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Posts Tagged ‘memory’

One Week Later

 

 

 

There are moments I forget she is gone.

Perhaps when I am in the garden. Or painting

rocks. Or making dinner. And then I remember.

She’s gone. I cry less now, but still.

I cry. Of course. Because the cloth I use to wipe

my glass table. Because the vase I slip

marigolds into. Because the necklace

I am wearing. Because out of nowhere

the sound of her voice. Because

the book I am reading. Because

when I think of how much she loved me,

how much I loved her, I gasp and

my nose starts to tingle and my eyes

well, and I know she would tell me

not to cry, but I do. Because it’s a beautiful

and rare gift to love someone. Deeply. Because

she was my gift. Because I was hers.

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One Return

 

 

 

like a book

that always falls open

to my favorite lines—

 

this memory of your crooked smile,

your open hand

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for Amy Irvine

 

 

I didn’t know then we were lucky,

that day when we rode down the hill

on the sleds with our kids. They were cold

 

and crying and reluctant, and the hill

was small, and the thrill was mostly

missing. And I remember you saying,

 

“There will be a day we look back on this,

and think how easy we had it, how

silly we were to think this is hard.”

 

And I remember not quite believing you

as our children continued to scream and

whine, as we dragged them inside and

 

removed their soggy mittens and boots

and socks that had fallen around their arches,

as we made them hot chocolate and

 

talked in the kitchen about sleepless nights

and two-hour tantrums and the loss

of time to ourselves. How could I have known

 

that twelve years later, how sweet that looks,

how innocent, how fun, the kids banging

on the piano, their hands sticky, their faces bright.

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Once I knew it by heart,

that song about leaving

the earth and traveling on,

but tonight, I just hum

through the verse I’ve forgotten,

grateful the tune still knows

how to find me, grateful

to still have lips, breath.

Grateful to be a traveler

here, my feet still finding

the road.

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We are perhaps like neurons

that never touch—

but that doesn’t stop

the chemical buzz,

the lightning charge,

the electric thrill

that leaps the gap—

and in that span

all meaning is made,

long red ropes of memory

twisting and knotting,

braiding, unbraiding,

and nothing

is ever the same.

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One Bite of Finland

eating dark rye bread

the taste of joy

thirty years ago

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One Unforgettable

 

 

 

still trying to erase it,

that memory, though I threw out

the chalkboard long ago

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Touched

 

 

 

The heron flies away

and its great blue wings

touch the surface of the water.

For a time, after the heron

is gone, the twin concentric wrinkles remain.

If you leaned far enough, you could

see your reflection in ripples,

your image warped by the memory

of flight. The water

returns to its stillness,

your face again your familiar face—

but that is not the way

with all memories.

Sometimes, we

never see ourselves

the same again.

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One Return

 

 

 

like a book

that always falls open

to my favorite lines—

 

this memory of your crooked smile,

your open hand

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One Return

 

 

 

calling me collect,

that bum of a memory

I kicked out years ago

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November 26

 

 

 

No one will remember that this is the day

that my son and I stayed home

and he watched movies and I

met deadlines for work. It was the day

that I didn’t finish drying the apples,

the day I didn’t listen to a single song,

the day no snow fell in the yard.

It was, however, the anniversary

of Howard Carter opening Tutankhamun’s

tomb in Egypt, still virtually intact.

It’s still a few months from the day

he’ll discover the inner burial chamber—

for now, he is still ablaze with the thrill

of beginning, hopeful he’ll find

the sarcophagus. Does he know yet

that it will be made of solid gold?

The world is ripe with beginnings—

even in this season of dying and cold,

there’s always so much left to discover,

so much we do not yet know.

Eventually the movies are over and I finish

my article about Tuscan architecture

and my son and I again begin. No one will

ever remember how this is the day

we spent hours together at a table

with a puzzle fitting the thousand pieces in.

But I am still ablaze with beginning,

still in the thrill of his youth. I don’t yet know

where our lives will go, but I’m giddy

on laughter that only we two can hear,

the rest of the house quiet, no bells,

no shouts, no hum of the fruit as it dries.

 

 

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Somewhere in the 100 billion cells

of my brain is the memory

of the playground in second grade

when Jenny told me birds could fly

because their bones were hollow,

and, she reasoned, if we could lose

enough weight, we, too,

could have hollow bones, and we, too

could fly.

 

Surely linked to that memory

are thousands of other neurons

that disprove her claim—

neurons related to air pressure, thrust,

strong breast muscles, osteoporosis—

but there is, perhaps,

still one cell in there somewhere

across the synaptic gap,

that lights up at the memory

of Jenny’s suggestion

as if to say,

wow, that’s cool,

let’s try it.

