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Archive for July, 2022




There is a secret music
that hides inside each yes.
At first we think we know
the tune. Heck, we might
even think we wrote it.
But soon, after yessing,
we learn there is a much
grander score than we ever
might have guessed,
and now we hear how
just one yes,
plucked like a string,
creates harmonies
and dissonances
and asks us to listen again,
not for what we think we hear,
but for everything else—
the soundtrack of the infinite after,
Perhaps you notice it, too,
how the masterpiece
needs you. How each note
informs the song forever.

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The whole time I drove the three-hundred thirteen miles
and thirty-five years back in time,
wondering why I was doing it,
I could not have pictured who I would meet:
one friend now career military
and a yoga instructor.
Another who owned a non-toxic sex toy store
and became a therapist.
Another who is sober but sells margaritas in Vegas.
A long-haired man who had a kundalini awakening.
And a long-haired woman who looks exactly like me,
who once lived in this town and took school so seriously
and sang in the choir and acted in plays
and picked up every lucky penny she ever found
and kept them in her shoes
like a portable bank of good fortune.
I was most surprised,
perhaps, to meet her again.
Not that I don’t remember how awkward she was,
how she didn’t fit in. Even tonight,
I watch with amusement
as she stands at the edge of the crowd.
It is easy to be gentle with her,
to love her now in a way I couldn’t
have loved her then.
Perhaps because now I know
being nerdy will save her,
and it will not matter at all in thirty-five years
that she was not invited to parties.
Look at her tonight, laughing with people
who barely spoke to her all those years ago.
Look at her, hugging her friend as he tells her
how he felt so bullied back then and was sure
the whole school was against him.
How little she knew of his world.
How little she knew of her own.
I would like to get to know her better
as I drive with her back home.
 

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Night Walk


            for Lara and the Dark


Some conversations prefer the dark,
so, long after sundown we walk
in the nearby field
where a wide path’s been cut
through tall grass gone to seed
and there’s just enough starlight
to make out the twin dirt ruts
where we can walk side by side.
I love conversing this way,
when the dark is less a setting
and more a partner in conversation—
as if nothing we say
could ever make it stop holding us,
as if it will listen for as long as we speak,
as if it will fill in any gaps
with its own simple syntax
of infinite ink. And so we walk,
you, me, and the gentle dark.
When we finally return to the light-warm home,
a little midnight comes in with us
and joins us for sleepytime tea.
It seems to know not even a whisper is needed,
just the certainty that we are being heard,
truly heard, the way
only an old best friend can listen,
and there’s nothing we can’t say.

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Coursing


 
 
Once love was tsunami,
a great wave of love
that crashed into me,
and though I was pulled under
and held there,
somehow I did not drown.
 
Once love was the buzz of a red laser,
precise and powerful.
It focused on my heart
and rewrote me, cell by cell.
 
Now, I put an ear to the wall of my heart
and I hear the steady thrum of love,
how it moves in me
the way a river never stops singing in its bed,
the way stars naturally resonate,
albeit at frequencies too low to hear,
but that doesn’t mean
they are not making music.
 
Perhaps I needed the crashing,
the buzzing, the proof.
Now, I trust the love that courses there.
I trust love’s constant hymn.
I do not know how it works,
but I trust I will be sung.  

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The Unheard




I do not hear his shrieks of laughter
escaping from his room.
I don’t hear his hand beating time against the table.
I don’t hear the luff of his breath
as I stand beside him while he sleeps.
I don’t hear the fear in his voice
when he begs me, please mom, please.

I hear the rain on the rooftop,
a morse code of love I don’t know how to translate
except in shades of green.
I hear cars on the highway,
and remember life is moving.
I hear the whir of the hummingbird wings
and the black notes of crows
and the silence where the boy
no longer grows.

If you ask me do I hear his voice,
I would tell you no.
But that is only partly true.
I do not hear his voice in words.
I don’t hear it the way perhaps I wish to.
But I hear him inside me, not a whisper,
but a voice that sounds startlingly like my own,
a voice that sounds like rain on the roof,
like cars on the highway, like hummingbird wings,
like crows, like the silence
where my love for the boy still grows.

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One Small Act


after watching hundreds killed in the thriller
I find a spider in my bathroom—
so gently I deliver it outside

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Oh Vincent,

There is in my heart
a small yellow room
with a small wooden table
with a dull yellow cloth
and a rounded clay vase
with your name scrawled in blue,
and it’s bursting with sunflowers,
all of them open, all of them turning,
turning toward the light,
which is to say the flowers face every which way.
There is light everywhere we dare to turn.

Consider this a love letter, Vincent,
a letter sent back in time,
a letter that impossibly arrives
just when you despair,
just when you believe no one cares about your art,
the letter that reaches you to say you are loved
in that exact moment you feel unlovable.

Let this be the letter in which you see
the sunflowers you sowed a hundred thirty years ago
have re-seeded themselves in me
and now grow rampant in my days,
golden petalled and flagrantly lovely.
And your stars, swirling, your wheat fields goldening,
your cypress reaching, your church bells unsinging,
you will find them all my words.

This is how love replants itself—
more love, old friend, more love.
Because you were so truly you,
so full of hope, so full of fear,
because you risked your everything,
I, too, will risk, will dare.

