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Posts Tagged ‘bird’




Just after sunrise,
I hear it, the bright airy trill
of the red-winged blackbird—
and before my eyes
are even open,
I feel a wild resonance
with the waking world,
the certainty I belong
to this day with its rising sun
and scent of green grass,
its breeze reaching in
through the screens;
I belong to this day
with my creature heart
that already this morning
longs to hold what it cannot,
longs to comfort others,
even knowing how
sorrow must be felt.
I belong to the song
of the red-winged blackbird
as it calls out again,
belong to the silence
as he waits for an answer.
And waits. And waits.
I belong to the spring
every bit as much
as I belong to winter.
This is perhaps
the conundrum of love,
no matter how strong the ache,
we still belong
to the world of beauty,
this world that calls to us
even in our sleep,
wakes us with a promise
strung like audible garland
across the dawn—
you belong, you belong.

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Evolution




There comes a time when
the life you have
meets the life you once had
and you stare at that old life
as if it’s a beautiful bird
with a haunting song so familiar
you can’t stop yourself
from singing along.
Isn’t it strange
how quickly things change,
how already you’ve forgotten
some of the words.
How already, your wings
have changed color.

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This Season


 
 
It is true, every day
brings a sadness—
sometimes like a blizzard,
sometimes like sleet,
sometimes like a clear morning
of fifteen below,
but I do not wish any of it away.
 
On the coldest mornings here,
the birds that choose to stay
fluff up their feathers
to trap in the chill air,
warming it with their own bodies
until it becomes their insulation.
 
This is, perhaps, how it is with grief—
by holding it close,
it transforms from something
that would hurt me
to something I infuse
with my own being,
thus becoming something
that allows me to survive.
 
It would be wrong
to say I like it. But I hear
how, with every day,
it is teaching me
a new way to sing.

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It’s Christmas and the yard,
grassy again from unseasonal rain,
is abloom with dozens of robins—
robins flitting and bobbing
and weaving unpredictable paths
with their dark gray wings.
They seem harbingers
of an unexpected spring,
as if life is asking them to be more alive
just when it seems as if
everything is dead.
How could I be more alive?
I love that these birds know
how to survive—love that
come winter, they flock.
Because more eyes means
more chances to spot food.
Because more eyes means
fewer chances to become food themselves.
I, too, have been flocking
this winter—surrounding myself
with other eyes, other hearts,
other wings, other minds.
It feels good to be one of many,
to trust my kind. It feels good
to fly together for this
tenderest time. The truth is,
it isn’t easy. The truth is,
we were made for this.

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Becoming the Bird




Once on a bridge
I had met a hope,
a radiant maybe,
a glint of perhaps,
but I am so far
from that glint today
that when I stand
again on that bridge
I almost hate hope
with its stupid wings,
always promising
to carry us toward
something better.
I stand on that bridge
and stand on that bridge,
my inner perch
empty, silent.
I turn to face
the autumn wind.
It batters my bare skin. 
I sing full-throat into the gale.
 




*This poem is in conversation with Emily Dickinson’s famous poem, “Hope is the thing with feathers …” which you can find here

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Morning Encouragement




I would like to be a kingfisher—
just for a morning.
I’d arrive at the edge of the pond
with the other kingfishers
and watch for crawdads.
“Catchin’ any?” I’d say
to the birds on my right.
“Nah,” they’d say,
“But we keep trying.”
“Good luck,” I’d say,
as took my own spot
in the branches,
waiting for the pond to still
so I could see the movement
at the bottom.
“Good luck,” they’d squawk back,
then they’d rattle with laughter
when at last I broke the pond surface
and came up, beak empty.
“Tough day at the pond,”
they’d rib. And I’d laugh, too.
Then we’d dive and dive and dive.
So often I come up empty.
How is it I sometimes forget to laugh?
But that morning,
every now and then,
one bird would get lucky.
“Your turn next,” she’d say,
her mouth full of shell.
And I’d laugh at how unglamorous
success can be. How crunchy.
All morning we’d go on like this,
diving and missing
and crunching and missing
and laughing and missing
so that by noon
when I was human again,
when I came up empty as I often do—
hungry for love, or eloquence or purpose—
I’d say to myself, “try again, darlin,”
and I’d try again, then break out
into a laughter wildly true,
the world rippling around me
like a pond that I trust
will eventually still.

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for Paul Fericano and so many others


I turn first to the chapter
on techniques for broken wings.
I learn of contour splints and anchor tape
and reasons why most broken wings
should not be completely immobilized.

I am not so unlike an injured bird.
Struck down by grief, I too, am unable to fly.
Even walking, I find I’m off balance.
I’m best treated without an audience.
I heal best with absolute calm.

I was unsure at first why my friend
would have sent me—along with tea,
chocolate, crackers and sweet biscuits—
a book on “kitchen healing:”
how to treat injured wildlife at home.

But there beneath the image
of a simple wing break, I read,
a sentence like a prophecy:
“Nature starts the healing process
almost as soon as the injury occurs.”

And I feel, to my surprise,
the tender places where the bones
of my wings no longer protrude.
And though my joints are rigid,
with supports, I’m recovering.

And I am thankful for all the hands of friends—
unskilled, untrained, yet willing to try.
Hands that send letters and blankets
and feathers and books. Calm hands
that help heal these fractures until I can fly.


*Quote from Care of the Wild Feathered & Furred: A Guide to Wildlife Handling & Care by Mae Hickman and Maxine Guy (Unity Press, 1973)

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At the Houston Zoo



Not the chuckwalla
nor the cheetah nor the capybara,
it was the pigeon
I couldn’t stop watching
as it sat on its nest
in the tall sturdy grass
beside the glassed-in walls
of the chimpanzees
with its fluffy grey chicks
tucked against its grey breast.
She looked as if she belonged
exactly where she was—oh
how I cherish that feeling.