 

 

 

 

 

 

 

 

 

 

 

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Dear Rachel

 

 

 

It’s so curious what we choose to frame.

You could, I am sure, with your art degree, explain

to me how aesthetics change. And why.

But I have too much dirt and dust in my home

to want an image of dirt and dust on my wall.

And I don’t relate to women in gowns

parting floral drifts with a white parasol.

 

I remember the first time I went to your home

and saw in your hall a painting—just one color, red,

you had painted it yourself—and I recall

how easy I found it to stare and stare and get lost

inside. So much of the world is black and white.

 

On my walls, it’s mostly nudes.

It never seemed strange until my children

asked why there were so many naked women

in our home. I didn’t know what to say

to make it okay. I said, “Because they are beautiful.”

 

If I could, I would frame the laughter

you left on my answering machine

and hang that on my wall. Or frame

how warm the sun was when we went for a walk.

Or frame the taste of peaches, the scent

of wood smoke and poems in our hair, the easy

silence we sometimes share.

 

But I would frame, too, the mornings

we speak of our children and weep.

And I’d frame our hurt and our fear

and the nights we’ve fallen apart.

So perhaps that’s not so different

from framing dust and dirt. And those

two women strolling in the sun,

on second thought, they look familiar.

 

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One Missing

 

 

dancing alone

in the kitchen—

when a memory

steps on my foot

I rush to kiss it

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            recite this aloud, please, for Mimi, for Vivi, for me

 

 

 

Mama, she says,

can we waltz?

and we do,

we step one

two, three, one,

two three cross-

ing the room,

and again

I am five

and my grand-

ma and I

are alone

in the house

and my feet

are on hers

and we’re danc-

ing around

and she hums

with the ra-

dio, hums

with low light,

and we waltz,

and we waltz

there’s a blaze

in her eyes

as we one,

two three, oh

how I miss

her tonight.

 

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wanting to press it

between pages of a book

like a flower or leaf

so I might marvel again

when it slips out, that blood moon

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In the Last Flush of Summer

oh but I swear

it smelled so sweet today,

that rose bush

we didn’t plant together

all those years ago

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One Inexplicable

 

years ago the wildfire—

this morning in my hair

faint scent of smoke

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Gooseberry Picking

They are not quite ripe, the gooseberries

growing behind Christie’s house,

but I pick them anyway and pop

the prickling pink globes

between my tongue

and the roof of my mouth,

oh sour round rush of surprise,

and I am a girl again, not quite ripe,

living in a country where I don’t speak the language

wandering the edge of the woods of the north

with a family that isn’t my own.

The mother, who later will shun me, shows me

how to pick and eat the gooseberries,

a fruit I have never seen before.

I learn to love them that instant,

something I can immediately translate with my tongue—

the marriage of sweet and terribly tart,

a flavor I know already by heart.

Greedy, greedy, my hands in a hurry,

I pull the gooseberries behind Christie’s house

into my mouth as if feeding the memory

of a longing to understand,

feeding it so I can better untangle its tethers

before the memory disappears again.

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Nothing grows here in the courtyard, not anymore.

Once there were roses in every bed,

impossibly always in full, unguarded flower.

Once there was always perfume, always opening.

It is not hard to remember the peonies, the parsley,

the surprising upstarts of basil, the hanging baskets

with long sweeping tendrils of bloom.

Once there were minstrels who never stopped singing.

The air always wore a silken song.

And now it is gone.

I do not know why I have come here again,

I who once planted these gardens, I who once

played the lute. I thought I had left them for good.

I’m surprised there are not even weeds here. Nothing

in the cracks of the sandstone steps.

Nothing in the empty beds.

It was not exactly a wrong turn

that brought me here, more of a wandering.

It was not really curiosity, more coincidence.

But isn’t it strange? Not even bindweed? Not lamb’s quarters?

Not even a blade of cheat grass?

The fountain in the center has not crumbled,

though no water flows in it. All the bricks

in the archways are still intact.

There is a gate. It always used to be locked,

but now it swings open at the slightest push.

It is innocent. I was the one who had locked it.

I knew what it was for.

If I’d known I were coming, would I have brought

some kind of offering? A poem, perhaps, or

tea leaves? Some flowers to scatter? Some seeds?

My hands flutter empty. They are unembarrassed

by their lack. There are no sacrifices to be made.

Once there were birds making play out of sky.

There is no sadness in remembering this.

I walk the paths. The way is still worn.

My feet know where to go. There is nothing

to bring back, nothing hidden in the walls.

Perhaps this is what I came for.

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