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Archive for November, 2022

Ode to the Echo


Sister of silence, you give back to the world
the shadow of every sound you are given.
You reshape the air to unsharpen the shout.
You unshrill the scream until it’s quieter,
quieter,
then nothing at all.
There is no sound so harsh you can’t soften it.
And come song? You re-sing the melody
so beauty will linger like the rich shimmer inside a gong.
Not once have you said your own words.
Not once have you intoned your own tune.
Not once have you heard your own voice
or spoken your own truth.
Not once have you lied.
Not once have you made a promise
you could not keep.   
Sometimes, when I am brave,
I try to echo you, which is to say
I let silence enter my inner walls,
where it bounces in me like sound in a cave
until all I hear is the resonant repeat
of the most ancient of languages you speak—
silence, silence, silence.
There is no part of me uneroded,
no part your waves don’t touch.

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Exemplar




It hides in the rafters,
this tightly woven nest of grass,
brown and humble,
lined with mud.
I would like to hold
this messy vessel in my hands,
as if to hold is understand.
I would like to know
what the nest knows—
how to hold what is fragile,
how to keep life safe,
how it is to be made to be useful,
how it is to be made to be left.
How beautiful it can be
to hold emptiness.

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In the woods, in the dark
we stood amidst old gravestones,
their engravings mostly scrubbed by time.
And Jon played gong,
Robin played chimes
and Evie played bass recorder.
And Owl read of the wood,
Melissa spoke of good life
and I hummed and played the breath.
We spoke the names
of our beloveds who have left.
Some names were spoken
only in silence.
The half-moon joined our circle,
as if it, too, knew something
of loss. As if it were showing us
that sometimes what appears to be gone
is simply unseen.
We walked home in that half light.

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Change in Perspective


 
 
Everything is made of simple forms,
said the art teacher—
a car, the body, everything.
And for the first time in my life,
I saw myself as an assemblage
of cylinders, spheres, cubes and cones.
It was thrilling, after fifty-three years,
to break down the body this way—
to see my fingers as stems,
my cheekbones as grapes,
my calves as long pinecones.
And for a moment, it all seemed so simple.
I am a constellation of forms that moves
through a larger constellation of forms.
For a moment, I didn’t think of the shapelessness
of ashes that conform to the cube of a box.
For a moment, I knew that wetness
falling from my eyes as just another sphere.
 

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On Halloween




I wake up as myself, but by 8:15 a.m.,
I am wearing a long black dress and long black gloves,
strings of pearls and my long brown hair piled high.
Once again, I am Holly Golightly, spontaneous and flirty,
eccentric and ambitious. How easily I slip into her world.
How quickly I start calling everyone darling.
How instantly I feel doe-eyed and feminine.
Though I am graying. Though I am no longer reed-like
or innocent. Though in real life I only wear yoga pants
and no one would call me glamorous.
How is it that forty years after I first met her
in Breakfast at Tiffany’s, I still fall in love with her?
Confident, yet fragile. Elegant, yet humble.
I balance my long black cigarette holder in my hand
and take a long drag of the fake cigarette—
but it’s life I’m pulling deep into my lungs
getting buzzed on blue sky and white snow.
By noon, I have no idea who I am.
By midnight, though I am in yoga pants again,
the credits have yet to roll.

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