure! Oh damn. To adventure! The wounds.
To adventure! Your pelvis. Your clavicle. Your ribs.

One morning, while I was still in sleep,
you came to wake me, humming, and cupping
in your hands a dark and bitter delicious brew.
How I would love to come to you now
with something dark and delicious, something
I knew could make you smile, something
satisfying to warm you, rouse you, though we both
know how bitter it is.

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One of the possible side effects,
she says, pointing to the bottle
that I have just sipped till its empty,
is immediate and serious.
Death, she says. I fall in love
with the way she says the word,
so final, so sure, and with the way
that she waited to tell me about
the danger until after I drank the liquid,
and with the way she insisted I not drink
the bottle alone. Never mind
what it was. I’m alive.
And something inside me
is so, so thirsty.

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Two Reconciliations

I tugged on the thread
of grief not knowing how
completely it had tangled
with all the other threads,
how without grief
there was no cloth.

*

Here, darling,
I cannot say
the words for you,
but I will listen
for the unspeakable
whether you say
the words
or not.

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It is not so much
what you do to heal, she said,
but that you stop doing
the things that hurt.

The PT speaks of
my hamstring, but I
think about my aching friend,
and wonder if the heart

responds like any other muscle.
Perhaps if we could
stop from doing what
we know makes the pain

increase, like reaching
toward impossible things,
it would be easier to heal.
We are, perhaps,

slow learners. We
are, perhaps, like the children
who say of a scrape, It only hurts
when I touch it, and then

touch it all day to be sure
it still hurts.
The PT goes on to say
she does not mean

I should do nothing.
You can find other things
that don’t hurt to do.
She calls it active rest.

There are many things
a woman can do without
using her left hamstring.
Read. Laugh. Knit. Sing.

Stand on her right leg.
Kiss. Still the longing
to do what hurts—to run—
as if it’s the only thing.

Just as my friend with the pull in her heart
wants to reach and reach again, as if
it might hurt less, not more,
if she keeps practicing.

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Driving Away

not just the light
though that, too, how it bloomed
across the green lawn
but also her waving hands
so empty, so full of light

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Your birthday. I forgot it.
After all these years, I imagine
that comes as no surprise.
Still, I am no less sorry for it.
I was playing badminton with my son
yesterday when I remembered.
Remember how you and I played
badminton for hours and hours in the field
that day? How long the days were then.
Last weekend I planted greens in our yard.
I thought of you and your garden boxes
and how many meals
we have eaten surrounded
by corn, squash, tomatoes and peppers.
I can’t grow any of those things here.
Too high. Not all seeds grow
where they’re planted. And even
if they do, they don’t survive.
But already some of the lettuce
and baby bok choy have come up.
Arugula, too. I suppose
now is the time to thin them,
now when they’re tiny.
This is always the hardest part for me.
How to choose which one
of the seedlings should live?
I remember how your mother
would grow lettuces in pots
outside your door.
At my home, we ate only iceberg,
and so I was shocked at the colors
that grew there on your porch.
Your birthday. That was
the first time we went out together,
were we eleven? Twelve? I’m too lazy
to do the math. We were young,
and you’d invited all those adults
to your party. I was shocked
that a girl could be friends
with grown ups. How much you taught me.
Like how to eat lettuce that was red
or dark green. How to enjoy foreign movies
with subtitles. How to run rivers
and sing. How to say yes to someone
and keep saying yes to them
even when everyone else
tells you to say no.
I don’t remember which of us
won the badminton games.
I would guess that we didn’t play
for score. Isn’t it funny, the way
the memories thin themselves.
And friendships, too, how
so many of the seeds sown
years ago started strong,
even blossomed,
but bolted, or never grew fruit.
But you and I, we are more like
the oregano plant that finds
new ways to survive. Even if
the garden is rototilled, turned,
and dried, the roots escape and find new
places to thrive. Still,
we are both the kind of woman
who likes to water things
so they grow. Your birthday.
Happy Birthday. I’m sorry
I’m late. Even these near-summer days
seem so short. Here, some water
from my heart to yours.

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I bet you would never guess
how nervous I was to call you.

I bet you’d be surprised
to know the size of the gap

I imagined between us—
whole oceans could be swallowed

in there. You with your easy laugh.
You with all your friends. Surely

you have all those friends in part
because you are friendly.

But I was scared. Scared
I was not enough—

not smart enough, not cool
enough, not funny enough,

not strong enough, not self
sufficient enough to be your friend.

Oh that insecure part of me,
I know it does no good to judge her.

So I look at the insecure me,
and I look at the me

who would judge her,
and I get to look at the me

who can love her
and all of us get in the car together

and drive to your house
to drink coffee and talk

and do what friends do—
jump in the gap

and swim.

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for Wendy Videlock

impossibly sweet
two notes played at once
on one flute

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I used to think
we were
our stories.
Now, I believe
in something
more spare,
stripped of
plot
and title
and character.
Still something
in you touches
something
in me. It’s more
in the silence,
though,
more in the way
the light
makes a nest
of your hand.

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All day the snow has been melting.
This morning, my son said, “It’s like
a big battle between two forces,
the cold and the warm. Which one
do you think will win, Mom?”
You and I both know no one wins.

I’ve been thinking so much
about your ear—the unexpected
rupturing. This is when it is hard
to be so far away. I would like
to be near you to say soothing things
in your other ear. Not promises, of course.
But poems.

