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Posts Tagged ‘story’

Making Space


 
 
My heart is an unfinished poem
I begin scribbling every morning.
By noon, I sign my name.
By night, the whole page is erased.
I used to lament the erasing.
Now I love the blank more
than any scribbles I could make.
To love you is to lose my story.
Sometimes, when I am brave,
the hand doing the erasing
is my own.

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When the story of self
slips off like a mask, the sky
is more sky and an apple
more apple and the self
less self and more
what a wind is. How easy
to love then when I’m naked.
And how is it that always
some new story arrives,
solidifies less like a cast,
more like a strait jacket?
I notice because life
starts to fit too tight.
I notice because
I start to think I’m right.
But it’s no failure when a story
appears. Just an invitation
to notice how it feels
to be dressed in a story.
An invitation to pray
to the mystery, please,
once again undress me.
An invitation to be grateful
for the hands (whose hands?)
that loosen the story
and free me. An invitation
to let the self remember this:
how it longs to be spacious,
to be as infinite as what is.

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Still Changing


 
 
How seldom he was still,
   more humaning than human,
     more aliving than alive.
       Mostly he was running
     or jumping or lunging.
   Mostly he was spinning
or flopping or dodging.
   Even as he sat,
     which he seldom did,
       his leg was pumping,
     his fingers fidgeting.
    But there were times,
like when we snuggled on the couch
   to read books,
     when his whole body quieted
       as if to better listen
     to the story,
   as if he was captive
to the characters’ struggles,
   every cell of him rapt
     to know what came next.
       Now I see how active
     a stillness can be,
   how far he was moved
when he was motionless,
   how even now as I sit here
     still as his tombstone,
       I am spellbound
     by the still changing story
of his life—
   how because I am still
     all of me is moved,
        until I’m a new woman
      sitting in the same place.

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I listen as she spins
gold out of words,
infusing the room
with grail and goddess,
with Celtic greens
and Grecian blues,
until the whole room
is glowing and golden, lit
by her love for the world.
Stories are, perhaps,
one of the simplest
proofs that miracles exist.
Look how before
there was only a room.
Now everything
and everyone in it
is shining, changed,
drenched in grace.

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The Invitation




Two nights after he died,
all night I heard the same
one-line story on repeat:
I am the woman whose son
took his life. The words
felt full of self-pity,
filled me with hopelessness, doom.
And then a voice came,
a woman’s voice, just before dawn,
and it gave me a new shade of truth:
I am the woman who learns
how to love him now that he’s gone.
It did not change the facts,
but it changed everything
about how I met the facts.
Over a hundred days later,
I am still learning what it means
to love him—how love is
an ocean, a wildfire, a crumb;
how commitment to love changes me,
changes everyone,
invites us to bring our best.
Love is wine, is trampoline,
is an infinite song with a chorus
in which I am sung.
I am the woman who learns
how to love him now that he’s gone.
May I always be learning how to love—
like a cave. Like a rough-legged hawk.
Like a sun.

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Still Learning



Tonight when I see a photo
of myself from almost thirty years ago,
I stare at the woman in white lace
the way a butterfly might stare
at that strange nibbling larva—
curious. It doesn’t occur to me
to tell her about what will happen.
I flit by as she stays on the wall.
She’ll learn soon enough. I breathe
into my wings. She’ll learn.

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Please don’t tell me what will happen.
I’ve peeked before at the end of a book
and know how one detail learned too soon
can ruin the entire story.
Not that I wish to be patient.
Of course, I want to know what’s coming,
but this story only works in present tense.
Even when it makes me weep,
even when I’d rather put this story down,
even when I’d like to rewrite the last scene,
please, don’t give me even a little hint.
I am not sure I believe in happy endings,
but I believe in turning the page,
in holding the weight of the book in my hands,
and racing through the text,
my eyes eager to discover what comes next.

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Lights Out

 

 

We would be tucked into our twin beds,

and dad would sit in the door way.

Every night, he’d tell us a story about a boy

and a girl who were very much

like my brother and me, only they lived

amongst the dinosaurs. I don’t remember

how the stories went, but I remember

how I loved them, how my father’s voice

became part of the night, how everything

always turned out right for the kids

in the story. How much I wanted

to be that girl who rode on a pterodactyl,

and how grateful I felt to be the girl I was,

snug under the thin blue blanket,

our small room a cave where anything

could happen, the low tones of my father

quietly cradling me toward sleep.

 

 

 

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Next Draft

 

Endings are what give stories meaning.

            —Erin Morgenstern, The Starless Sea

 

 

If the ending

is what gives

a story meaning,

 

then may we

never learn what

this story means.

 

I don’t want

to reach anything

like a vague

 

ever after. Here,

take what’s left

of my blank—

 

please feel free

to lose our

table of contents,

 

rearrange our index,

renumber our pages,

revise the tension,

 

and if we

near a denouement,

then my dear

 

let’s have stacks

of pink erasers

on hand, ready

 

to sacrifice any

resolution that might

be goodbye—know

 

I would rather

struggle with you

in the messy

 

middle than ever

arrive at the

end.

 

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Because you are the porch,

I am the rocking chair.

 

Because you are the pen,

I am the unfinished poem.

 

In the conversation of what happens next,

I am always the pause.

 

I am always the pause

and you the verb.

 

And if there should be a run on sentence

that jogged right through the

 

end of the story, way past the end,

well, I would not be the period.

 

But I would be ever after.

And I would be the one still listening after that.

 

 

 

 

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