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Archive for December, 2020

One Devotion

these darkest days

teach me

the light of you

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Concurrent

On a morning

when the snow

falls and drapes

everything in shine,

it is not that I don’t

feel the wounds—

raw and throbbing—

it’s just that it’s

so beautiful,

this tender world,

that I want

to praise it

forever.

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meeting shame in a back alley

I decide to rename it

good teacher

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Bald Eagle

In less than ten seconds

I fell in love with the eagle

before it rounded the corner

and disappeared.

Sometimes,

it’s easier to love

that which moves quickly

through our lives.

Harder to love

what stays long enough

to disappoint, to hurt, to betray—

harder to feel disenchanted

and love anyway.

I’ve seen an eagle

carry prey that weighs

more than it does.

Makes me want to believe

I, too, can carry more—

like a love bigger than I am.

Like forgiveness beyond

what my thoughts can think.

Like willingness to keep loving

long after I’d rather rest my wings.

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The swirling ash

doesn’t try

to be become

log again.

The flying leaves

don’t attempt

to return

to the tree.

The girl

can’t untwist

her genome

back into

separate strands.

The flour

in the bread

can’t return

to the sack,

can’t undo

the kneading

of hands.

In all things

lives a memory

of letting go

and the chance

to transform

into what

it can’t know.

What do you say

to that, heart?

Good self,

what do you say

to that?

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“We have a lot of things we are in the midst of. What do you think this moment is inviting us to understand? Where would you like to be in spring? Where would you like to see us as a world be?” 

—Kara Johnstad, Voice Rising Host, Om Times Radio

For a sliver

of a moment

I cradled

the whole world

in my thoughts—

every president,

peasant, seamstress,

beggar, businessman,

acrobat, child—

every one of us

a vessel

and I knew

in that instant

the power

of a wish—

as if hope

has a foothold

in reality,

as if a slim glimmer

is inevitable

foreshadowing

of unstoppable radiance.

With quiet clarity

I knew exactly

what I wish

for each of us—

I told her, too—

but I will refrain

from telling you.

Instead, I’ll hand you

the question

so you, too,

might make a wish,

so that you, too,

might glimmer,

might beacon.

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It was so fun conversing with Kara Johnstad on Om Times Radio in her wonderful show Voice Rising. She asked such insightful questions about how poetry might help us meet the world (and ourselves), and I loved the wide-angled lens she uses. We read poems from my latest book, Hush, and talked about daily life/poetry life, yesness, generosity, the gift of constraint, the dance of silence and voice, and the impossibility of writing a poem about ticks.

Here’s the first poem I shared:

Urgency

Again the urge

to bring gauze

to the broken world—

and medicine

and a plaster cast.

Again the urge

to fix things,

to heal them,

to make them right.

Again the chance

to do the work,

which is to look in,

to touch the pain

but not become it,

to see the world

exactly as it is

and still write it

a love letter,

to meet what is cracked

with clarity,

to mirror and grow

whatever beauty

we find.

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Spell for Ending Well

Who’s ever heard

of a silent spell?

Isn’t it supposed to rhyme?

Shouldn’t it contain

the eye of something,

the tail of something else,

some leaves, some poison,

a cauldron, a fire,

and a whole lot of stirring?

But this spell can’t be manufactured.

All it wants is your attention.

All it wants is for you to feel

how it feels to end.

It wants you to lean

into loss and let it do

its slow work on you.

It doesn’t offer a magic word—

no word is magic enough

to do what must be done.

Which is to trust

the vanishing nature of things.

Which is to let the body

grasp and grasp and grasp

until at last it is ready

to release. Any spell

for ending well

knows its own uselessness.

It knows the importance

of silence. It knows

that anyone who would look up

a spell for ending well

already has exactly what they need.

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Endings for Beginners

With a punch line, of course.

Or an invitation.

With a twist. Or a kiss.

Or an unanswerable question.

By circling back to the beginning.

Or with a bang. Or a whimper.

With a call to action.

With a five-course dinner.

With a clincher,

or a cliffhanger,

but not with a preposition.

Endings feel best

when of your own volition.

End with a flourish,

or a touch of cream.

On a high note. With a strong quote.

By making a scene.

End with a period.

Or end with a handshake.

End with an exclamation point.

Or end with heartbreak.

It’s okay to tie,

or to end in a draw,

but don’t end with ellipses

that just make things go on …

and on …

and on.

End in a fiasco.

Or end with a song.

End with a reversal.

End with a bell.

End with a cry

that all is well.

End with purpose

or allegory.

Every bit of our lives

is made of stories,

stories that end

so new stories begin,

so end well, end well.

Then start again.  

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Getting Messy

I like when

your eyes haze

with mystery

so I know myself

more sculpturally

and remember

how to brow,

how to jowl,

how to cheek.

I like when

we lip,

more smear

less line,

when we belief

less tidy,

more smudge

more shine.

I love when we

smile through

shadowy mess—

when we face

less certain,

more suggest.

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A pomegranate, tennis racket,

wide open lily—basically anything

can act as a Trojan horse to get

those old ideas close to me,

and dang, I’m confronted again

with all the ways I’ve let down

the world and all the ways

I could have, I should have

done better. How many times

have I tried to escape these thoughts?

I’ve run mountain races and

written thousands of pages

and wept a spring flood and

confessed and bled and still

they find a way back to me.

Sometimes they come knives drawn,

but more often they come

wearing fluffy robes and slippers,

making themselves at home.

I cornered one today, looked it

right in the eye. What? I said.

What do I have to do?

It shook its head and said,

All I ever wanted

was for you to say thank you.

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End Well

End well, says my friend,

and I think of Beethoven,

how his final symphony

was a triumphant masterpiece,

a unifying ode to joy.

And I think of the time

we ran the Grand Canyon

for weeks and on the last night

we tied the boats together

and floated all night and laughed

and laughed and laughed.

There’s the Rilke poem

about a marble torso

in which he closes with

You must change your life.

And espresso at the end

of a meal, how the dark bitter cup

leaves the mouth

in an warm O of ecstasy.

But it isn’t always easy to end—

saying goodbye to a faraway friend.

Ending a kiss. Leaving the beach.

Turning the last pages of a book.

So I think of the rabbitbrush

that fill the field—how long

they hold their gold. Until

it’s cold and they fade

and it seems like the end—

but then, if I should shovel

across them, or walk through them

in the early snow, oh the perfume

they release then—evergreeen

and earthy, herbaceous and cool.

Sometimes to end well

is to offer more

when it all seems done.

Sometimes to end well

Is to surprise everyone

with one more gift.

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There is treasure in you.

—Joi Sharp

If you were here

I would put my hand

on your heart

and hold it there

until our breaths

became a single tide,

hold it there until

I could feel the moment

when you remember

your infinite value.

It’s so easy to forget

we are treasure.

So easy to lose track

of our own immeasurable worth.

The chest rusts shut.

We think we are empty.

Amazing how easily

we are fooled into believing

we’re paupers.

Sometimes it takes another

to remind us

we have always been

not only the treasure

but also the key.

Though the hinges

are a metaphor,

the treasure is not.

We were made to open,

to share our priceless gift,

to press our hands

to each other’s hearts

and hold them there

until we all remember.

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