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For two hours, I am the woman
who works at the orphanage, the woman
who falls in love with a man from India
who is not who he says he is.
He and I make love for hours beneath a mirror,
twining our limbs in a sea of silk,
and he shows me the pleasure
of losing the stories I’ve told myself
about what is possible with love.
When, after many pages,
we arrive at happily ever after,
I find myself on the couch in my kitchen,
notice my own thick legs curled beneath me,
my own raw heart in my tired chest
doing its faithful work. I’m surprised
to return to my own story:
the woman who is grieving—
the woman alone
in the empty room who listens
for the voice that isn’t there,
who listens for footsteps that do not come.
For the last two hours, I had forgotten her,
had forgotten this woman
whose story I know as my own,
this woman who lost her son.
I had forgotten the ache she carries,
the constant throb. And though it cuts,
though it wounds,
I am so grateful to return to her life,
to her story—the story
of how she gave her everything
to someone she loved,
how she knows he loved her, too.
It’s not a story she had wanted to live,
but now that it’s hers
she would never give up a page
of their story. Not a single word.

*

this poem has been published in ONE ART

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As Francis lay dying
in his humble hut,
he wrote a praise poem
that honored Sister Death.
And when death came
to dance with him,
he did not shun her
nor shame her nor
push her away.
He embraced her
the way he embraced
the sun, the wind,
the water, the air.
He claimed her as family,
as dance partner, guide.
Oh Francis, here
in the hut of my heart
is a wooden box of ashes
about the size of a baby.
I can cradle it, carry it,
sway with it slow
the way I once did
with the boy in the box, now dust,
the boy the coroner
swaddled in white.
I did not want this dance.
I stumble. I trip.
I am awkward, ungainly.
Sister Death is certain, serene.
I would have barred
the doors if I could have, Francis,
but now she walks with me,
sleeps with me, makes
dinner and cleans with me.
There is no locking her out.
She brings me the costliest gifts:
Trust in life. Immeasurable love.
Perfume of the great mystery.
I tell her I’d trade them all back
for my son. She whispers,
Oh, sister. Dance with me.

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Dear friends, 

It has been seven weeks since I sent you a poem–seven weeks since my son chose to take his life. Thank you for all the ways you’ve supported me in this time–prayers, emails, letters, gifts. Though I have been unable to respond to all your kindness with personal notes, please accept my enormous gratitude. Thank you. Thank you for all the love and kindness I have felt surrounding and infusing me–I have never felt alone. I am so grateful for you. 

I think I am ready to continue the daily sharing. We’ll see how it goes. 

with love, 
Rosemerry




Digging Potatoes, 2021



I am not the woman I was
a year ago when my son and I
harvested potatoes. Today
I must look like her—
bare hands in the dirt,
sunhat on. But she did not know
the deep loss of losing a son.
Perhaps she’d imagined it.
That is why she did everything
she could to keep such a loss
from happening. But the woman
I am today knows all too well
what I cannot control.
I plunge my fingers
into the cold earth
and talk to my son
as if he can hear me.
I miss you, I say. And I reminisce
about all the other years
we did this together. I ooh
at the size of the potatoes,
hold them up as if he can see.
What does love care of absence?
Love grows, despite death—
it roots in each cell and insists
on tendrilling, touching everything.
In the middle of the night,
a voice commanded me to remember:
Life needs us to live it.
All day I puzzle over the message.
All day I lean into the words.
I say them out loud as I pull out
potatoes, ask my son what he thinks
it might mean. No reply. He has become
one with life now in a way
I cannot yet understand.
And so I breathe into it, this chapter
of loss, this life needing me to live it.
All around me, inside me,
I notice how so much is changing, notice
in each moment, a new invitation.

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When in Rome




What a loss it would be
to not have born so I
would have missed a
Thursday night like this
in which my son and I
walk the dark streets
in Georgia and watch
the lightning transform
the sky into pink flares
and smell some sweet
unnamable flower and
talk about Dodge Chargers
and knees and roaches—
I swear it has all been
worth it, every second
of fifty-one years, for this
hour in which there
are no bells, no shoulds,
no other tugs except
to take the next step
down the centerline
together
while in the distance,
raps another clap
of thunder.

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I try not to take it personally.
The country is not for everyone—
lazy stream and open field
and airy glades of cottonwood.
I walk out in the dead grass
and realize how much I love
the dead grass. How much
I love the red stained willows,
bright squawk of jay and scent of mud
and lack of pavement, lack of horns,
lack of benches and stores and street lamps.
I prefer the bustle of birds at the feeder
to any human throng.
 
