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Posts Tagged ‘love’

Coursing


 
 
Once love was tsunami,
a great wave of love
that crashed into me,
and though I was pulled under
and held there,
somehow I did not drown.
 
Once love was the buzz of a red laser,
precise and powerful.
It focused on my heart
and rewrote me, cell by cell.
 
Now, I put an ear to the wall of my heart
and I hear the steady thrum of love,
how it moves in me
the way a river never stops singing in its bed,
the way stars naturally resonate,
albeit at frequencies too low to hear,
but that doesn’t mean
they are not making music.
 
Perhaps I needed the crashing,
the buzzing, the proof.
Now, I trust the love that courses there.
I trust love’s constant hymn.
I do not know how it works,
but I trust I will be sung.  

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The Unheard




I do not hear his shrieks of laughter
escaping from his room.
I don’t hear his hand beating time against the table.
I don’t hear the luff of his breath
as I stand beside him while he sleeps.
I don’t hear the fear in his voice
when he begs me, please mom, please.

I hear the rain on the rooftop,
a morse code of love I don’t know how to translate
except in shades of green.
I hear cars on the highway,
and remember life is moving.
I hear the whir of the hummingbird wings
and the black notes of crows
and the silence where the boy
no longer grows.

If you ask me do I hear his voice,
I would tell you no.
But that is only partly true.
I do not hear his voice in words.
I don’t hear it the way perhaps I wish to.
But I hear him inside me, not a whisper,
but a voice that sounds startlingly like my own,
a voice that sounds like rain on the roof,
like cars on the highway, like hummingbird wings,
like crows, like the silence
where my love for the boy still grows.

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inspired by “The Starry Night” by Vincent van Gogh and the piano composition by Kayleen Asbo by the same name

Anything will give up its secrets if you love it enough.
―George Washington Carver


You teach us how to meet the night,
the quiet shadowed pools of night,
the night outside the glow of home,
the night beyond the sleep-warm bed.

You teach us how to fall in love with night,
the violet night, deep fields of night,
the swirling, churning curves of night,
the whirling, sweeping waves of night—

and oh the stars in their spiraling
you share their gold and pink and green,
a twinkling, a burst of shine,
a firmament in which to dream—

but there’s no way to see stars
if you don’t first befriend the dark.
You teach us how to love the dark,
the verdant, fertile wholesome dark.

Oh, to love what frightens us—
to meet dark with curiousness,
Though it’s mighty, tumultuous,
you teach us the dark is generous.

Vincent, you didn’t paint your asylum’s window bars.
You showed us only night. And stars.

*

My dear friend composer/pianist/historian Kayleen Asbo and I want to offer you the video recording of our hour-long conversation about Vincent Van Gogh, loss and The Art of Creative Collaboration– click here.This project has been such an important part for each of us in holding on to hope and beauty during a dark and challenging time. If it speaks to a part of your own aching soul and you want to share it, you have our blessing to forward it to whomever you wish.

If you want to offer a donation in support of our work so that we can professionally record our project in both audio and video format, click here for our Go Fund Me account. And we have an anonymous donor who will match all funds donated before July 30! 

If you want to engage in the full collaboration–Vincent’s paintings, Kayleen’s music, and my poems–I hope you will join us in “Love Letters to Vincent” on July 29, the day Vincent died, at 11 a.m. mountain time. We will present the entire collaboration, sending love letters back in time to honor this man who changed the way we see beauty. There will also be a chance to participate in a group creative activity, responding to his work, creating a giant love letter for Vincent. Sliding scale. It will be recorded and sent to all who register.

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Crickets




When they sing
it is a kind of love,
a pure-toned,
full-bodied ringing
born of friction.
You could say
it’s just a wingstroke
that makes a pulse of sound
that joins with all
the other pulses
to form a river of music,
and you would be right.
But there are many ways
to face the dark.
One is to hide.
One is to prowl.
One is to bring
the bright music
of your body
and offer it
to the night.

