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Archive for December, 2021

Starting Place


 
 
When all my plans have changed
and changed again, and then again,
I notice the stubborn part of me who
rails against change, who wishes plans
could go as planned. And I judge her—
judge her like I’m a ruler-smacking teacher
who shames children in front of class.
You should be more resilient, I chastise her.
You should know after fifty-some years
you will need to adjust. And these changes
are small stuff. What is wrong with you?
And I feel the animal of myself contract.
 
If one of my friends were upset about change,
I’d murmur, Oh, darling, that sounds rough.
And with no effort, my voice
would unspool in silken thread.
Could I speak to myself like a darling, a friend?
Darlin’, I start, but it comes out a thick sneer,
and I add, Oh, so you’re gonna fail
compassionate self-talk, too … darlin’?
Begin again. Deep breath. Hey, darling,
are you in there? And I follow the breath
into a softening, my whole body
tuning more open, sincere. Yeah, darling,
my voice is naked now. Change is hard. I’m here.

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Don’t even try to be strong.
            —Salli Russell


There are some who, when
they turn toward the light
become the light. But we know,
too, the power of turning
toward despair, toward
heartache, toward grief,
toward loss, toward defenselessness,
a journey in a minor key,
and this, too, is an invitation
to lean in and open until,
informed by the darkness,
we find ourselves shining,
luminous from within.

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Tonight your absence
is a long-haired cat—
circling me, nudging me,
curling in my lap
and deciding to stay.

Is it strange to say
I love the presence
of your absence—
not the fact you are gone,
but the way it reminds me
I have made a life
of loving you—a choice
I will again and again make.

This is what I want:
To be awed by how
you still teach me
to love;
to be inspired
by how you still insist
I meet life as it is,
not life the way
I wish it would be.

I want to hold out my arms
and lean into the spaces
you’ve left behind.
I want to be as close
to your memory
as this cat in my lap—
how it molds to my shape,
how it makes of my body
a home.


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Ode to the Saltine Cracker




Oh, salty square,
oh, bite that turns
to savory paste,
oh, flaky wafers
stacked in long
white plastic sleeves,
you fed the boy
who could never
eat enough,
attended him
through online school,
travelled with him
in his book-laden backpack,
fueled him as he
researched twin-
turbocharged V-8 engines
and fawned over
Italian luxury cars.
Finding you today
out of place
on the shelf beside
my thesaurus,
an unopened box,
I crumpled,
longing for the boy
who would have opened you.
I’d love to clean
your stupid crumbs
from the couch.
All afternoon, I taste it,
this daily salt
that falls to my lips.

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Still Learning



Tonight when I see a photo
of myself from almost thirty years ago,
I stare at the woman in white lace
the way a butterfly might stare
at that strange nibbling larva—
curious. It doesn’t occur to me
to tell her about what will happen.
I flit by as she stays on the wall.
She’ll learn soon enough. I breathe
into my wings. She’ll learn.

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Now since I’ve tasted trust in life
why would I ever
slip again into armor?
The armor of an insincere smile
sometimes as dangerous
as the armor of a sword.
Why would I ever try to know
what to say, how to act,
how to plan, when,
with zero effort of my own,
life itself will move through me,
will rise up in me to meet itself?
Of course, like the child I am,
I forget this trust.
I slip back into habit,
believe I need protection,
fear I am isolated.

But I have fallen in love with life
at a time when that might seem impossible,
and this strange fact alone
seems enough to remind me
to ditch the armor,
to cast wide my arms,
to unsheath my heart
and say yes, life,
I trust you, I serve you.
Why would I not trust life?
It would be like a seed
evading the rain,
like a sunflower
just unfurling
trying to avoid the sun.

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Quiet Connection

Any morning is a chance

to walk the same path

I have walked before

and listen. Listen

to the silence between

steps, between breaths,

inside joy, inside loss,

the silence that sometimes

fills in the cathedral of thoughts,

the silence that holds

all that is. Sometimes

the silence clings to a moment,

sticks to me,

like the lingering scent

of rabbit brush on the fingers,

like a favorite song

that won’t leave the ear.

The same path

is never the same,

and listening to silence

is always new.

Sometimes my own silence

helps me to hear

the silence of my loves

who are gone.

I could not have known it before,

how intimate it can be,

the communion of our silence.

how in these quietest of moments,

filled with nothing

but listening, open,

we meet.

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Arriving at Each Other’s Doors: A Poetry Thoughtshop on Compassion with Rosemerry Wahtola Trommer

Monday, Dec. 13
5:00-5:40 p.m. MST
Via Zoom

Bring your open heart, your closed heart, your hope and your pen to this virtual playground, where poems will serve as invitations to change the way we meet the day and each other (whether we choose to pick up that pen or not). As our lives rush by, how do we choose to be more open to love? How do we choose to build bridges—or not? And how might poetry help us celebrate and explore our shared humanity?

In this 40-minute poetry thoughtshop, poet Rosemerry Wahtola Trommer will share poems about compassion, connection and how it is we come together. She’ll also offer a host of writing prompts to help you write your own poems that explore how you choose to meet the world. This event is hosted by SHYFT at Mile High whose mission is to provide all people, regardless of ability to pay, with classes and programs proven to reduce stress, move through trauma, and create connection.

This is a donation-based class. Choose between $5, $10, or $15 to attend.

To register, visit here.

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after Hope II by Gustav Klimt


I am still thinking of the pregnant woman
on the fifth floor in room five hundred four
in a gold and jewel-toned Byzantine gown
with her eyes closed and her head bowed
down toward her swollen belly. Has she
glimpsed the gray skull attached to her womb?
Is this why her eyes are closed? Did she
somehow guess at what I now know—
that to say yes to a birth is to also say yes
to the death of that child—how the end
is in every one of us from the beginning.
It is right the soon-to-be mother
is nearly naked. This is what birth
and death do to us—no matter how
rich our clothes, we are utterly exposed—
not a damn thing to protect us
from our impermanence. I have fallen
in love with her, this mother to be—
in love with the curl of her fingers,
in love with the flex of her wrist,
in love with her flat and ornate robe,
in love with her delicate face,
and in love with her ripening shape—
this is how the human story goes.
Death hides in all our robes.
It’s the only way to live.


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One Night on Broadway


 
walking the crowded street—
how many thousands of invitations
to fall in love

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