Consider this a love letter, Vincent,
the one that helps you see
how your life is linked to eternity.
Let this be a letter that says thank you, Vincent,
for teaching us new ways to see beauty.

Perhaps this letter will arrive
when you are in the yellow room,
or perhaps the asylum, perhaps in Neuwen,
and you, surprised to find it addressed to you,
will receive it and let the words in,
then hear your own startled voice saying,
It matters? as you pick up your brush
and begin again.  

*

My dear friend composer/pianist/historian Kayleen Asbo and I want to offer you the video recording of our hour-long conversation about Vincent Van Gogh, loss and The Art of Creative Collaboration– click here.This project has been such an important part for each of us in holding on to hope and beauty during a dark and challenging time. If it speaks to a part of your own aching soul and you want to share it, you have our blessing to forward it to whomever you wish.

If you want to offer a donation in support of our work so that we can professionally record our project in both audio and video format, click here for our Go Fund Me account. And we have an anonymous donor who will match all funds donated before July 30! 

If you want to engage in the full collaboration–Vincent’s paintings, Kayleen’s music, and my poems–I hope you will join us in “Love Letters to Vincent” on July 29, the day Vincent died, at 11 a.m. mountain time. We will present the entire collaboration, sending love letters back in time to honor this man who changed the way we see beauty. There will also be a chance to participate in a group creative activity, responding to his work, creating a giant love letter for Vincent. Sliding scale. It will be recorded and sent to all who register.

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inspired by “The Starry Night” by Vincent van Gogh and the piano composition by Kayleen Asbo by the same name

Anything will give up its secrets if you love it enough.
―George Washington Carver


You teach us how to meet the night,
the quiet shadowed pools of night,
the night outside the glow of home,
the night beyond the sleep-warm bed.

You teach us how to fall in love with night,
the violet night, deep fields of night,
the swirling, churning curves of night,
the whirling, sweeping waves of night—

and oh the stars in their spiraling
you share their gold and pink and green,
a twinkling, a burst of shine,
a firmament in which to dream—

but there’s no way to see stars
if you don’t first befriend the dark.
You teach us how to love the dark,
the verdant, fertile wholesome dark.

Oh, to love what frightens us—
to meet dark with curiousness,
Though it’s mighty, tumultuous,
you teach us the dark is generous.

Vincent, you didn’t paint your asylum’s window bars.
You showed us only night. And stars.

*

My dear friend composer/pianist/historian Kayleen Asbo and I want to offer you the video recording of our hour-long conversation about Vincent Van Gogh, loss and The Art of Creative Collaboration– click here.This project has been such an important part for each of us in holding on to hope and beauty during a dark and challenging time. If it speaks to a part of your own aching soul and you want to share it, you have our blessing to forward it to whomever you wish.

If you want to offer a donation in support of our work so that we can professionally record our project in both audio and video format, click here for our Go Fund Me account. And we have an anonymous donor who will match all funds donated before July 30! 

If you want to engage in the full collaboration–Vincent’s paintings, Kayleen’s music, and my poems–I hope you will join us in “Love Letters to Vincent” on July 29, the day Vincent died, at 11 a.m. mountain time. We will present the entire collaboration, sending love letters back in time to honor this man who changed the way we see beauty. There will also be a chance to participate in a group creative activity, responding to his work, creating a giant love letter for Vincent. Sliding scale. It will be recorded and sent to all who register.

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Crickets




When they sing
it is a kind of love,
a pure-toned,
full-bodied ringing
born of friction.
You could say
it’s just a wingstroke
that makes a pulse of sound
that joins with all
the other pulses
to form a river of music,
and you would be right.
But there are many ways
to face the dark.
One is to hide.
One is to prowl.
One is to bring
the bright music
of your body
and offer it
to the night.

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each line taken separately from his letters or speech
 inspired by his unfinished painting “Tree Roots,” which was first hung upside down,
and by Kayleen Asbo’s piano composition “Roots”

you will find beauty everywhere,
the root of everything—
and the sadness will last forever

*

the sadness will last forever,
the root of everything—
and you will find beauty everywhere

*

My dear friend composer/pianist/historian Kayleen Asbo and I want to offer you the video recording of our hour-long conversation about Vincent Van Gogh, loss and The Art of Creative Collaboration– click here.This project has been such an important part for each of us in holding on to hope and beauty during a dark and challenging time. If it speaks to a part of your own aching soul and you want to share it, you have our blessing to forward it to whomever you wish.

If you want to offer a donation in support of our work so that we can professionally record our project in both audio and video format, click here for our Go Fund Me account. And we have an anonymous donor who will match all funds donated before July 30! 

If you want to engage in the full collaboration–Vincent’s paintings, Kayleen’s music, and my poems–I hope you will join us in “Love Letters to Vincent” on July 29, the day Vincent died, at 11 a.m. mountain time. We will present the entire collaboration, sending love letters back in time to honor this man who changed the way we see beauty. There will also be a chance to participate in a group creative activity, responding to his work, creating a giant love letter for Vincent. Sliding scale. It will be recorded and sent to all who register.

Read Full Post »

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