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Posts Tagged ‘words’


 
Listen with the ear of your heart.
from the Prologue to the Rule of Saint Benedict
 
Because words can be rubber bullets,
can be pepper spray, can be cuffs.
Scared, my ears become rabbits
that burrow and hide. Angry,
my ears become stone gates
that refuse to let anything in.
It’s so painful to hear
the rhetoric of hate. Burns
like tear gas. Stuns and disorients
like flash-bang grenades.
No part of me then can believe
there is a sliver of divinity in you
that I want or need to listen to.
It is so hard to listen.
What if we do not listen?
I want to train my ears to hear
beneath the invective. Want
to listen beneath the attack.
What if I could hear the human
in you and not only the weapons
of your words? What if you could hear
the human in me and find a piece
of yourself? What if we left all our mouths
at home and let only our ears
gather in the streets?
Would we hear, then, the sounds
of each other’s breath, proof
of our mutual humanness?
What peace might arrive for a moment
if we listened, all of us miracles,
softening into that generous silence,
listening with the ears of our hearts
as the cold wind swirls all around?

*after reading “My Mouth (An Apology)” by Tom Holmes

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                  for Laure-Anne Bosselaar
 
 
If I can’t love all of it, I can at least love
what is good in this moment—
these three fresh-cut roses on the table
in a small clear vase, their fragrance
mingling with the scent of lemon blossoms
that arrives through the open French windows.
This moment with its wall full of poetry books
and their welcoming spines.
This moment in a spacious room
with white couches and white curtains
and a white quilt on a king-sized bed.
I can love this place I have been lucky enough’
to land for one night,
this place with its jacaranda tree visited
by a peregrine falcon each morning,
this place steeped in the musings
of Hoagland and Lux, this place
with three fresh lemons set beside my backpack
that I will take home with me and slice
into my water glass. And I believe
I will love that moment, too,
when I taste the sharp sweetness
and look back on this moment
when I feel so cared for, so carried
by a woman who wrapped her arms
around me tonight and said she was glad
we were together. We said the word glad again
and again, as if a word could somehow
contain all this goodness,
which of course, it didn’t, no,
in fact, it amplified all this good
until, like a lemon tree bowing to the weight
of its own abundance, I too felt like bowing
to every little thing saying glad, glad, glad.
 

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Puhpowee

—etymology from Braiding Sweetgrass by Robin Wall Kimmerer
 
 
In Anishinaabe, there’s a word
for “the force which causes mushrooms
to push up from the earth overnight,”
and I wonder if it’s the same force
that changes the grapes into wine,
 
that turns an acquaintance into a beloved,
that gathers a handful of notes from a scale
and constellates them
into a tune that scores our lives.
What is the force that moves through us,
 
that charges the world with becoming?
As much as I love the naming of it,
I love, too, the mystery,
the unspeakable wonder of it,
how the brain is humbled into blathering,
 
I love the bumbling that happens when our logic
tries to explain the miracle, and the heart
becomes like a blonde morel
that rises up through rocks, through duff.
It says nothing, but oh, how it feels the force.

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The sound of your voice
enters me and becomes me—
becomes synapse, becomes pulse,
becomes blood, becomes breath.
And in this way, the more I listen to you,
the more I become you.
It is no small thing to converse.
Sometimes I swim in the wild honey
of your words. Sometimes I break
on their jagged shores.
Some words become pillars that hold up
what is possible.
Others are wrecking balls
that turn to rubble all I thought I knew.
How fleeting it is, any grasp
of who we are. This is why,
hour after month after year
I welcome your words—
I like what they do.
Even when they are not easy to hear,
I love who I become
when I listen to you.

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            for Jane Hilberry
 
 
That is when I arrive at the home
of my college literature professor.
She welcomes me in and serves me fennel tea—
slightly bitter, slightly sweet—
and amidst talk of art and anxiety,
vulnerability and the longing
for a teacher who will stretch us,
she serves me hummus, thin slices of cucumber,
olives and plump green grapes.
She recites by heart a poem about Love
inviting in someone who feels unworthy.
 
And the table where we sit becomes Love’s table,
and oh, sweet alchemy of syllable and silence,
I’m opened by words written centuries ago.
They slip in my cells and warm me, transform me.
I dog-ear the moment so I can return
when I again forget what words can do.

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I close my eyes
as if the truth might rise
from the dark
the way leaves
of water lilies
float greenly at the edge
of two worlds.
When the words do come,
I taste shine in them.
Now I don’t want to speak
in any language
that doesn’t open like lilies,
nourished by depths,
encouraged by light.

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Freedom Night

All those words
I was afraid to say,
I gave them wings—
dark ink black wings—
and watched them
fly away, watched them
dive and circle,
swoop and soar,
enchanted by their flight.
The cage of shame
I’d kept them in,
it disappeared,
till all that was left
in me was sky.


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Hurkle-durkle

(v.) to lie in bed for a long time, to lounge around


When the eyes decide
to stay closed.
Though it’s light.
Though dark tea
and blue skies await.
Though there’s music to hear
and books to read,
and sugar peas fresh on the vine,
still the eyes decide
to be closed is divine.
And then there’s the warmth
of the bed, the perfect
weight of soft sheets,
the way the blood
has transformed into honey
and the limbs now curl
so perfectly into the perfectly
sleep-drunk, ease-heavy body.
When there’s work and a host
of sparkling to-dos,
but all the eyes want
is to stay closed,
to sail on the sweet ship
of near-sleep just a few,
just a few more,
just a few …

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for Elizabeth Plamondon Cutler


There is no evidence, says Quora,
that permissioning is a real word.
But last weekend, when a real woman
used permissioning as a real word
to talk about a real practice
of supporting other women
to be their most magnificent selves,
I felt my whole body tingle
with the realness of it.
Permissioning.
I had not known how deeply
I wanted this word,
especially the way she said it
as if it were commonplace,
a word as pedestrian
as gift or yes or powerful or true,
the kind of word you could toss out
on a ski trail as if it were as obvious
as snow in winter,
as clear as a Colorado sky,
that we are here to permission each other
to be influential, to be honest,
to be real as trees, real as change,
real as our dreams, our hands,
our fears, real as the words we dare
to speak with our very real voices.

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Kalsarikännit

            Finnish: The feeling when you are going to get drunk home alone in your underwear—with no intention of going out. (pronounced CAHL-sahr-ree-CAN-neet)



Let’s say a woman worked in the garden all day
pulling up old kale and bolted chard and harvesting
potatoes and garlic and onions, and let’s say
her whole evening plan is to stay home
and shower and not get dressed,
and sip on a glass of wine, or whiskey
until she is sweetly light-headed,
well, wouldn’t it be lovely if there were a word
to describe her aspirations? A word
she could write in her calendar to be sure
no other loud plans swooped in. A word
she could say if her friends called and asked
what was happening tonight. And if
no one should call, she could say it to herself
for the joy of saying it—Kalsarikännit—
as she toasted the air, clinking her glass
against all that isn’t there.
And the wind on her skin, so brisk.
And the wine, so heady, so dry.

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