The other day I was driving home
through the eastern part of the state.
There is nearly nothing there but road
for miles and miles and miles. Nothing,
and a wire fence to hold back
all that nothing. It was a wonderful
place to think of nothing, but
my mind kept returning instead
to the day when we walked
along the Platte and said
hello to everyone we passed.
So few of them said
hello back.

Why do we remember
what we do? How could we
have known that day would be the one
that would become a jewel in our minds.
Why that day ,wading at the confluence
and posing like statues against a wall,
when there have been so many
other days brilliant days together?

Today, it was brilliant, surely,
but I’d be surprised if I remembered it
years from now. Luster in the trees
and the scent of pumpkin pie in the air.
I swear all of main street smelled of spice.
What I would like to remember, though,
is that this is the day that your hearing
began to come back, only that’s not
what you said in your message.

Remember how we laughed
when the people we greeted
pretended that they could not hear us?
But I hear you, Julie, I hear you
most days, even from far away.
It’s not a phrase or word that I hear,
just the ring of your being. Rilke says that what
batters you becomes your strength.
I might whisper that line in your one
good ear. Or I might just whisper
your name the way the sun says
“World, I am here to warm you,”
the way the cold says, “Snow,
I am here to keep you whole.”

Yours,

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What We Do When We Can Do Nothing Else

When trouble comes
with its long gray dress
and its hungry eyes
and its basket of woe,
when trouble comes
with its insomnia
and note past due
that you know you can never pay,
when trouble comes
with its refusal to let you
be bailed out this time
no matter how crisp
the hundreds are,
I do not want to be
the one who lies to you
and says it will all be okay.
I don’t want to play
the teacher and talk
about how the world
erodes us until we shine.
I want to be the one
who holds your hand,
though, even if it is
from many hundreds
of miles away, and
even if you do not hear me
say it, I will be thinking,
miracles happen,
and you are one.
I will write you a poem
made of doors, all
of them open,
even the one
that trouble walks in,
even the one
that trouble walks out.

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Dear Valerie,

Even the late flowers have gone to seed.
Asters, rabbit brush, cattails—all
have gone to creamy froth.

Even the grasses have lost their seeds.
Slender. Barren. Stark.
It is the season of loss.

But there is so much more to speak of. Honey,
for instance. Oh thank you for your poem this morning.
All day the honey shared between poets has been at the tip
of my memory. It’s so fine to have something sweet
to return to. So often it’s bitterness that sticks.

Today, I gave a book to a girl. A book about princesses.
On page two, a dragon came to the princess’s kingdom
and blew flames strong enough to burn down
her castle, her clothes, her gardens, her trees. The girl
I gave it to was so distressed, she dropped the book in the doorway,
ran to her room, hid beneath her pillow, and for ten minutes
into her mattress screamed, No, No, No, No, No.

It did not matter to her that by page 16, the princess
had outsmarted the dragon. She could not move
past the initial loss. I felt terrible for giving her the story,
of course, and sat with her while she sobbed.

How many dragons have we known, Valerie?
How many kingdoms have we watched burn down?
How many pages have we left unturned, too afraid
to see what comes next?
I do not know your dragons, but I feel them in your poems,
feel between your lines the fire of their ferocious, merciless breath.

It is odd how little we know each other, and how intimate
still we are. Both of us ravaged, we come together
dressed in nothing but paper bags.

The grasses, the ones that have dropped their seeds,
they are so beautiful. If we lived closer, I would pick them for you.
Though spare, though dry, they are the color of honey.

And the cattails, I would give you them, too.
When the sun is low, it shines through their tops
until they are wholly illumined. Like candles, only entirely aflame.

What if we are like the cattails, Valerie, and the sun
is the dragon’s fire. And the more we fall apart,
the more beautiful we are.

There are so many mountains between us,
but it is not so far as I think.
See how your seeds, they’ve planted themselves
in my garden. I will nurture them until
the dragon comes again.

Yours,
Rosemerry

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Three Surprises

aslant
the freezing rain
turns sleet—
on the trail
laughter our boat

*

speaking
all my secrets
to the pebbles—
the gray spider
eavesdrops

*

once pulled
from the stem the petal
will never again stick—
in my hand
bare sunlight

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Everywhere

My friend and I
stand in the middle
of Franklin street.
We face each other
in moonless dim.
We speak of loneliness
while all around,
and not by accident,
though not out of sweetness,
all around us
we are touched by silence.

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Using the Last Bit of Red Onion Left by Rachel

Lost for weeks in the corner of the crisper drawer,
it appears just in time to save the carrot soup.

One large hunk of red onion, partially used, still good.
I get nostalgic, remembering how Rachel, gone for three weeks,

served it with eggs, and though I didn’t eat them
I remember how delicious the kitchen smelled then.

It is her hand that chose it, her hand that sliced the rings.
I laugh at my own nostalgia. But I miss her, the all of her,

the giggling on the couch with her, the singing in the car,
cayenne and hot chocolate late night, poems, wine.

And slicing the onion, thinking about how Rachel she is,
it is right somehow that I should start to cry.

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Our steps interlocked,
Michelle asks me, “What do you need,”

and it occurs to me that everything
I love can and will be taken from me.

The wind that fills the sail
will eventually shred it.

The child who curves her body
into the breast will wean, will grow,

will leave. It is not true that I need nothing,
Oh Maslow, you gave us the map,

but an affinity with nothing is
perhaps what I need.

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