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Posts Tagged ‘music’

 

 

 

He sings in the corner,

the invisible cricket,

and each time I look for him,

he stops—

 

I don’t wish

to frighten the cricket,

I only want

to watch.

 

What is it in us

that wants to know details,

wants to analyze

how it is done?

 

And what is it in us

that says, close your eyes

and let the song

go on.

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scraps of rusted metal,

tumbled mine buildings,

splinters of fallen trees—

 

running clear and cold, the creek

makes music of everything

 

 

 

 

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Over and Over and Over

 

 

 

all day a song

insists on itself

like a lover who tugs and flirts

at the hem of a dress—

I let it have its way

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In the Midst of the Wreckage

Make in my heart a concert hall

where a single violin

plays on the vacant stage

reminding me in a minor key,

that one true song

touches every broken,

twisted, rotted thing

invites us to lean deeper into,

no, to fall completely

into the beauty

we stopped believing in.

Let me not just hear the song,

let me tear down the heart’s walls

so everyone can hear.

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Translate my body into song, a song
that only you know how to sing. Transpose
my thoughts in E flat major—key of love
and deepening devotion. Score my lips
in F sharp major—triumph over pain.
My heart, compose in G—idyllic, filled
with tender gratitude. And for my breath,
E major—laughing pleasure, full delight.

And I will sing you, too, my dear, will sing
in tones that only you can hear, will learn
to sing outside the staves—for they’re too much
like cages for the wilderness of you.
And let us improvise together, let
us sing beyond the measures, let us learn
new signatures, new ways of listening.

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Accidental Libretto

Oh hear that, love,

the night sky has become

an opera of blossoms.

The stars are opening

into song for anyone

who will listen.

As always, someone’s

heart is breaking,

someone’s getting even.

And someone’s love

is gaining wings.

And someone’s trapped

in prison. And all of us

are invited to be

singers in the chorus.

Or perhaps

to be the silence.

Or perhaps to write

the score. Oh darn

the world of daytime things

that keeps us from this art.

Let’s pretend that we don’t know

the end. Now’s the time

the start.

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And I am again thirteen and ripening.
It is the summer my record player breaks
and plays “Winter into Spring” over and over
for months. Outside my bedroom window,
the hollyhocks grow from stubs to blooming staves,
and the garden snakes braid in the tall grass and my window
is always open. At night I read ten-cent paperback novels
with a flashlight beneath my sheets. There is a curious
feeling unfurling in me, something that quickens and trembles,
as if I also have strings to be played and strummed and plucked,
oh sweet strange chords of pink and red, taut and then slack.
The arm raises the needle, then sets it down again into
the vinyl grooves, and the summer spins and spins.

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Heartbeat singing at the Dolores River Festival, June 2014for Heartbeat

Here, rest in my voice
on this note we share.
And when you breathe,
I will carry the song.
And when I breathe
I know you’ll be there.
And this is how
the song goes on.
And this is how
we disappear.

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Again, Choosing

Each shrill, whining, or whooshing song is a call to the endless nature of love.
—David Rothenberg,
Bug Music

Sometimes the only thing we need
to do is step slightly to the side
of the self. It is easier then

to see how beauty surrounds us,
how we ourselves contribute
to all this beauty.

By what odd trickery
do we forget to say thank you
in every moment?

We are not like the Magicicada
that must wait seventeen years
before our time to sing.

In this very instant we could emerge
and choose gratitude—
one way is to be wholly resonant,

to add our voice
to the one great music.
The other way is to listen.

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Sometimes
the sudden crescendo of luck.
The boy says, please
will you teach me
to play piano and there
is nothing to do except
say yes. And inexplicably,
where once was fidget
and fiddle and twitch
and squirm there is
sufficient curiosity for sitting
very, very still and learning
the curve of the fingers just so,
first against the silent bench and then
against the keys themselves,
and he names the notes as he plays them,
again and again and again; again;
e, d, c, d, e, e, e. The rising thrill
as it wakes in him, a rush
of understanding, the singing language
of the staves. Now the dark blots
are song in his fingers, melody
on his breath. There is never time
enough. But sometimes,
oh, the music falls out despite. Quarter
notes doing cartwheels
as if they’ve escaped
the pleats of time, danced
right off the signature and
played their way right
into the astonished heart.

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