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Archive for December, 2020


 
 
It is late morning
before the sun rises
over these red cliffs,
Golden halos blaze
behind the evergreens.
 
What luck on winter solstice
to watch the sun rise twice—
like getting to fall in love
two times with the same lover.
 
May the sunrise always remind me
to fall in love again with the world.
Every morning may I know the choice
to open the heart and see myself
as the world.
 

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The night is a poem
with verbs of shadow
and nouns of deep,
a poem I never tire
of reading, a poem
that writes itself
into my thoughts,
enters my imagination
like a Trojan Horse—
when its dark ink
overcomes me,
you’d almost think
I was happy
for the ambush,
you’d almost think
I flung wide the gates
on purpose
knowing full well
how the story
would end.

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For hours we focus
on forming what is sweet—
shaping soft dough
with our hands, with a press,
with a rolling pin. And the house
smells of vanilla and cinnamon.
And happy hours disappear into laughter
and the hands find joy
in making something good.

I think of all the other hands
in kitchens across the world—
hands working together
to serve others—
I imagine their fingerprints
right here in this dough.
I imagine us feeding each other.

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Think less: Trust your inner animal.
            —Holiday Mathis, Horoscopes by Holiday, December 19, 2020


It’s the chickadee
that saves me today.
Though the world
gets cold, the chickadee
stays. Despite snow.
Despite frost. Despite
lack of sun,
it doesn’t leave
the winter land.
Oh, tough little bird
who sticks around,
who thrives
in any weather—
whose cheerful tune
spirals like hope
through the frigid
folds of December
as if to say let it come.
I can sing through
anything.
Let it come.

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Monday, December 21, 5 p.m. MST

An online gathering featuring Rosemerry Wahtola Trommer, James Crews & Phyllis Cole-Dai
Tickets: $15 or Pay What You Can
(purchase here)

Want to come but can’t make it? Everyone with a ticket will also get a link to a recording of the event, so you may enjoy the event at your leisure.

Pause with Rosemerry, James and Phyllis around an imaginary fire to mark the shortest day of the year. Through stories, poems, and music we’ll reflect together on this transition between seasons and celebrate the darkness and the coming of the light. The evening will leave you with a renewed sense of purposes and belonging, ready for whatever challenges lie ahead.

Rosemerry Wahtola Trommer co-hosts “Emerging Form” (a podcast on creative process), “Stubborn Praise” (an online poetry reading series with James Crews) and “Secret Agents of Change” (a surreptitious kindness cabal). Her poetry has appeared in O Magazine and Poetry of Presence, on A Prairie Home CompanionPBS Newshour, and her daily poetry blog, A Hundred Falling Veils. Her most recent collection, Hush, won the Halcyon Prize.

James Crews is the author of four full-length collections of poetry, The Book of What Stays, Telling My Father, Bluebird and Every Waking Moment. His poetry appears or is forthcoming in PloughsharesThe New RepublicNew York Times Magazine, and The Sun, among other journals. He is also the editor of the anthologies, Healing the Divide: Poems of Kindness and Connection and How to Love the World: Poems of Gratitude and Hope, forthcoming in April 2021. He lives with his husband in Shaftsbury, Vermont and hosts the bi-monthly show, “Stubborn Praise,” with Rosemerry Wahtola Trommer.

Phyllis Cole-Dai began pecking away on an old manual typewriter in childhood and never stopped. She uses the arts to help heal the divides within our spirits and our communities. She has authored or edited 10 books in multiple genres, including historical fiction, memoir, and poetry. Her latest is For the Sake of One We Love and Are Losing: A Meditative Poem & Journal, a special edition available only on her website (Bell Sound Books, 2020).

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            for Jennifer and Jennifer


And once again I am twenty-four
and I walk out the door
of our master’s exam and meet
my classmates down by the lake
and the day is hot and we drink cold beer
until we think jumping off the end
of the pier is a great idea, so
we kick off our shoes and run fully dressed
to the edge and launch and splash
and swim until we arrive at a party barge
full of men who pull us dripping
and life-giddy into their midst
and we do shots of something
that blissfully burns before laughing we
return to the open lake and side stroke back
to the shore where nothing’s the same
as it was before, though it still looks the same—
metal chairs still orange, our hair still brown,
the humid sky hazy, loud cheers all around—
but our lives will soon hurl us
in different directions—
to lovers and children and unanswerable
questions where the real tests cannot
be studied for with friends, and life’s master’s
degree doesn’t end till life ends, but oh,
for those few moments on the terrace,
soaking and shivering and whooping in glee,
my god, we were free, we were free, we were free.

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Why I Stay Up Late




So gently the darkness
curls around the world,
first dusky, then dim,
then lushly black—
so generous, the way
it thickly spreads
the softest of songs
until silence silks
the empty streets
and velvets the vacant rooms—
even this riotous heart
inclines toward quietude

and whatever part of me
that knows something yawns
and the part of me
who falls in love
with mystery
leans more easily
into the ever-unknown

and I meet the starry
grand embrace,
speck that I am,
and marvel
at my insignificance,
marvel at how enormous
it is, this openness,
this gratitude.

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It’s not forever.
When we fence a tree
down by the river,  
some slender tree
that a beaver could easily
gnaw through, the fence
only stays up until the trunk
grows big and thick,
wide enough to discourage
any who would try take it down.

Just today, I realized I’d built a fence
around me. Noticed it
only because, while routinely
clearing out,
I dismantled the fence
and took it away.
How invisible a wall can be.

What amazed me:
how enormous I’ve become—
vigorous, robust,
sturdy enough not to worry
about little bites.
I remember how, not so long ago,
I was so vulnerable.

You could hug me now,
now that the fence is gone,
though your arms wouldn’t quite reach
all the way around.
Perhaps that’s as it should be.
Part of me belongs to you.
Part of me is still growing
into the world.

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Tonight I read

that Dolly Parton

always wears

high heel shoes

in her kitchen.

“Don’t you?”

she asks.

I don’t.

I wear old brown

wool slippers.

With orthotics.

I try to imagine myself

strutting into the kitchen

before the kids

go to school,

making smoothies

and scrambled eggs

in my yoga pants,

my long gray sweatshirt,

and my four-inch

lucite stilettos.

Click, click, click

go the heels

as I teeter toward

the tea cups.

Click, click, click

as I strut

with paper towels

to the place

where the cat

has retched.

Oh Dolly,

as I slip into

these high-heeled thoughts

I thank you

for dressing up the day.

They two-step

through the morning chores,

while meanwhile

my slippered self

marvels at the fun,

but shrugs—

she’s just so darn grateful

for her arch support,

for the rubber soles

that ground her

as she sweeps

up the crumbs,

as she wipes

the counters clean.

Grateful that when

the high heeled thoughts

start to sing,

they invite her

to sing along.

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Tonight when we light
the third candle,
the candle of joy,
I remember
I am a girl
sitting beside
an evergreen wreath,
giddy with advent,
and I breathe in the scent
of spruce and wax
and fall in love
with the growing
of the light—
how each week
the tapers burn brighter—
and such a surprise
to find I am also
in love with the unlit candle,
in love with the wait,
in love with the part
of me that even
in darkness
knows itself
as flame.

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