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Posts Tagged ‘transformation’

Meditation

 

 

 

 

And when sorrow arrives for tea

and stains the table cloth

with its great mass of gray,

and when sorrow arrives

and drives everyone else away,

do not leave, alarmed though you are

by its slumping weight.

Offer your attentiveness.

See how it almost radiates?

There are myths in which monsters

transform into princes.

It always takes courage. And kisses.

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The words that will change us

remember, perhaps,

when they were first found

by the person willing

to serve them—

 

they carry in their serifs

a willingness to wait,

late nights of wrestling silence,

the wing of receiving, the joy

in sharing the gift.

 

When we read them, they enter us

like tiny notes in a score we never knew

we were part of until one day

there is music everywhere

and we are the ones being sung.

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Just as the sun enters the room

and changes the feel, the warmth,

and the power to perceive,

 

the right word, too,

can be a beam, can shine

into an evening, bring

 

glimmer, tidings of light,

make even the darkest corners

shine. Yes even one word

 

can become a prayer,

a gate we pass through

to find ourselves luminous.

 

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It’s not like the toaster

keeps secrets. Everyone

knows that all it does

is add heat for a short

duration. But that’s

all it takes to turn

something stale

into something

somehow sweeter

and warmer and

oddly much

more itself.

Heat. For a bit. That’s all.

And even knowing

this, I let the stale

parts of me stay

stale. I know from experience

that that the heat

will come whether

I choose it or not.

Though sometimes it

will burn down the house

just to toast one slice.

Better to take things

into my own hands.

Sometimes, I take

my own advice.

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the rocks move

more than we think they do—

after the ice floes,

the mudslides, high water in spring

take note, you stone-like thoughts

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I teach my sighs to lengthen into songs.

—Theodore Roethke

 

 

There is a secret music

that fills us from within,

a clear song that rises

as the mud of our thoughts

settles out, how quietly

it arrives at first,

our own true voice.

 

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Dave slips the wine thief

into the barrel and siphons

the young red wine. Into my glass,

 

he spills it and asks what I taste.

Pineapple. Pepper. Currant.

In another, there is cinnamon.

 

In another, sunshine and almond.

The thief dips again and again

into cab franc and merlot, syrah,

 

and grapes I’ve never heard of before.

They are all changing,

Dave explains. Come back again

 

in a month, he says, and they

will all be different. I think

of what a difference a month makes,

 

how the heart, like wine,

stays essentially the same,

only it’s ever transformed—

 

the notes it carries, innuendo,

the balance. At last, we reach

the barrel of white, Gewertzraminer.

 

In my glass sings pear and grapefruit and

summer still shy. Though it, too, is unfinished,

I could drink it all night.

 

All around us, inside us,

so much is changing. I tell myself

not to fear. There can be pleasure

 

in this art of change,

exotic and sweet,

a hint of rose petal, spice.

 

 

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Touched

 

 

 

The heron flies away

and its great blue wings

touch the surface of the water.

For a time, after the heron

is gone, the twin concentric wrinkles remain.

If you leaned far enough, you could

see your reflection in ripples,

your image warped by the memory

of flight. The water

returns to its stillness,

your face again your familiar face—

but that is not the way

with all memories.

Sometimes, we

never see ourselves

the same again.

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You are the elephant

and I the room,

you the lark,

the missing spoon,

 

you the question

that swallowed the answer,

you the music

inside the dancer,

 

and I am still

the waiting room—

or, perhaps, dear elephant,

a cocoon.

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This is the path of failure. We see that our definition of success is what is not working. What is working is deep, unseen. —Joi Sharp

 

 

Even a small discontent is enough to shut us down,

convince us that the world is cold and indifferent.

Everywhere there’s evidence of this: The slush

 

that falls on your car seat when you open the car door.

The carrion eaters with their great black wings

that linger beside the road. You pray for sun,

 

and it gets darker. Someone asks

you a question, and you see your whole life

fold into one small envelope of failure.

 

Then one day you hit against the same

impassable wall you always hit and this time you fall

to your knees, not because you are weak,

 

but because at last you are ready to be opened.

Oh sweet failure, how it leads us.

Any unhappy ending is only an invitation

 

to crawl into the blank pages

of the next unwritten chapter.

It was never success that transformed us—

 

always the breaking. Not the breaking itself,

but the mystery inside pushing through us

like bindweed through pavement

 

making cracks in everything

we think we know so that the world

can come streaming in.

 

 

 

 

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The Soul Has Demands

 

with thanks to Mirabai, Lorca and Judyth Hill

 

 

I want my body to fall down

into a heap of sandalwood.

I’ve been made of crystal too long.

 

I have spent too many days

trying to love what I do not love.

I want my body to fall down

 

into a heap of mahogany.

You ask me why. The square root

of negativity is negativity.

 

My prayers want more than

a new language, they want

new lips, a new tongue.

 

Golden ideas hammer

against my facts. Before the moon’s

up, it’s already down.

 

I want my body to fall

into a heap of walnut or cherry.

Carve me into un violencello,

 

un bandalon, un arpa, smooth,

warmed and played

by curious hands into song.

 

The rose says this:

the square root of bliss

is bliss.

 

 

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when I was four or five

and my mom took me

to a home where rhubarb

was growing.

The old woman there

cut the thick red stalks,

peeled back the tough outer skin

and then sprinkled

the naked stem

with sugar. The crystals

stuck to the wetness.

Take a bite, she urged,

my first invitation

to learn how

it takes so little sweetness

sometimes to transform

a sourness into something

we might learn to love.

 

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one lumpy

unripe

quince

turns

to stirring

perfume

given

the chance

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carrying that sled

uphill for so long, I forgot

it was for riding

*

shedding the roof

when the house no longer fits—

now nothing between us and the stars

*

but I miss the weight

say the hands, too free after

setting down the stone chest

*

running full speed

into my own fear, I ricochet

into the arms of god

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for Michelle

On a snowy hill
with the sky soft gray
and the wintering sage
all scrubby and dark
we wandered in circles
around the white knob
and spoke in circles
sage and gray, about
the dark and what is soft,
we were not lost, just
happy to be wandering
inside a snowy afternoon,
we found our own footprints
and stepped in them again,
though already we were not
the same women who’d made them.

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I am perhaps like the fish
who is attracted to the hook,
the thrill of the line—
though barb is sharp,
at least for a moment
I know what it’s like
to fly.

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From across the parking lot
on an early spring afternoon
you see a yellow butterfly

just before it disappears
behind the roof of the grocery store
and I am certain no scientist

could ever prove this, but
in that moment on the pavement
in the swirling chill of breeze

you are somehow saved, though you don’t
have a hint what that might mean, except
that it feels like, at least for that instant,

everything is possible.

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just a hint of pink—
all day I fall in love
with the unfolding

*

it looks like waiting—
betcha the caterpillar
has a different story

*

the heart opens—
but first it erases
its list of shoulds

*

and what is it in us
that keeps opening—in each
blossom the next seed

*

kicking off
its shoes, the heart loves best
barefoot

*

oh foolish woman
who saw a prison here
instead of a playground

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in the rearview mirror
a sunset so extravagant—
I pulled a u-ey
on the main street
and stepped on the gas

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Not once
has the worm
said to the apple
your flesh
does not taste
good enough.
But it is so much
nicer, you don’t
need to be a worm
to understand,
when the fruit
is full of sugar
and the dark,
lonely work
is also sweet.

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