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Certainty is a frigatebird,
able to soar on the wind for weeks,
its nest a distant thing.
Is it wrong to say I admire it,
sleek and raven feathered,
how it dives from the sky
with exquisite precision,
how it steals what it wants
with no regard for what’s fair.
I have wanted to be that certain,
wanted to take, wanted to believe
my hunger is all that matters.
Is it wrong to notice these thoughts,
to give voice to their midnight wings?
I say I trust what I don’t know.
Meanwhile, I flirt with certainty.
It whispers to me,
I’m the other truest thing.

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on the way to the graveyard
taking a few detours through spring—
trill of red wing blackbirds

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On a Full Moon Night




The three-note song of the owl
opens the night
with a single repeated note.
Hoo hoo hoo.

Listening for the song again,
I find myself opening to silence.
Then there it is:
Hoo hoo hoo.

Scientists say
the owl is sending a message:
This is mine,
my territory, my space.
But instead of being repelled,
I’m pulled in.

I sing back to the owl
three resonant notes.
Hoo hoo hoo.
Not to stake my territory.
More out of admiration
for the power of a simple song.

It teaches me to trust
what is artless,
how sometimes simplicity
is what allows others, like me,
to sing along.

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Sometimes I want to be anywhere but here,
but today, I let myself feel it all.

I go to the river covered in ice,
and move along the bank until

I find the open places where the dark-feathered ouzel
chooses to submerge in the cold, cold water—

It doesn’t hesitate to plunge into frigid depths.
It knows it was made for this.

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No French hens, but
the Stellar’s jays arrived
at the feeder as always
in a squawk of bright blue,
inquisitive, cocking
their crested heads
and letting their dark eyes
take in everything.
Everything, no matter
how dingy, how small, is worthy
of their attention,
even the black seed, even
the wind, even the bark,
even this woman standing
in the snow, listening.
 

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Think less: Trust your inner animal.
            —Holiday Mathis, Horoscopes by Holiday, December 19, 2020


It’s the chickadee
that saves me today.
Though the world
gets cold, the chickadee
stays. Despite snow.
Despite frost. Despite
lack of sun,
it doesn’t leave
the winter land.
Oh, tough little bird
who sticks around,
who thrives
in any weather—
whose cheerful tune
spirals like hope
through the frigid
folds of December
as if to say let it come.
I can sing through
anything.
Let it come.

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Getting Ready

What might you need to let go of or “clean out” in order to make room for wonder or joy?

—Kayleen Asbo, Advent and the Arts: The Week of Hope

Just today I walked

in the shadows

and noticed how

they scrubbed me

the way silence sometimes

scrubs a room.

Wonder rushed in.

It wasn’t that I was trying

to keep wonder out,

it’s just that with my schedule

and rigor, I hadn’t left it

space to enter.

If only with mop

and broom I could sweep

out anything

that would keep me

from wonder, from joy.

Instead, the world offers

shadow, stillness,

quietude, loss,

and a red-tailed hawk

in the heart,

circling, circling,

wondering what

it might subtract next.

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IMG_6144

 

 

Today I take the courage I don’t feel

and the resilience I doubt and

all my unspent longing to serve,

and I bring them, cupped in my hands,

to the garden. They nestle there in my palms

like three baby birds that have not yet

opened their eyes. I take them to hear

the pungent song of the garlic shoots

and the thriving chives who chant

how to survive the winter.

I bring them to hear the strawberry leaves

who sing how to flourish despite the frost.

and the old song of chicken manure

and composted grass that hum about

how old life begets new life.

And they open their tiny beaks,

as if they could eat the green song.

How vulnerable they are.

So I open to the song, too.

I do what must be done.

I take in the nourishing song,

and feed them with my own mouth.

 

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IMG_5973

 

 

Even as the snow was falling,

the birds in the branches

kept singing into morning,

easing their bright notes

into the thin gray spaces

between snowflakes.

 

There are days, imagine,

when the birds go unheard.

And it isn’t for lack of song—

the single note chirp

of sparrow, the bass of raven,

the chickadee’s hey swee-tee.

 

Some gifts come only

when we stay in one place,

come only when we are alone,

come only when we stop praying

to be somewhere else and instead

pray to be here.

 

 

 

 

 

 

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And while I am at it, I should like to send you

a postcard from the shores of my body,

wish you were here, it is warm and there

are so many places for us to explore

together—but even as I write these words

the letters grow ink dark wings and fly

over the sea, a colony of cormorants,

silent as they soar, and I a beach with no footprints,

the waves lapping, everywhere the scent, the sting of salt.

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And so, although

there’s so much

work to do,

I step outside

and let February

have its way

with me—cold,

dusted with snow.

Hard to believe

anything can grow.

But singing high

in cottonwood trees

are the chickadees.

 

It’s not hard

to think, This

is the most

important thing I

can do today.

I think it

until I forget

to think it,

until I am

simply standing there

in winter air

pledging my ears

to the sound

of the birds—

 

such a simple

song. Funny no

part of me

longs for other

work. Funny how

soon it becomes

everything.

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The pelican dives

into the water,

rises again. Hovers.

Dives. Rises.

Each time, the water is quick

to forget the intrusion

loses its ripples,

stills. A thought

is a kind of a pelican.

A woman is a kind

of a bay. The pelicans

will always dive.

The bay will always

return to stillness.

A woman might

learn to live this way.

 

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