It isn’t wrong for him to love something else,
the heart loves what it loves,
though I long to defend the smooth flat stones,
the hawk that even now circles the field,
the mice making arteries through snow.
I wish he were happy here, says the heart,
unable to reconcile the rift.
Across the river, snow sifts in thin white wisps,
escapes through dark red cliffs.
 

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I had imagined we’d see dozens of meteors

   streaming across the sky, streaking,

      flaming, impossibly bright.

         Instead, I lay on the driveway

between my son and daughter

   and we stared into the night,

      laughing and singing and listening

         to the sound of the earth turning,

the pavement hard beneath us—

   and above us, the whole

      starry firmament unfolding.

         Not one shooting star did we see, no, but oh,

how the milky way swirled all around us,

   our eyes wide open, my heart soaring, swarming,

      a small piece of matter burning up,

         glowing, impossibly bright,

never quite touching the earth.

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While I heat curried asparagus soup,

my husband and son cover garden beds

with thick gray blankets.

I watch them from the kitchen window,

my son now taller than his dad.

How quickly he bolted, bolts still.

I think of the ways

we try to protect what we grow.

The threat of frost is real.

Like the bean sprout that didn’t make it last night,

despite the fact we covered it.

This morning it was waxy, shriveled, dark.

How quickly it died.

But because my husband made row covers,

everything else survived.

I would like to make a row cover

for my son, for the world—something

to protect against what is harshest, most cold.

Instead, I mix lemon juice, yogurt

and chives that we’ll swirl into the soup.

I can fortify him on the inside.

My husband tacks down the cloths

with hammer and nails—I think

of all that will be saved tonight.

We are charged to take care

of each other, the world. Impossible charge.

My son catches my eye and smiles.

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And so I pull the purple comb

through my son’s thick hair,

the same way I’ve seen

the stylists do at Great Clips.

Wet the hair. Comb it through.

Part it. Hold it between

two fingers. Cut vertically. Snip,

and his hair falls to the floor.

Comb it through. Snip. Snip.

 

We both know that I

have no clue what I’m doing.

So we laugh as the hair

piles up on the floor.

We chatter, the way

a stylist and customer would,

talking of school and his friends

and his unruly cowlicks. Snip.

 

I remember that time

I was trapped underwater

by the river’s hydraulics,

how I stared up at the light

shining through the surface

and thought, I don’t think

it’s my time yet to die.

And the river spit me out

and I swam hard as I could

through the rapid toward shore.

 

I don’t think it’s my time yet

to die. Nor my son’s. Though

all around us the news of dying—

the numbers increasing every day,

stories of beloveds who are gone.

 

We ask ourselves, how do we

go on? And meanwhile, we do.

We go on. And because my son’s hair

is too long for his taste,

I learn how to cut it by cutting it.

How much more will we learn

as this goes on? How to share?

How to grieve? How to let go? How to live?

 

And meanwhile, life spits us out

into sunlight, and we come up

spluttering, gasping, surprised

we’re alive, and we swim, what a gift

to find we’re still swimming.

 

 

 

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Quarantine

 

 

This morning, my teenage boy and I

sit quiet on the couch. He does not move

to pick up his phone. I do not rise to work

or rush to make a meal. We sit, leaning

the trunks of our bodies into each other.

We do not say much. I close my eyes

and cherish his sapling weight.

There are so few people I dare now hug—

our hands, our bodies dangerous—

but here in this house so still I can almost

hear him growing, here in these minutes

that fell off the clock, here I remember

how surely we baptize each other with touch.

Such simple blessing. Silence. The metronome

of breath. The leaning in. Infectious love.

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Allspice. Basil. Bay. Caraway. There were mornings

my boy and I spent on the floor pulling herbs and spices

from the drawer. We’d open the jars and close our eyes

and gently sniff. Cardamom. Cilantro. Cinnamon. Dill.

I took out the cayenne and red pepper flakes

and put them up high on an uppermost shelf.

Some agonies are easy to prevent.

We focused on Fennel. Fenugreek. Mint.

 

Today, he comes home having breathed in deeply

the scent of heartbreak, a jar I would have hidden if I could,

but all of us know it eventually, feel the burn, the inner sear.

Beyond safety, thyme, turmeric, there is fire, and once inhaled,

it hurts everywhere. Eventually we respect the heat as a gift.

Eventually the heart learns to walk through it.

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