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I am so glad to be it,
even if my role as chaser
lasts over an hour.
I want these boys
to  know I will run
for them forever,
will chase them up
and down stairwells,
will follow them
through halls and alleys,
through exhaustion,
through decades
to find them.
I want them to be certain
I will show up for them,
especially when they least expect it,
leaping toward them
shouting “got you,”
and meaning
I will be there for you
if you let me,
meaning, You are
beloved to me,
meaning I choose you,
then wrapping my arms
around them and whispering,
you’re it.

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I don’t sing Happy Birthday tonight
when I light the candle,
but I say his name and celebrate
the life of the man born this day
seventy-eight years ago in Joliet, Illinois,
the man who brought ingenuity,
courage and silliness to the world,
the man who told my mother everyday
she was beautiful, the man who
believed in hiring people more talented than he,
the man who flew home to be at my concerts,
the man who drove me to piano lessons,
the man who wept when I moved away.
My own life is a celebration of his life—
he lives inside every word, every action,
every patience, every plan.
Every day since his death, I light a candle.
Every day, I celebrate his life.
Every day, my father still shines.

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for Andrea Bird


A person, once a stranger,
can slip into your life,
unplanned, of course,
as if brought by the wind
in much the same way
a seed of spotted saxifrage
can slip by happenstance
into a crack in a rock
then root and grow.
Eventually, the saxifrage
will split the rock open.
By then, it will be full,
its flowers prolific
and beautiful.
If you are lucky,
this once stranger
will do in time
the same to you—
will be alive in you,
crack you open
with their beauty,
make you grateful
to be so broken.

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If the eyes
can adjust
to the dark,
the iris expanding
the pupil
as wide
as possible
to open to light
and enhance
sensitivity,
then dear
heart, how
might you,
too, adjust?

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My son is wearing a black cardboard hat
with a golden tassel for kindergarten graduation.
He still has all his baby teeth, and his grin
is full of gaps and pride. He’s carrying
a yellow dandelion as if it’s a prize.
I love you, I say to the boy in the picture.
I love you, I say to the boy in my heart.

There are some who live their whole lives
without ever knowing they are loved.
Staring at his photo, I take comfort
in knowing he knew. Though his life was short,
though the world was too much,
here’s a picture of a boy
who knew he was loved.

Later that day, we went to the fair
and I followed him through fun house mirrors.
We slid on gray carpets down carnival slides
and he threw darts to hit balloons.
Later that night, I would have tucked him into bed,
sung him his song, kissed his head
and told him I was glad to be his mom.

I am still glad, eleven years later,
to be his mom. Knowing all that I know
about how he will grow and how he will hurt
and how he will go, I’ve never loved him more.
I open like a dandelion as I stare
at the photo of the ripening boy,
this boy I’m still getting to know.

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Because


So I can’t save the world—
can’t save even myself,
can’t wrap my arms around
every frightened child, can’t
foster peace among nations,
can’t bring love to all who
feel unlovable.
So I practice opening my heart
right here in this room and being gentle
with my insufficiency. I practice
walking down the street heart first.
And if it is insufficient to share love,
I will practice loving anyway.
I want to converse about truth,
about trust. I want to invite compassion
into every interaction.
One willing heart can’t stop a war.
One willing heart can’t feed all the hungry.
And sometimes, daunted by a task too big,
I tell myself what’s the use of trying?
But today, the invitation is clear:
to be ridiculously courageous in love.
To open the heart like a lilac in May,
knowing freeze is possible
and opening anyway.
To take love seriously.
To give love wildly.
To race up to the world
as if I were a puppy,
adoring and unjaded,
stumbling on my own exuberance.
To feel the shock of indifference,
of anger, of cruelty, of fear,
and stay open. To love as if it matters,
as if the world depends on it.

from The Unfolding (Wildhouse Publishing, 2024)

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